which was not just a medal but a locket. And hidden inside-a black microSD video chip about the size of a pinkie nail.
Lovell stood, having finished his DVD setup, and waited.
“Let me set the stage,” resumed Heat. “Memorial Day weekend, 2004, Alan Barclay, a news video shooter, followed Gene Huddleston, Jr., from a nightclub in the Meat Packing District. Huddleston was just out of rehab- again-and Barclay trailed him to the Bronx, hoping to score some salable footage of the bad boy making a drug purchase. Both he and Huddleston got more than they bargained for. Watch.” Lovell started the DVD as DeLongpre dimmed the lights.
The video began with the camera in motion. Jerky footage of a dashboard and then a blur as the videographer got out of his car-still rolling video-and crossed a dark street. This was the raw stuff they edited out of Cops.
A block later, the lens moved to a hiding place behind a low wall. The shaky picture settled as the shooter rested his camera on the top cinder block, using it as a brace. The lens zoomed in and focused on a car parked about thirty yards away in front of a warehouse. Under the orange sodium lamps it was easy to make out a man Heat recognized as Sergio Torres approaching the M5. Huddleston got out and they chatted. Their voices were too low to understand but their conversation was easy; Huddleston seemed familiar with Torres. Then everything changed.
Headlights approached from both ends of the block as two cars with police lights flashing roared in and screeched to a halt, sandwiching the BMW. One was a blue-and-white, the other a plain-wrap Crown Victoria. Huddleston shouted for Torres to run, but he didn’t. Instead, he grabbed the kid by his shirt and slammed him facedown over the hood of his M5, cuffing him while The Discourager approached from his cruiser and Van Meter and Steljess joined the party from the undercover vehicle.
Nobody seemed in a hurry. It had the menacing feel of something that had been worked out. Huddleston was the only one agitated, whining, “Aw, come on, don’t bust me, my dad’ll kill me,” and “Do you have any idea who my dad is?”
Steljess could be heard now, “Shut the fuck up,” right before he kicked him in the ass as he bent over the car. Huddleston shouted curses that were ignored as they hauled him upright by the cuffs and started to lead him toward the warehouse.
The bravado of privilege turned on a dime to fear. Huddleston freaked. “Hey, where are you-? Just take me to jail then… What are you doing?” He tried to make a break. “Hey?!” But the four cops held him in check easily.
The video shook as the camera adjusted its angle to track the group. When it settled again, they were nearing the warehouse under the graffiti-tagged sign for the uniform rental company that once operated there. The door opened from the inside and a man held it wide for them. Nikki didn’t recognize him but figured he completed the set of five-Ingram, the SUV driver she killed in the Transverse.
When Ingram pulled the warehouse door shut, Barclay kept rolling, but there was a lull. Heat used the interval to assess the room. Eyes were transfixed. Nobody made a sound. Phyllis Yarborough was the only one not staring. Her head was bowed to her lap.
Huddleston’s screams burst into the night, jarring everyone in the conference room. Bodies shifted, leaning in toward the flat-screen. In its own way, this point of view of a desolate industrial zone in the middle of the night, whose solitude was cut by shrieks and cries, seemed more chilling than watching his actual torture. But everyone there had heard about the TENS. And they all knew what was happening to the kid in there. And as bad as it sounded to them, it had to have been hell on earth inside. The uncomfortable minutes they endured as the electrocution continued must have seemed eternal to the howling victim.
In the eerie quiet when it was done, a dog barked in the distance. The door opened, and a sobbing Huddleston, limp and spent, was carried out. They bore him upright by the armpits with his toes dragging the ground behind him. Van Meter broke off from the pack and held a walkie-talkie up to his mouth. His words didn’t pick up, but there was a squelch when he was done. Seconds later another metallic Crown Victoria pulled up.
And Phyllis Yarborough got out.
They had him inside his car by then, Torres even using his gloved hands to buckle the seat belt. He stepped aside to let her stand facing Huddleston, who was beseeching her, “Please, help me, please. ..”
