that led to the children’s quarters. She must let Rocky and Ojas know what had happened and get their help! Her claws slid and scrabbled up the polished wooden steps. Skidding to stop herself, she reached their bedroom. The room was empty. Petula turned and began to run along the corridor to the attic stairs. Her heart lifted as she approached the children’s den. The sound of jingles on the TV escaped through the crack of the closed door. Everything was normal, she thought. Rocky and Ojas were watching TV. But when she pushed the door open, her hopes were dashed. For there in the dark with the curtains shut, reclining in armchairs with glazed expressions on their faces as they gawped at the TV, were Ojas and Rocky.
Petula leaped into Rocky’s lap and barked right into his eyes, but he was like someone half dead. The light from the television screen danced across his brown face. Petula pounced at the TV. An ad was on. Three pots of mustard, each with a smiling face, jigged about in front of a barbecued sausage. This should have seemed funny, but today, as though in some nasty dream, the pots of mustard looked sinister. Petula growled and tried to hit the off switch. Having no success, she attacked the television plug and eventually pulled it out of its socket. Now the room was pitch black except for the light from the passage. Frightened and confused, Petula left that room, too.
Forest the hippie or Todson or the new cook
Down in the sitting room, Forest was so still he looked like he’d rooted to the floor like a human tree. Even the children’s pet blackbirds, sitting on his shoulders, had been hypnotized. Petula was scared. As quietly as she could, she tip-pawed to the kitchen. She found Todson and the Thai cook sitting in armchairs with their eyes closed.
Petula’s head swam as the nightmarish reality of her situation sank in. Moving as quietly and as quickly as she could, she crept to her special low chair. This was a chair that she could hide under where no one would find her. Finally under its velvet-fringed bottom, she caught her breath and tried to think straight.
She thought of the strange, glamorous woman who had smelled of red lipstick and rose perfume. Before, Petula had detected a scent of thorn in the perfume. Now she realized that the perfume had been the rose smell and that it covered the woman’s true scent, that of sharp
Emboldened by this detective work, Petula made her way to the drawing room, where she knew Lucy Logan had hidden Molly’s collection of time-travel and time-stopping crystals. She nudged the inlaid mother-of-pearl box from its low shelf near the fireplace until it fell on the floor and burst open. Nothing fell out of it. Nothing was in it. Someone had stolen the crystals.
Now Petula saw things clearly. This woman stealing Molly’s crystals meant she knew about Molly’s talents. The woman was obviously a talented hypnotist, for she’d switched every person in the house into neutral. But what about Molly and Micky? Perhaps, just
Petula shivered. She felt small and hopeless and all alone. But there was nothing for it. Molly and Micky must be helped. If Petula didn’t go to their rescue, who would?
Petula made her way down to the kitchen, to the back door. With a deep breath, she nudged the wooden dog flap with her forehead and stepped out into the cool, damp air. Raising her black nose to the wind and cocking her head to sense Molly and Micky’s whereabouts, she set off up the long drive.
Five
Miss Hunroe stood alone beside a high, round table in a large, grand room with a very tall triangular ceiling above. Her and her acquaintances’ lavish apartments were all situated in the uppermost parts of the four towers that punctuated the top of the natural history museum. Miss Hunroe’s rooms were in the Art Deco style. The black lacquer chairs had curved solid wooden backs and smart cushions with a leafy garland pattern on them. There were etched mirrored-glass tables, and at the far end of the room was a concertinaed, free-standing pale wood screen with a long-legged leaping dancer inlaid in darker wood on it. Behind this was an oval-shaped double bed. The walls were green and decorated with gold brocade. A high maple cabinet displayed a collection of ancient gold plates and goblets, and on the floor, in front of the thirty-six–paned window, a giant, rare solid-gold vase, taken from the Egyptian department in the British Museum, stood proud, filled with magnificent sunflowers. A gorgeous gilt harp stood to the side of the vase, while above, a massive golden chandelier hung from the apex of the room like a giant honeycomb.
The walls were hung with paintings. One echoed the sunflowers on the floor and was by a world-famous painter, Van Gogh. Miss Hunroe had “borrowed” this from its museum home in Amsterdam. Languidly, she sat down at the harp. The sound of the strings as her fingers plucked them was like the sound of a heavenly waterfall. Then Miss Hunroe pinched one of the strings tightly and slid her pinch from the top of the string downward. This made a screeching, unearthly noise. Smiling, Miss Hunroe abandoned the harp and swiveled around on her stool. Crossing her legs, she pulled a clear crystal out of her pocket and held it up to the light.
“If
There was a knock at the door. “Come in.”
Miss Speal and Miss Suzette entered, each looking modestly proud, as though they were about to receive gold stars from the head teacher.
“They’ve gone!” Miss Speal squealed suddenly, unable to control her excitement. She rubbed her hands together. “I just saw them off in a taxi.”
“
“The girl’s impetuous. And the boy seems to follow her lead. I knew it wouldn’t take much,” Miss Hunroe said, brushing off the praise.
“Expect zay’ll be at de casino in ten minutes,” enthused Miss Suzette.
“They are nearly there,” said Miss Speal with her eyes shut.
“Let’s hope it works,” said Miss Hunroe, plucking three strings of her harp with her long-nailed fingers.
“Oh, play us something please, Miss Hunroe.” Miss Speal sighed. Miss Hunroe cast her eyes to the ceiling, and