forward onto his face and lay still, his torn and soiled robes splayed out around him. Dead, apparently, he hopped once or twice as the Pinkle, trapped beneath him, continued to sputter and whir before rolling free.
St. Ives shook his head. Parsons arose and very slowly stepped across to where the Pinkle spun itself out on the green, the rubber head tooting out a final, blubbery whistle. Parsons shook his head ponderously and wandered away into the dark, weaving toward Hampstead like a rudderless boat.
St. Ives watched him in silence, wondering whether his own reputation as a scientist had in any way been cemented by the night’s odd events, and determining finally that he didn’t really care a rap one way or the other. The evening had taken its toll, certainly, on the good as well as the wicked. His companions trudged along toward the wagon, on the seat of which sat a placid Hasbro. St. Ives was suddenly dead tired. The morrow would see him at Harrogate. There was work ahead; that was sure. “Well,” he said to Godall, “so ends the earnest endeavors of the Trismegistus Club. And with a modicum of success, too.”
“For the moment,” said Godall enigmatically. “We haven’t, possibly, seen the last of our millionaire. But I rather believe him to be a spent force. I’ll call upon him myself in a day or two.”
“What ever became of Willis Pule, do you think?” asked St. Ives. “He was utterly mad there at the last.”
Godall nodded. “Madness, I’m certain, is the wages of villainy. He met an old friend, in fact.”
“What’s that?” asked St. Ives, surprised.
“The hunchback.”
“Narbondo!”
Godall nodded. “In a dog cart full of carp. Pule lay face down among them, comatose.”
“Poor devil,” said St. Ives. “I don’t suppose Narbondo had come to his rescue.”
“Not very bloody likely,” said Godall darkly, and the two men hoisted themselves onto the wagon, sitting with their feet dangling over the back so that they faced the sweep of hill on which, two hours earlier, had sat the long- awaited blimp.
Ahead of them, some distance away, trudged half of London, not a man or woman among them with the least understanding of the mysteries that had supplied the evening’s entertainment. What understanding have any of us, wondered St. Ives. Not a nickel’s worth, not really. Not even Godall, for all the man’s intellectual prowess. Intellect wouldn’t answer here, wouldn’t explain why the cold and measured tread of science had strayed from chartered paths and wandered unsuspecting into the curious moonlight of Hampstead Heath. Poor Parsons. What did he make of the blimp now? Would he awaken at midday having somehow clipped the evening apart and reassembled it into a more tolerable pattern, like a man who whistles his way through a dark and lonely night, then abandons his fears in the light of a noonday sun?
St. Ives gazed with sleepy wonder at empty, receding green as the wagon bumped around a muddy swerve of road into Hampstead, the village dark now and silent. He tried to summon a picture of the blimp riding at anchor, of Doctor Birdlip visible beyond the slats of the wooden gondola, legs wide set to counter the roll of an airy swell. But the Heath lay empty above, the blimp fragmented, disappeared. And it seemed as if the strange craft had never been more than a ghostly will o’ the wisp, a bit of sleepy enchantment woven out of nothing, that whirled and faded now across the back of his closed eyes until he seemed to be sailing with it above the clouded landscape of a dream.
Two Views of a Cave Painting
I’m opposed to giving advice and making weighty statements on general principle; we’re wrong as often as not, and look like fools. But it’s safe to say this: ruination, utter ruination, might be as close to us now as is the proverbial snake, and but for the grace of the Deity and the cleverness of friends, we might at any moment find that by a slip of memory we’ve brought about the collapse of worlds.
I wouldn’t have thought it so. I’ve believed that there was room in our lives for casual error, that we could shrug and grin and suffer mild regret and the world would wag along for better or worse. Well, no more; recent events have proven me wrong. The slightest slip of the hand, the forgetting of the most trivial business, the uttering of an unremarkable bit of foolishness might plunge us, as Mr. Poe would have it, into the maelstrom. It fell out like this:
We’d been out on the Salisbury — Plain Professor Langdon St. Ives; his man Hasbro; and myself, Jack Owlesby — digging for relics. I haven’t got much taste for relics, but the company was good, and there is an inn that goes by the name of The Quarter Pygmy in Andover where I’ve eaten Cornish pasty that was alone worth the trip down from London.
St. Ives discovered, quite by accident one hot, desolate, fly-ridden afternoon, a cave beneath an isolated hillside, covered in shrub and lost to the world thousands of years ago. If you’ve been to Salisbury and ridden across the plain as a tourist in a coach-and-four, then you know how such a thing could be; there’s nothing there, for the most part, to attract anyone but an archeologist, and most of them are chasing down Druids. St. Ives was after fossils.
And he found them too; by the bushel-basketful. They littered the cave floor, dusty and dry, the femurs of megatheria, the tusks of wooly mammoths, the jawbones of heaven-knows-what sorts of sauria. St. Ives rather suspected they’d be there. He intended, he said, to make use of them.
The cave had been occupied in a distant age. Neanderthal man had lived there, or at least had come and gone. There was a cave painting, is what I’m trying to say, on the wall. I know nothing of the art of painting on cave walls, but I can tell you that this one was very nice indeed. It was the painting of a man, bearded and hairy-headed like an unkempt lion and barely decent with a loose covering of pelts. His countenance was bent into a thoughtful frown — a pensive cave man, if such a thing were possible. The painting was a self-portrait, and, said St. Ives, in quality it rivaled the famous bison painting from the cave of Altamira, Spain, or the reindeer drawings from the cavern of Aurignac. The artist had caught his own soul in berry-tinted oil, as well as his beetling brow and shaggy head.
This strikes you, I’m certain, as a weighty discovery. But you’d look in vain in the scientific journals for word of it. Our enterprises there fell out rather ill, as you might have judged from the tone of the first page of this account, and it’s only recently that I’ve been able to take up the pen and reveal the grim truth of it. In the months since our return from that cave on the Salisbury Plain I’ve invented reasons, any number of them, to cast a shadow over our enterprise. St. Ives and Hasbro, the two men who might have given me away, are gentlemen through and through, and have kept quiet on the score. But you might have read in the
“An act of God!” cried the Royal Academy, and so unwittingly they paid the highest compliment, albeit it a trifling exaggeration, that they’ve paid yet to my mentor and friend, Langdon St. Ives. The business had his mark on it, to be sure, although I’ll insist that I myself had no hand in it. With the collapse of the bit of countryside. however, was buried forever the only known evidence of my abominable folly and buried along with it were months of worry and guilt, which St. Ives no doubt grew weary and sorrowful for at long last.
I wish to heaven such were the end of it, but I can’t, of course, be entirely sure. I’m taking it on faith here. In matters involving the curiosities of traveling in time, and the complexities of meddling with the very structure of the universe itself, one must expect the odd surprise: the Neanderthal man in a hair piece, the Azilian mummy with a Van Dyke beard. One never knows, does one? It fell out like this:
When the volcano business was over with and St. Ives’s great nemesis, Dr. Ignacio Narbondo, had been swallowed by a frozen lake in Scandinavia, the professor had, for the first time in decades, the leisure time to pursue a study he’d gotten on to some ten years earlier. Time travel isn’t news anymore. Mr. H. G. Wells has put it to good use in a book which the casual reader would doubtless regard as a fiction. And perhaps it was. I, certainly, haven’t seen the wonderful machine, although I have met the so-called Time Traveler, or someone masquerading as the man, broken and teary-eyed at Lady Beech-Smythe’s summer house in Tadcaster. He was weeping into his ale glass — a man who had seen more than was good for him.
I have too, which is what I’m writing about here. Though to be more accurate, it wasn’t so much what I
