Keeper of the Light

Annie hit the switch and took his hand, suddenly the leader. “Come with me,” she said.

She led him to the far end of the studio, where photographs were displayed on a maze of white walls. She walked among the pictures, turning on the little light above each one to create a soft white glow around herself and Paul. Then she sat down on the floor, her back against the wall.

He was about to drop down beside her when he glanced at the photograph closest to his head and found himself looking directly into the unsmiling eyes of Alec O’Neill. A chill ran up his spine, and he was a bit shaken as he lowered himself next to Annie. But she pulled him toward her, and his anxiety disappeared.

He watched her face as he undressed her. There was a need in her eyes, a need she had masked during the interviews that was open in her now. “I just want you to hold me,” she said, but she did not try to stop him as he unfastened her bra. She rose to her knees to unzip her corduroy pants, and he helped her take them off. There was a softness, a fullness to her body he had not expected, a fullness he wanted to drown in.

He laid her back on the carpet and kissed her again before lowering his head to her breast. She caught his chin, drawing his face up until their eyes met. “Couldn’t you be satisfied just lying here with me?” she asked.

He shook his head slowly, and as he touched her, as he moved his hands over her body, her resistance fell away.

He felt a sort of joy when it was over, when he lay holding her close to him and felt their hearts pounding in harmony. It seemed that they had lain that way for a very long time before he realized she was crying.

“What is it?” he asked, kissing her eyes.

She pulled away from him abruptly, covering her face with her hands. “I’m such a fool,” she said.

“No, Annie, don’t say that. Don’t think it.”

She sat up and drew herself into a corner, grabbing her clothes and holding them in a bundle against her breasts. She sobbed, her face lowered into her sweater, her shoulders tightening up when he tried to touch her. In the white light he could see silver in her hair, dozens of pale strands battling with the red, making her seem even more vulnerable.

He smoothed his hand over her hair. He didn’t know what to say, other than that he loved her, and he said that over and over again while she wept, her face buried in her arms.

“Annie, talk to me,” he pleaded. “Tell me you’re angry with me. Tell me anything.”

She didn’t respond, and after a few minutes he began to dress. He stood up, switching off the light above Alec’s picture before lowering himself to her side again. Her crying had stopped, but she didn’t raise her head and an occasional tremor still shook her shoulders.

“Let me help you get dressed,” he said.

She shook her head. “No. Please just go home.”

“I don’t want to leave you like this.”

“Please.”

He stood again and reluctantly walked to the door.

“Paul?”

He looked back at her. She had raised her head and in the dim light he could see the terrible glistening red of her cheeks.

“Can you leave the Outer Banks?” she asked. “Can you move away? Please, Paul, I’m begging you.”

The desperation in her voice made him cringe. He walked back to the maze of pictures and knelt down in front of her, resting his hands on her bare knees. It suddenly felt very cold in the studio, and she didn’t try to stop him as he pulled the fisherman knit sweater from the bundle in her shivering arms. He fit it over her head, and she put her hands into the sleeves he held out for her. Then he lifted her thick hair out of the collar and leaned forward to kiss her forehead. “I would do anything I could for you, Annie,” he said. “But I can’t move away. This is my home too, now.”

Olivia was asleep when he arrived home. He had called her to say he’d be late, not to wait up. He showered in the downstairs bathroom so he wouldn’t wake her, and it was then that he found the slivers of glass. In his knee. His shoulder. His palm.

He went upstairs to the bathroom they shared and picked quietly through Olivia’s side of the medicine cabinet for her tweezers. He sat down on the edge of the tub, struggling to remove the crystal thorns in the waxy light of the bathroom. The shard in his palm came out easily; the one in his knee slightly less so, and the cut bled each time he bent his leg. He would have to bandage it or there would be blood to explain on the sheets in the morning.

The glass in his shoulder was the most difficult to remove, the hardest to reach with the tweezers. When he was finished and in bed, when he was thinking back to the night, he wondered if Annie had them too, those slivers of glass. He hoped not. He could not bear to think of her in pain, or to remember her tears.

What if Alec was still awake when she got home? Maybe he would question her lateness, or catch her struggling to remove bits of glass from her shoulders. What would she tell him? What words would she use to explain away the evidence of her deception?

CHAPTER TWELVE

The young man was nervous, as well he should be. Mary could see it in his cautious smile, in the way his eyes refused to rest on her face. He wore round wire-rimmed glasses, and the glass looked very thin, almost as though it offered no correction. As though he wore them for show, to make himself look smarter than he actually was. He tapped the tip of his pen against his briefcase as he launched into an elaborate explanation of what he wanted, and Mary assumed the watery-eyed blank look of the elderly to make him wonder just how much she was following, to make him talk more, to watch him squirm.

She had not immediately known who he was. People change, yes. Plus he mumbled when he introduced himself. Pawmasell, he’d said. But now Mary knew. Now she had it all figured out.

“So we want to put together an educational brochure with anecdotes from your years in the lighthouse. You know, how the keeper would spend the day, or anything unusual that might have happened back then.” He looked directly at Mary for the first time. “Does this make sense to you?”