With a rip of rending material, Drake was suddenly free of the restricting garment, and, with the cry of a madman, he launched himself at Keeble, punching and flailing at the toymaker, who, with a deliberation and sobriety that startled St. Ives, pulled from his coat a leather truncheon, and slammed the industrialist on the side of the head, felling him to the carpet. Keeble replaced the truncheon, apparently satisfied, and turned toward St. Ives a face pale and beaded with sweat. “I don’t suppose I should kill him,” he said slowly.
“No!” cried St. Ives, hauling Keeble once again along the hallway toward the stairs. Jolting up from the ground floor raged two men, obviously not customers. One, St. Ives realized with a shock of horror, was the man with the chimney pot hat, who held in his hand a carving knife. His companion scrabbled in his coat, perhaps after a gun.
“The bench!” cried St. Ives, grappling with the end of the carved Jacobean trestle bench that sat on the landing. Keeble went for the opposite end. The two men swung it in a quick arch, then let it go, Keeble a second or so ahead of St. Ives. Chimney pot flattened himself against the balustrade as Keeble’s end of the heavy bench swung round, grazing his forehead, plowing into the neck and chest of his companion, who had, to his own great misfortune, been peering into his coat. The man screamed and pitched over backwards, he and the bench skidding together down the stairs. Chimney pot was after them, waving the knife.
St. Ives skipped up the stairs, Keeble beside him, both men running headlong into a surprised Winnifred Keeble who supported Dorothy around the shoulders with her left arm. In her right hand she clutched a revolver. “Where on earth…” she began before catching sight of the murderous chimney-pipe. “I have your gun!” she cried, pointing the weapon in his general direction.
He slowed momentarily, cocked his head as if debating the extent of the threat, then rushed heedlessly on. Winnifred pushed Dorothy in William’s direction, grasped the revolver with both hands, and fired off three or four shots, one after the other, eyes closed. St. Ives dove onto his chest, rolling against the wall of the stairwell, as he watched Billy Deener sail over backward and tumble to the floor below, then roll six feet toward the center of the room, his hands over his head, before scrambling away toward the kitchen. The back door slammed in his wake. Kelso Drake staggered into the room below, then abruptly disappeared after he looked up to see the smoking pistol in the hands of Winnifred Keeble.
The Keebles ushered a stumbling and bewildered Dorothy along to the now empty room, all of them intent only on reaching the street. Fearful that they wouldn’t be quick enough, Keeble bent over and scooped the drugged girl into his arms, tilting dangerously for a moment before tossing her just a bit so that she settled in and balanced. St. Ives crouched halfway up the second floor stairs, watching the toymaker and his wife disappear below. He turned, bolted for the top landing, and burst out onto a deserted corridor, lit dimly by gaslamps in the shape of brass cupids, clinging at intervals along the wall.
Twenty feet along, the corridor opened onto the great hall that St. Ives had been denied a look at ten days earlier. He stepped toward it, wafering himself against the wall to peer out over the high, open room, fearful that he’d be seen from below. No one, however, was in the room save Kelso Drake, who limped along across the floor, his head now swathed in bandages. A low murmur arose, as if he were cursing under his breath. Then he shouted at someone unseen about bringing the brougham around. There sounded an answering shout, then a grunt from Drake, then another shout about Deener having “taken the other box.”
“Good!” cried Drake, struggling to open a leather bag, the clasp of which refused to cooperate. The millionaire flung it against the back of a velvet couch with a fury that astonished St. Ives, and set to kicking the bag about the room like a football, dancing atop it until he’d stomped the clasp into submission. Then, yanking open the bag, he tore apart the doors of a broad, mirrored buffet, and yanked out a Keeble box, dropping it into the bag and hurrying out of sight. A moment later the front door banged shut and silence reigned. The house, no doubt, contained any number of people, hidden away from daylight and activity like bats in caves.
