Morning finds me and Thomas huddled down in his Tempo, parked around the corner from Will’s house. We’ve got our heads pulled low inside of our hooded sweatshirts and our eyes are shifty. We look exactly like you’d expect someone to look if they were minutes away from committing a major crime.
Will lives in one of the wealthier, more well-preserved areas of the city. Of course he does. His parents are friends with Carmel’s. That’s how I have a copy of his house keys jangling around in my front pocket. But unfortunately that means there might be lots of busybody wives or housekeepers peeking out of windows to see what we’re up to.
“Is it time?” Thomas asks. “What time is it?”
“It isn’t time,” I say, trying to sound calm, like I’ve done this a million times. Which I haven’t. “Carmel hasn’t called yet.”
He calms down for a second and takes a deep breath. Then he tenses and ducks behind the steering wheel.
“I think I saw a gardener!” he hisses.
I haul him back up by his hood. “Not likely. The gardens have all gone brown by now. Maybe it was someone raking leaves. Either way, we’re not sitting here in ski masks and gloves. We’re not doing anything wrong.”
“Not yet.”
“Well, don’t act suspicious.”
It’s just the two of us. Between the time of the plan hatching and the time of the plan execution, we decided that Carmel would be our plant. She’d go to school and make sure that Will was there. According to her, his parents leave for work long before he leaves for school.
Carmel objected, saying we were being sexist, that she should be there in case something went wrong, because at least she’d have a reasonable excuse to be dropping by. Thomas wouldn’t hear of it. He was trying to be protective, but watching him bite his lower lip and jump at every tiny movement, I think I might’ve been better off with Carmel. When my phone starts vibrating, he jerks like a startled cat.
“It’s Carmel,” I tell him as I pick up.
“He’s not here,” she says in a panicked whisper.
“What?”
“Neither of them are. Chase is gone too.”
“What?” I ask again, but I heard what she said. Thomas is tugging on my sleeve like an eager elementary schooler. “They didn’t go to school,” I snap.
Thunder Bay must be cursed. Nothing goes right in this stupid town. And now I’ve got Carmel worrying in my ear and Thomas conjecturing in my other ear and there are just too many damn people in this car for me to think straight.
“What do we do now?” they ask at the same time.
Anna. What about Anna? Will has the athame, and if he got wind of Carmel’s decoy texting trick, who knows what he might have decided to do. He’s smart enough to pull a double cross; I know that he is. And, for the last few weeks at least, I’ve been dumb enough to fall for one. He could be laughing at us right now, picturing us ransacking his room while he walks up Anna’s driveway with my knife and his blond lackey in tow.
“Drive,” I growl, and hang up on Carmel. We’ve got to get to Anna, and fast. For all I know, I might already be too late.
“Where?” Thomas asks, but he’s got the car started and is pulling around the block, toward the front of Will’s house.
“Anna’s.”
“You don’t think…” Thomas starts. “Maybe they just stayed home. Maybe they’re going to school and they’re just late.”
He keeps on talking but my eyes notice something else as we pass by Will’s house. There’s something wrong with the curtains in a room on the second floor. It isn’t just that they’re drawn when every other window is clear and open. It’s something about the way that they’re drawn. They seem … messy, somehow. Like they were thrown together.
“Stop,” I say. “Park the car.”
“What’s going on?” Thomas asks, but I keep my eyes trained on the second-floor window. He’s in there, I know he is, and all of a sudden I’m mad as hell. Enough of this bullshit. I’m going in there and I’m getting my knife back and Will Rosenberg had better get out of my way.
I’m out before the car even stops. Thomas scrambles behind me, fumbling with his seatbelt. It sounds like he half falls out of the driver’s side door, but his familiar clumsy footfalls catch up and he starts asking a million questions.
“What are we doing? What are you going to do?”
“I’m going to get my knife back,” I reply. We haul ass up the driveway and bound up the porch steps. I shove Thomas’s hand away when he goes to knock and use the key instead. I’m in a mood, and I don’t want to give Will any more warning than I have to. Let him try to keep it from me. Let him just try. But Thomas grabs my hands.
“What?” I snap.
“Use these at least,” he says, holding out a pair of gloves. I want to tell him that we aren’t cat-burglarizing anymore, but it’s easier to just put them on than to argue. He puts on a pair himself, and I twist the key in the lock and open the door.
The only thing good about going into the house is that the need for quiet is keeping Thomas from poking me with questions. My heart is hammering away inside my ribs, silent but insistent. My muscles are tense and twitchy. It isn’t at all like stalking a ghost. I don’t feel certain or strong. I feel like a five-year-old in a hedge maze after dark.
The interior of the place is nice. Hardwood floors and thick-carpeted rugs. The banister leading upstairs looks like it’s been treated with wood polish every day since it was carved. There is original art on the walls, and not the weird modern kind either — you know, the kind where some skinny bastard in New York declares some other skinny bastard a genius because he paints “really fierce red squares.” This art is classic, French-inspired shore-scapes and small, shadowed portraits of women in delicate lace dresses. My eyes would normally spend more time here. Gideon schooled me in art appreciation at the V&A in London.
Instead, I whisper to Thomas, “Let’s just get my knife and get out.”
I lead the way up the stairs and turn left at the top, toward the room with the drawn curtains. It occurs to me that I could be completely wrong. It might not be a bedroom at all. It might be storage, or a game room, or some other room that would conceivably have its curtains shut. But there’s no time for that now. I’m in front of the closed door.
The handle turns easily when I try it and the door swings partially open. Inside is too dark to see well, but I can make out the shape of a bed and, I think, a dresser. The room is empty. Thomas and I slide in like old pros. So far, so good. I pick my way toward the center of the room. My eyes blink to activate better night vision.
“Maybe we should try to turn on a lamp or something,” Thomas whispers.
“Maybe,” I reply absently. I’m not really paying attention. I can see a little bit better now, and what I’m seeing, I don’t like.
The drawers of the dresser are standing open. There are clothes spilling out of the tops, like they’ve been rifled through in a hurry. Even the placement of the bed looks strange. It’s sitting at an angle toward the wall. It’s been moved.
Turning in a circle, I see that the closet door is thrown open, and a poster near it is half torn down.
“Someone’s been here already,” Thomas says, dropping the whisper.
I realize that I’m sweating and wipe at my forehead with the back of my glove. It doesn’t make sense. Who would have been here already? Maybe Will had other enemies. That’s a hell of a coincidence, but then, coincidences seem to be going around.
In the dark, I sort of see something next to the poster, something on the wall. It looks like writing. I step closer to it and my foot strikes something on the floor with a familiar thump. I know what it is even before I tell Thomas to turn on the light. When the brightness floods the room, I’ve already started backing out, and we see what we’ve been standing in the middle of.
They’re both dead. The thing that my foot struck was Chase’s thigh — or what’s left of it — and what I
