dug in. Once he'd cut it free, he repeated the process on her other wrist. As he stood up and came around to face her again, she started to rub her lower arms, in an effort to restore circulation.
Then she held out a surprisingly dainty hand toward Carver. He reached out and shook it, as if sealing their deal.
'No, you fool,' she said. 'I want you to help me up.'
Carver chuckled edgily and Alix smiled back. For the first time there was a flicker of warmth, a hint of the woman behind that calculating facade. He pulled her back onto her feet, then slung her bag around his shoulder. She let out a pained sigh as she straightened her spine, then felt the small of her back with her hands.
'Sorry about that,' he said. 'You know, just business.'
He regretted the crass words the moment he'd spoken them. There was bitterness in her short, humorless laugh, and when she glanced at him again her eyes had the battered vulnerability of a woman who's no stranger to violence.
'It's never just business,' she said.
Then she picked up her helmet and they walked together toward the Alma Bridge.
10
Nobby Colclough had spent fifteen years as a Metropolitan Police detective before he decided to trade his skills in the private sector. He was used to stakeouts. So now he was sitting in an unmarked Renault Megane, parked in the Rue Saint-Louis-en-l'Ile, watching the world go by. And waiting.
It was after one o'clock in the morning when he got the word from Max telling him the Russians were on their way. He saw them a few minutes later, riding up on a flashy black bike. Jesus Christ! Max hadn't mentioned that one of them was a bird. She was wearing her skirt pulled right up to her waist so that she could straddle the bike, leaving every inch of her thighs exposed to his gaze. She got off, giving him a quick flash of her panties, then pulled the skirt down over her backside, giving it a little wiggle on the way. Colclough swallowed hard. He wanted to know if the face was as good as the body. Pity the daft tart still had her helmet on.
Now the bloke got off the bike, grabbed the girl's hand, and hurried her toward the door. Filthy little monkeys couldn't wait to get at it. Well, sod 'em. They were about to get a blow job all right.
He watched them go in, then called in to base.
'They've arrived,' he said.
'Stay on the line,' came the voice from the other end. 'I'm betting Carver set his explosives with short-delay fuses. He'll want to get the targets into the apartment before detonation. Shouldn't take long. Are the lights on yet?'
Colclough looked up. 'No. The dirty beggars probably stopped for a quick one on the stairs. Oh, hang on. The lights have just gone on. Shouldn't be long now.'
Colclough was half right. The place was about to blow, but Carver and Alix had not hung around on the stairs; they'd raced up. Just before they went into the apartment, Carver stopped. He took her black bag off his shoulder, felt inside it for any weapons, then, satisfied, gave it to her.
'You may need this. Remember, we've got exactly sixty seconds, and you've got to look different when we leave. Go straight to the bedroom, get changed, grab what you need, and get out. Ready?'
Carver opened the door, walked in, disabled the alarm, and turned on all the lights. As Alix ran into the bedroom, he went into the living room, drew the curtains, and took off his helmet, which he placed on the floor in the middle of the room.
Twelve seconds gone.
He strode across to the bookshelves, cut the speaker wires, and put the speakers in the fireplace. The Claymores would still go off, creating the explosion he wanted, but the solid brick and stonework of the chimney- breast would absorb the back blast and restrict the spread of ball bearings. The neighbors should survive okay.
Twenty-six seconds.
He retraced his steps back out into the hall, breaking into a run, and crossed into the bedroom. Alix was just slipping on the dress that had been in her case. She had nothing on but a pair of white panties slung low beneath a smooth, flat, pale brown stomach. Her breasts were small and neat with perfect rosy brown nipples. They rode up her chest as she raised her arms and let the ice blue dress slither down her body like mercury.
Carver didn't give her a second glance. He went around to the far side of the bed, took the Claymore from the wall, and shoved it down between the end of the bed and the mattress, with the rear of the mine facing into the mattress to dissipate its energy.
Thirty-nine seconds.
It took three more seconds to get into the bathroom and another five to rip the bomb out of the cistern, take out the detonator, and place both in one of his jacket's side pockets. On the way out, he grabbed Alix's makeup and wash bags, lobbing them toward her as he went back into the bedroom.
Alix was bending down, slipping on the white sneakers.
'Thought you might need these,' he said with a wry grin, as her startled face looked up at him across the bed.
She shoved the cosmetics into her black shoulder bag, picked it up, and dashed from the room, her dress fluttering around her thighs. There were ten seconds left as Carver followed Alix out of the bedroom, along the hall, and through the door of the apartment. Carver closed it behind him, and ran for the stairs.
Five… four… three… Colclough had seen the lights go on. Nothing happened for a while. He wondered if something had gone wrong. He could sense Max's impatience in the silence at the other end of the line. Then the windows of the top-floor apartment exploded outward, showering wood and glass across the street. There was a sharp, pattering sound on the roof and windows of Colclough's car-tiny steel balls raining down like metal hail.
The street was almost empty. The restaurants had all closed; the tourists had all gone off to their hotel beds. There were just two people wending their way home when the blast went off. The woman screamed. The man grabbed her and tried to shield her with his body as the debris rained down around them. They didn't seem to have been seriously hurt, but the woman was weeping helplessly while the man just stared around him, dazed and uncomprehending.
'Bleedin' 'ell!' Colclough shouted. 'Whoever you got to do that job, he doesn't do nothing by half!'
Max didn't seem too excited. 'So, there's been an explosion?'
'Yeah, there bloody has. Hang on a minute, I've got company.'
A woman was running from the front door of the apartment building, a blond in a blue dress. She ran toward the car, her eyes wide with panic, and pressed her face up against the glass. 'Help! For God's sake, you must help!' she screamed. She spoke English. Sounded like a Yank.
Colclough could hear Max's voice on the speakerphone: 'What's happening?'
'Just some bird got caught up in the blast. Nothing serious. Bit hysterical is all.'
He pressed the button and opened the window. The girl leaned in and started tugging at his sleeve.
'Come quickly, please. It's my mother! She's… Oh God, I think she's dead!' she cried.
Colclough did not hear the passenger door open beside him. The first he knew of Samuel Carver's presence was the cold metal of the gun pressing behind his ear and the whispered voice that said, 'Keep talking. I'm not here. Got it?'
The ex-policeman's balding head nodded up and down.
'Now tell the girl to piss off, nice and loud.'
'Er, er, sorry, love,' stammered Colclough. 'Be happy to help. But I'm busy, see? Got things to do.'
Max's voice snapped over the speakerphone: 'Oy, Colclough, get this sorted!'
'You got it guv'nor,' Colclough replied. 'Listen, love, you heard the man. Naff off.'
Alix smiled and patted his cheek. 'Good boy,' she mouthed, then got into the car herself, sitting behind Colclough.
Carver tapped Colclough's shoulder with his gun to get his attention. With his free hand he pointed at the phone, mounted on the dashboard. Then he pulled his finger across his throat. The meaning was clear: End the conversation.
