to be faced by the hungry, lascivious stares of Kursk and his crew of deadbeat psychopaths. Yuri had greeted her with the flicker of a smile and the words, 'Alexandra, my dear, you look magnificent. I cannot wait to see the look on Mr. Carver's face when he sees you!'
She had been unable to keep the falseness from her laugh.
'Don't worry,' Yuri had said, taking her reaction as a sign that she wanted nothing to do with the Englishman. 'I know how you had to suffer, and I am going to make him pay. We will have dinner first and then he will be brought to us. And then we will be entertained.'
Alix was sitting opposite Yuri in the dining room when she heard the van arrive. It drove past the front door and down the drive that spiraled around the chalet to the basement garage. There was a slamming of doors and a scuffling of feet somewhere down below them in the bowels of the house. When the servants brought in the food, she could not taste it. The vintage champagne was stale on her tongue.
At last, Yuri told the butler, maid, and cook that they could return to their homes in the village. He waited until they had left the building, then rose from the table, took Alix's arm, and walked her back to the living room. He placed himself in a chair by the fire and patted one of its overstuffed arms, indicating that she should perch there. Alix obeyed. She even forced herself to giggle. 'I'm looking forward to this.'
She had expected Carver to walk into the room tall and proud, ready to negotiate with Yuri, man to man. When he was led in like an animal, his body exposed, his head shrouded in black, it was all she could do not to choke, to weep. She forced herself to remain cold and aloof as he suffered the agonies that destroyed his body from within and crushed his spirit before her eyes. And then, at last, she'd been able to escape.
Alix kept her composure until she was out of the room. She'd stifled her sobs until she reached the marble sanctuary of her bathroom, with the door locked behind her. Only then did she weep for her man, for herself, and for the love that had been thrown away.
She ran a bath, partly to cover the sound of her crying, but also as an excuse for her absence. Men took it for granted that women had an almost infinite need to soak themselves in scalding hot water. Besides, she knew that Yuri would have forgotten her by now. She had seen the venom in his eyes when he looked at Carver, and known what that meant.
Alix lay in the bath, breathing the Chanel-scented steam, watching her limbs turn lobster pink in the heat. By the time she rose to her feet, letting the bubbles slide from her body as she reached for her soft, heavy cotton towel, she knew what she had to do. Whatever it cost.
78
Zhukovski spoke into a telephone. A few seconds later, Kursk, Titov, and Rutsev reappeared. Carver was placed in the middle of a five-man procession. Kursk led the way, carrying a gun, a Beretta 92. He walked side-on, pointing the gun behind him at Carver, whose left arm was held in Rutsev's heavy grip. Titov came next, holding the belt's remote control. Zhukovski made up the rear. Only Dimitrov was missing.
The line of men went through the living room and into the hall. Kursk signaled Carver to stop. Then he walked to the far end of the hall, farthest away from the front entrance, to what looked like a standard wooden door set into an alcove under the main stairs. Its domestic appearance was misleading. When Kursk opened it, his grunt of effort suggested a far heavier, more solid construction-something designed as a barrier to people and sound alike. Another sign from Kursk told Rutsev to lead Carver toward him. Once again, Carver was covered twice over: the gun in front of him, the belt control behind.
The side door opened onto a set of bare concrete steps that led down to the basement of the chalet. Kursk went ahead, got to the bottom, turned to face back up the stairs, and shouted, 'Okay!' The other men then started to walk down into the basement. The stairs opened into a narrow corridor lit by the harsh flickering of a bare fluorescent tube.
Carver recognized the feel of the concrete beneath his feet. He could smell stale exhaust fumes. The garage where he had first arrived at the chalet must be down here. But that was not his destination. Instead, Kursk led the group through a thick steel door into a completely bare, windowless room, roughly twenty square feet.
The walls were a brilliant chalk white, as were the floor, the ceiling, and the inside of the door. He caught a familiar whiff of new paint. This was the place where he had been left before, blindfolded.
He looked around and realized he had missed some of its salient features. A closed-circuit TV camera at one corner of the ceiling was focused on the room's only furniture, a single high-backed metal chair, right in the middle of the room. It was bolted to the floor and set at right angles to the door. Leather straps had been attached to the back, the arms, and the legs of the chair, ensuring that anyone sitting in it could be totally restrained. A black wire snaked from a socket on the wall to a pair of headphones resting on a hook attached to the back of the chair. A second hook held a roll of duct tape.
There were more fluorescent lights on the ceiling. On the wall directly opposite the chair a large, shallow box, maybe four feet wide and three high, had been fixed. It had a black frame, but the biggest surface, facing the chair, was made of clear Plexiglas. The interior was white and fitted with yet more lights. They had not yet been switched on.
The room was no warmer than it had been before. Carver could feel the sweat chilling on his skin. He felt dazed, his mind fried by successive electric shocks. His face throbbed. His back and ankles were painfully tender. He longed for a sip of water to ease his raging thirst. But he wanted to take a piss just as badly. It had taken all his concentration not to wet or soil himself when the shocks had ripped through him. Now his bladder was sending stabbing reminders through his guts. He had to hold out. He would not allow Zhukovski to see him reduced to this.
Rutsev pulled Carver over to the chair and shoved him into it. Then he strapped him down, securing his chest, waist, and thighs. The straps' buckles were fastened behind and underneath the chair. With his hands still cuffed, he had no hope of reaching them. His head, however, was left free. Rutsev had to remove Carver's leg irons to bind his ankles to the chair legs. Carver longed to kick the fat-faced Russian, just for the pleasure of causing him pain. But the stun belt was still around his waist, its control still safely in Titov's hands, and Kursk had his gun trained on him. There was no purpose in taking the risk. He had more important things to do.
Rutsev was wearing a watch. It told Carver the time was 12:14. That was good to know.
Dimitrov came into the room, carrying the computer case. He unzipped it and removed the laptop, handing it to Zhukovski. The case was left on the floor a few feet from Carver's chair, impossible for him to reach. Everyone except Alix was there. Carver supposed she must be upstairs, getting herself ready for a long, hard, sweaty night with the boss.
Zhukovski turned to Carver. 'I will give you the computer,' he said. 'You will not open it, or start it up, or do anything until my men and I have left the room and the door has been closed. If you try anything that even looks suspicious, you will be shot. We will be in another room, watching you through that camera.' Zhukovski gestured at the CCTV that peered down from the ceiling. 'When you have opened and started the computer and successfully entered the password, raise your hands.'
Kursk moved to the door and stood there, his Beretta pointing at Carver, while the other men filed out of the room. Then he too slipped through the door, walking backward, keeping the gun on Carver until the last possible second. The door slammed shut. Carver heard the scrape of metal on metal and then two sharp impacts as a pair of bolts were slid into place. He was alone. He had the laptop. Now he could start to fight back.
First, though, he had to open the damn thing. With his hands cuffed together, he couldn't keep the Hitachi still with one hand and press the catch with the other. He ended up holding it almost vertically, jammed against the strap across his thighs. It flopped open and that movement was almost enough to send it crashing off his lap. Carver slammed his linked fists down on the open keyboard, stopping it just in time.
Then he sat back and let his pulse slow back down. He took a couple of deep, calming breaths, then pressed the power button, waited for the password box to appear.
His mind was blank. He didn't have a clue what should go in that narrow strip of pure white screen. Those repeated bursts of electroshock must have battered his brain as thoroughly as a pummeling from a heavyweight. His circuits were fried. His short-term memory had been burned away. No wonder he hadn't been able to remember where Alix grew up.