“Do you know who I am?” she said.
He peered at her and became suddenly animated. “Oh, fuck me, oh no
…”
“Good, you do.” He cried and muttered drooling pleas, and when his words degenerated into quiet sobs, she said, “Take this moment to hell, you filthy son of a bitch.”
She stepped away, and Sergio Torres slammed the car door. They both joined the others on the other side of the car. “Kill him,” said Phyllis Yarborough.
Steljess opened the passenger door and leaned inside. Soon American Idiot came blasting hot from the car speakers. Under the blare of Green Day, the interior was illuminated by a muzzle flash and the glass blew out of the driver’s side window.
The video jostled as the camera moved from its perch on the wall. The next shot was a blur of motion as Barclay slowly backed away from his hideout. His foot must have knocked over a bottle. After the glass tink and roll came a shout from the cops. “Somebody’s there!”
Barclay didn’t hesitate but ran full-bore up the street, the video whooshing and shaking like earthquake footage as he sprinted. In the distance came their voices, blending together: “Street…” “Camera!” and “Stop!”
But Alan Barclay didn’t stop. The last of his video was the camera flying onto his passenger seat and rolling onto the floor as rubber squealed and the videographer escaped. He got away that night carrying the deadly secret he would hide until years later when Captain Montrose canvassed the old crime scene and an elderly night watchman at a bakery told him about the man he’d seen running away with the camera.
The lights came up and Yarborough was glaring at Heat.
“There’s your proof, Deputy Commissioner. Proof that you waited two years for the dust to settle before you got your revenge. Proof that you paid off those cops and then conspired all these years to keep a lid on it. And I’m going to make an educated guess that, along the way, you utilized your job as tech czar to monitor for any signs of discovery. Like Montrose reopening the old case; like me pulling Huddleston’s computer file; like hacking Jameson Rook’s e-mail and sending it to that reporter to get me suspended when I was getting too close… After your boys weren’t up to the job of killing me.” Heat shrugged. “That part I don’t have to prove.
“You know, the first time I met you, I remember we talked about revenge and justice. And do you recall telling me that all your accounts were settled? I think we just got confirmation.”
“Damn you for this.” To Phyllis Yarborough it was as if she and Nikki were the only two in the room. Her indignation had been stripped away, leaving only the raw hurt and a wound, a decade old and still open. Her face was composed, but tears fell down both cheeks. “You, of all people, should know how it feels to be a victim, Nikki.”
Heat felt her own ache, sadly present every day. “I do, Phyllis,” she said softly. “That’s why I’m sending you to jail.”
A searing blue sky freshened Manhattan as a brilliant rising sun warmed the city for the first time in a week. It reflected on row upon row of badges facing the cathedral on Fifth Avenue, making the thousands of chests that wore them sparkle like a single vast treasure of radiant diamonds. New York’s Finest-plus cops from Port Authority and New York State-stood shoulder to shoulder, filling both sidewalk and street, their numbers obscuring pavement, windows, and walls.
When Detective Nikki Heat emerged at the top of the steps, bearing the front corner of the casket, there was nothing to see that morning outside St. Patrick’s but an ocean of dress blue and white gloves in salute. A lone bagpipe played the opening notes of the sober, joyful “Amazing Grace” and was soon joined by the full pipes and muffled drums of the NYPD’s Emerald Society. The only thing missing that morning was Rook. As Heat beheld the spectacle, she could only imagine how Jameson Rook would have captured it. And made it live beyond the day.
She and the other pallbearers, including Detectives Raley and Ochoa, and Eddie Hawthorne, descended slowly, carrying the fallen commander under the traditional flag of green and white stripes.
Once his body was in the hearse, Heat, Raley, Ochoa, and Hawthorne moved across the avenue to fall in with the grim block of detectives in their tan overcoats. Nikki chose the spot beside Detective Feller, who had stubbornly
