that needed chasing up. Thorne laid it to one side and pulled the computer keyboard towards him. All the way back from Colindale, he had been wondering where the Garvey case notes would have been archived. Now, he decided there was a far quicker way to do a bit of research.
Thorne hit a few keys and logged on to Google. Typed in ‘Raymond Garvey’.
There were over three hundred and fifty thousand hits.
He scrolled past the first half a dozen links, ignoring Wikipedia and something called serialkiller.com, until he found a site that was not advertising a magazine or true-crime shows on satellite TV and seemed more or less reliable. Hee looked at the list of names. Susan Sharpe, aged forty-four, was number four. She had been attacked on her way home from a gym, bludgeoned to death, as had all the other victims, and been found on a canal bank in Kensal Green, the vast mausoleums and elaborate statuary of its famous cemetery spread out alongside. Thorne clicked on the name and brought up a picture. He saw no immediate resemblance to Emily Walker, then reminded himself that he had never seen Emily alive.
Raymond Anthony Garvey had murdered seven women in four months. He might have killed many more had he not been arrested after a simple pub brawl in Finsbury Park. Had a sample of his DNA taken after that incident not matched that found on two of the victims. It was the kind of coincidence that would have crime-fiction writers accused of laziness, but good luck played a bigger part in cracking such cases than most senior police officers would care to admit.
Garvey, who always refused to talk about his motives, was given five consecutive life sentences, and was told by the judge that he would die in prison. That happened a lot sooner than anyone expected, as he was diagnosed with a brain tumour twelve years into his sentence and succumbed to it six months later.
Thorne looked again at the picture of Raymond Garvey – the bland, blissful stare of an ordinary psychopath – before highlighting the names of the women he had murdered. Just after he’d clicked PRINT, the door opened and Russell Brigstocke walked in.
The DCI dropped his sizeable backside on to the edge of Thorne’s desk and glanced at the images on the computer screen. He nudged at his glasses. ‘ Holland told me about that. What are the bloody chances?’ He pushed his fingers through what had once been a pretty impressive quiff, but was now getting decidedly thin.
‘Yeah.’ Thorne knew that his own appearance had changed just as much. There was still more grey hair on one side than the other, but a lot more of it everywhere. He logged out of the website, Garvey’s face giving way to a blue screen and a Met Police logo: the reassuring words ‘Working Together for a Safer London’.
‘Thirty-six hours into this one already, Tom,’ Brigstocke said. ‘Where are we?’
The DCI could interpret Tom Thorne’s expressions and his curt body language as well as anyone. He recognised the twitch in the shoulder that meant ‘Nowhere.’ The puff of the cheeks that said, ‘Barring our killer handing himself in, you won’t be standing outside Colindale station making triumphant announcements to the press anytime soon.’
‘What’s happening with the FSS?’ Thorne asked.
The Forensic Science Service lab in Victoria was busy examining all the trace evidence gathered from the crime scene: hairs, fibres, fingerprints. They were analysing the bloodstain pattern in the hope of creating an accurate reconstruction of the crime. They were trying to identify the fragment of celluloid found clutched in Emily Walker’s hand.
‘I’m chasing,’ Brigstocke said. ‘Same as I always am. Tomorrow, with a following wind, but more likely Sunday.’
‘What about the E-fit?’
‘Have you seen it?’
Thorne nodded. The curtain-twitching neighbour had clearly not witnessed as much, or in as much detail, as he had first claimed. ‘I’m not holding my breath,’ he said.
‘Right. I don’t think it’s going to help us a great deal either, but what do I know? Jesmond wanted it out there on the hurry-up, so it’s out. It’s in the Standard today, and some of the nationals. London Tonight, too.’
Brigstocke was every bit as transparent as Thorne himself, and Thorne caught the roll of the eyes that translated as, ‘Waste of fucking time.’ Of course, Superintendent Trevor Jesmond would want the E-fit distributed as widely as possible, to show that his team were making progress. It did not seem to concern him as much as it should – with a picture of the killer that looked as though it had been drawn by a chimpanzee – that precious time and manpower would now be wasted taking, logging and filing hundreds of pointless calls, mental or plain misguided, proclaiming that the person the police were looking for was everyone from the man next door to Johnny Depp.
The superintendent’s overriding concern was always how he came across on screen or in print. He would be doing his bit to camera outside Colindale station later that day. He would dispense the simple, shocking facts, emphasising the brutality and the horror of what had been done to Emily Walker and letting it be known that any steps necessary would be taken to bring her killer to justice.
Thorne had to give the man his due. He couldn’t catch a council-tax dodger if his life depended on it, but he did righteous indignation pretty damn well.
‘It’s someone she knew,’ Thorne said. ‘Someone who’d been watching. She’d seen him around, spoken to him, whatever.’
Brigstocke nodded. ‘Let’s get bodies into every shop she went to regularly, the nearest supermarket, the gym she visited. Let’s take a good hard look at friends and workmmates. Interview all the neighbours again.’
‘Phil reckons he came prepared.’ Thorne picked up the post-mortem report that Hendricks had delivered the previous afternoon, flicked through it. ‘I’ve got a feeling he’d been “preparing” for a while.’
Brigstocke groaned. ‘How bloody long have I been doing this?’ he said. ‘And yet hearing stuff like that still depresses me.’ He eased himself up from Thorne’s desk and walked to the window. ‘I mean, I’m not saying it would be any better if her old man had caught her playing away from home and smacked her over the head with something. I know she wouldn’t be any less dead. But Jesus…’
‘It should depress you,’ Thorne said. ‘When it doesn’t-’
‘I know, time to retire.’
‘You turn into Trevor Jesmond.’
Brigstocke smiled. He picked up the piece of paper that had been spewing from the printer when he’d walked in. He looked down at the list of seven names. ‘This anything we should be looking at?’
‘Don’t see why,’ Thorne said. ‘Garvey died in prison three years ago.’
Brigstocke flapped the sheet of paper, as though he were fanning himself. ‘Just one of those freaky things.’
The DCI nodded his understanding. The pair of them had worked a case only a few months before in which a man had been beaten to death in front of his family after confronting a noisy neighbour. It transpired that twenty years earlier, and only two streets away, exactly the same thing had happened to that victim’s father.
‘One of many,’ Thorne said.
As it turned out, with a briefing that overran by twenty minutes and a Crown Prosecution Service lawyer who refused to get off the phone, lunchtime would have been a tricky time for Thorne to get away. But by then it did not matter: Louise had already called to say that she would be making her own way back to the flat. That she felt OK and needed to get out.
Driving back at the end of the day, Thorne felt nervous, as though he and Louise had had an argument. He ran through the conversations they might have when he got home, but they all went out of his head the moment he stepped into the silent flat. When he saw her lying on her side in the darkened bedroom.
‘It’s OK,’ she said. ‘I’m not asleep.’
It was only eight o’clock, but Thorne got undressed and climbed in beside her. They lay still for a while, listening to a motorbike revving up in the street outside, and a song Thorne couldn’t quite place drifting down from the flat upstairs.
‘Do you remember the Garvey killings?’ he asked.
She grunted and he wondered if he had woken her up, then she said, ‘I was at college, I think. Why?’
Thorne told her about Susan Sharpe. How a mother and daughter had been murdered, fifteen years apart. It was quiet now upstairs and Thorne still wasn’t sure what the song had been.
‘You’re doing it again,’ Louise said. ‘Trying to make me feel better.’