The World Menders

marble dais upon which the kru was seated on an ornate triple throne with a high priest at a lower level on either side of him. In a niche above the throne, standing upright in an elaborately engraved, gold coffin, was the body of the old kru, already elevated above his successor on the first stage of his journey to his crypt somewhere in the upper reaches of the tower.

The massed nobility and much of the priesthood of Scorvif filled the hall. The coronation ceremonies were already completed; the kru wore the hand-painted robe and the short golden cape of divine office. He was middle-aged and flabby, with eyes deeply sunken above sagging jowls, and he did not seem an auspicious ruler for a worn-out civilization. Farrari studied him as long as he dared before he respectfully lowered his eyes.

He had already sensed that all other eyes in that vast assemblage were on him, or soon would be. They marched forward, and before the dais his escort turned aside. He stood alone at the foot of the ramp stairs that led up to the high throne and wished that he knew something of Rasczian psychology. A young apprentice newly arrived from the south would certainly hesitate, so Farrari hesitated, turned uncertainly, and did not move until one of his escorts hurried back to whisper an unintelligible instruction. Then, eyes averted and carrying the kru’s cake, he mounted the ramp.

There could be only one possible explanation: they wanted him to present the cake, and thanks to IPR thoroughness, he knew exactly how to do it. Gayne and Inez had rehearsed the presentation scene carefully so that Farrari would not misbehave while Gayne was presenting the cake. Now all he had to do was take the role Gayne had portrayed.

Eyes still averted, gift extended in front of him, he reached the dais, gauged his distance cautiously, edged forward two more steps, and then sank slowly to his knees. His muscles, still sore from Gayne’s prolonged rehearsal, protested achingly, but with set teeth he maintained his slow descent, and when his knees touched he leaned forward, straining to keep his balance, and continued the slow, settling movement until at the precise moment that his forehead touched the marble dais he laid the gift at the kru’s feet. From behind him a murmur arose—of appreciation, Farrari hoped, and he felt that he’d earned it. Reversing the movement was much harder, but he managed it smoothly, gained his feet, and slowly backed down the ramp—one did not turn his back on the kru.

“And now,” he thought, “let’s get out of here—fast!”

His escort stepped to his side but made no motion to leave. On the dais an attendant was removing the soggy wrapping from the kru’s cake. Farrari risked an oblique glance as the cloth fell away: the kru leaned forward, staring both high priests leaped to their feet; from the audience came gasps and muted exclamations, followed by an upwelling of talk.

A high priest’s outstretched hand imposed silence. He spoke with the kru, spoke with the other high priest, raised his arm in signal. From somewhere in the rear came the sounds of a flurry of movement that swept past Farrari and rushed up the ramp. A fluttering group of attendants, handed objects to the two high priests: a table with a polished wood top—Farrari, risking another oblique glance, thought it entirely too much like a chopping block—two superbly polished, mottled stones, large and obviously very heavy, and an ancient sword. The high priests placed the table near the throne, set the two stones upon it, and stood the gift cake upright between the stones.

Then, with one of them carrying the sword, they descended the ramp to Farrari. His panic was under control when they reached him. The doors were too far away and guarded, there was no way out, and he could only obey and keep himself alert for any opportunity.

They led him to the top of the ramp, and he imitated them when they sank into the ceremonial bow. The one with the sword laid it at the kru’s feet. Then they rose, the priests gently coaching Farrari with gestures, and the kru handed the sword to Farrari, blade foremost.

He was much too astonished to accept it, but a priest spoke softly to him, and he took the sword and transferred the handle to his hand. It was a massive thing, with broad blade and a very simple handle, and Farrari, because of his work with Semar Kantz, fancied that he knew rather more of its lineage than did the priests.

He gripped the sword and waited. It crossed his mind that a simple lunge would change this planet’s history, but only momentarily—there would be another kru as soon as a new relief could be carved, another titular owner of the olz, and things would proceed as before.

What did they expect him to do with the sword—slice the cake? Sword, table and stones were obviously very old, and the tabletop was immaculate. Nothing had ever been sliced there. The priest spoke again, and Farrari desperately focused on two vaguely familiar words. One meant hit or strike—or stab? If he stabbed the cake, he might knock it off the table, and he doubted that they’d be telling him to make a stabbing motion in the direction of the kru. Strike, then. He’d thought the other was the word for bread, but perhaps it also meant cake. Strike the cake?

He tested the sword’s edge with his left thumb and mentally indulged in several non- Rasczian curses. It was a ceremonial sword; probably it hadn’t been sharpened since it was cast and it had been dull to start with. Not even an expert like Gayne could have made a respectable cut with such a blade. No wonder the tabletop was unmarked!

They were asking him to split the cake lengthwise, or try. He hoped that was what they were asking, because he couldn’t delay longer and that was what he was going to do. The priest spoke again and gently pushed him toward the table. All eyes in the vast hall were on the cake. The kru was staring at it fixedly, the priests were staring at it…

Farrari stared at it. Strike… cake. And with a dull sword. He raised the sword with both hands and brought it down on the cake with all of his strength.

The sword hit the tabletop with a loud clunk. Farrari stared aghast at it—it had passed through the cake almost without resistance and left a deep mark in the polished wood. He stepped back, leaving the sword on the table. “When they see that, they’ll want to try it on my neck,” he told himself.

For the long eternity of a moment, everyone continued to stare at the cake. Then one of the priests removed the sword and pushed a stone aside, and the other priest caught the two halves of the cake as they fell. From behind Farrari came an eruption of excited babbling voices. As he waited tensely with eyes lowered, a movement caught his attention. The kru had leaped to his feet and was gawking at the bisected cake.

The priests made no move to quiet the uproar. They conferred with each other, one of them spoke with the kru, and then they led Farrari down the ramp. With a word of command they turned Farrari over to priests of less exalted rank, who led him through a pressing throng of nobility that gaped rudely at Farrari and attempted to touch him as he passed. The doors swung open for them, and they left the hall, marched briskly along a branch corridor, climbed a ramp, and entered a long, narrow room.

“What d’ya know!” Farrari breathed. “The art school!”

Circular openings in the wall looked down onto the assembly Farrari had just left, and at each of them several artists, all clothed in a form of priestly dress, were sketching—some with chalk on smooth slabs of stone, some on polished wood, some on cloth.

Attendants brought in the table, the stones and the sword, and Farrari found himself posed with the sword upraised while the artists circled him and studied his features. Either he was about to become immortalized on a new tapestry or relief for the temple, or what passed for a constabulary in Scorv wanted his portrait for its files. He could not decide which he would resent most.

Finally a very young priest came for Farrari and led him back to the lower floor. Another young priest greeted him with a smile, opened a door for him, placed folded garments in his hands, and withdrew with another smile and a half-bow.

The door closed. Farrari tossed the garments aside and hurried to the wide window slit. There were a few passersby in the square and several ranks of foot and cavalry soldiers positioned near the temple. The drop to the ground would be an easy one, but he had the uncomfortable feeling that to be seen climbing out of a window of the Life Temple must excite comment if not action—and the soldiers looked disconcertingly ready for action. He turned away reluctantly and examined the room.

It was furnished with a rough table with a bench, and a pallet on a stone slab. An empty niche in the wall