St. Ives wasted no time. He had no desire to confront murderers or to hide behind potted plants. He would find a way into the strange ship that sat toadlike in the center of the room below. It was apparently nothing more than a curious ornament, like a china vase or a marble cupid, the peculiar bric-a-brac of a millionaire, polished, no doubt, by a cleaning woman with a rag, who assumed it to be some sort of inexplicable and filthy contrivance for the gratification of the abhorrent appetites of wealthy customers. It was thought to be a sort of giant Pinkle, perhaps, the uses of which were veiled from the sight of the uncorrupted.
St. Ives stared at the machine for a long minute, peering at the little crenelations along its fins, its emerald- tinted ports, the silver sheen of its globular bulk. All in all it wasn’t vastly different in character from his own ship — they weren’t brothers, to be sure, hut they bore each other an unmistakable family resemblance. Curious, thought St. Ives, how two vehicles that hailed from galaxies so immensely distant from each other should have such an obvious affinity. There was a metaphysic there that bore contemplation, but it seemed a good idea to wait until later to contemplate it. He turned and made off down the stairs, pushing through two doors and under a tremendous arch into the hall.
He grasped the rope that hung behind the drawn curtains and gave it a yank, the curtains swinging back and the room flooding with midafternoon sunlight. The vast, unshuttered window looked out onto Wardour Street, obscured partly from view by a scattering of junipers and boxwoods that grew up close along the walls of the house, entangled in the creeping tendrils of climbing fig. It might easily have been years since the foliage had been trimmed, and easily as long since the drape had been drawn to illuminate the dim and unwholesome room with sunlight.
At the sound of a crashing upstairs and what sounded like the whispering of furtive voices, St. Ives hastily manipulated what seemed to him to be the hatch — a circular panel that popped open like the stone door of Aladdin’s cave, emitting a little airy chirp as if startled, perhaps, by the touch of the scientist’s hand.
At the sudden sight of the interior of the ship, St. Ives found himself trembling so that he could hardly command his hands and feet. He attempted to scale the side, but his foot slid from a protruding bit of polished metal and his hands could find no purchase on the slippery arched edge of the open hatch. His breath whooshed out by the lungful. He felt suddenly giddy and faint, faced, as he was, by the object of a long and sometimes desperate search and fired by the fear that at any moment he’d hear the click of a pistol hammer drawn back or the rough shout of one of Drake’s men. He hauled on the arm of a nearby upholstered chair, drawing it up next to the spacecraft, climbing up onto the seat and nearly sinking at once to the level of the floor in the soft, lack-springed cushion. He stepped up onto an arm, teetered back and forth, and slid head first in at the hatch. After yanking the hatch shut, he settled into a cushioned seat and surveyed the interior of the ship.
Before him were a plethora of dials and gauges. He’d wage a sum on his being able to guess out the nature of half a dozen of them, but others were a mystery. The dials were mounted under clock crystals, filled, it seemed, with violet liquid. Scattered in between and roundabout were buttons that one might push, fabricated of what appeared to be ivory and ebony. St. Ives had the sudden urge to jab away at them, like a man with no musical training might poke at the keys of a piano. But the discordant result might easily mean his doom — probably
“Damn,” he said, half aloud. He stooped up through the hiatus, grasped the hatch in order to haul it back down, and looked straight into the ruined face of a ghoul, who stood precariously on the upholstered chair. St. Ives shrieked at it, dropping into the craft, bounding up again to clutch at the hatch, the ghoul meanwhile endeavoring to hoist itself in. Its gaping face, hair tumbling over its forehead, loomed in above St. Ives, who pressed his right hand against the thing’s nose and forehead, shoving with all his strength, his feet braced against the deck of the craft. The ghoul stared out stupidly from beneath St. Ives’ fingers, its own hands stubbornly clutching the edges of the circular hatch opening. St. Ives banged at the fingers with the fist of his free hand, then reached past, grasped the hatch, and slammed it down on the back of the thing’s head.
It lurched forward, eyes widening, then jerked its head out, throwing the hatch open with it. A third hand joined the pair still clutching the ship — another ghoul endeavoring to clamber in. St. Ives banged the hatch down onto the fingers, mashing at them once, then twice, then a third time, grimacing at each blow, expecting a rain of severed fingers. He shut his eyes and slammed the hatch again, it settled into place. Outside were the two ghouls,
