The Bay at Midnight

but we really do need the stimulation of being part of the world in order to understand people and the situations they get themselves into.

You have a master’s degree in social work, and worked as a youth counsellor and in the field of medical social work, as well as having a private psychotherapy practice. How does this background inform and influence your work?

My background helps me understand how people “tick.” It also gives me a deep appreciation of the struggle people face as they try to cope with tragedy. I loved being a social worker and love being a writer. I feel lucky to have had two careers that let me touch people in a positive way.

How did you feel when your first book was signed?

It’s impossible to explain the joy I felt that day! It had been a long time coming, and the realisation that my story would finally reach readers was simply amazing and very rewarding. I called my family and my writer friends. It was exciting…However, the book wasn’t actually published for a very long two and a half years!

Where do your characters come from and do they ever surprise you as you write?

They surprise me all the time! I love creating characters and breathing life into them. I want them to be both believable and memorable to my readers, and I spend much of my writing time getting to know them. When I was a clinical social worker, I took a seminar on hypnotherapy. During that training, I not only thought about how useful the techniques I was learning would be for my psychotherapy clients, but how they could help me understand my characters as well. In the beginning, I approached using this new tool in a very formal way. I’d sit in a comfortable chair with a pad and pen, put myself in a light trance, and imagine I was the character. Then I’d start writing about “my” life, in the first person, from the character’s point of view. I didn’t censor myself, but simply let the words flow. As my subconscious took over, I learned things about my character I never would have come up with consciously. It’s an astonishing experience and often full of surprises. If I’m surprised by what happens, I’m quite sure my readers will be as well. Our subconscious minds are amazing things if we just tap into them. Now that the technique is second nature to me, I often use it when I’m feeling perplexed by, or simply out of touch with, a character. I close my eyes and ask her to tell me what’s going on with her, or perhaps how she’s feeling about another character in the story. Sometimes the answers I receive are pure gold.

Which book do you wish you had written?

E.B. White’s Charlotte’s Web, and not only because I would now be very wealthy! I have always loved that children’s book and it was an early inspiration in my longing to write. It’s a beautifully crafted book and a lovingly told story.

Do you have a favourite character that you’ve created and what is it you like about that character?

I have many favourites, but CeeCee from The Lost Daughter is definitely one of them. I like that she’s a blend of vulnerability and strength. I think many readers can relate to those qualities in her. I also like that, despite the fact that she’s done something very wrong, she’s still a person with high moral standards. It’s that conflict that forces her to make a devastating choice at the end of the book, and it’s that conflict that truly humanises her.

A WRITER’S LIFE

Paper and pen or straight onto the computer?

Both. I often start with paper and pen, and then hit a certain point when ideas are coming too quickly for me to keep up. That’s when I move to the computer.

PC or laptop?

Both. I am more comfortable working on my PC because I love my big monitor and ergonomic keyboard. But I also love working in coffee shops, so my laptop is a must.

Music or silence?

Music, but without lyrics. I listen to particular soundtracks when I write. I like soundtracks with high drama, such as Braveheart, Blood Diamond, and Dances with Wolves. They make me feel very emotional, and that is reflected in what I’m writing.

Morning or night?

I’m a night owl, definitely.

Coffee or tea?

Coffee. Half caffeine, half decaf, with a little milk.

Your guilty reading pleasure?

Hmm…I don’t think I have one. I really must work on that.

The first book you loved?

Charlotte’s Web by E.B. White.

A DAY IN THE LIFE

This depends on where I am in the writing process. If it’s early on, you might find me lolling around the house with a faraway look in my eyes as the story begins to take shape in my imagination. If I’m outlining, you’ll find me hunched over my dining-room table, surrounded by note cards, each one containing a scene from the book as I move them around to form a cohesive story. If I’m in the middle of the book, I’ll often start my day at a local coffee shop, going over what I wrote the day before. Then I’ll come home and get to work at the computer. If it’s the last few months before deadline, you’ll find me at the computer bright and early, then all day long, then late into the night. And I’ll have a crazed, frantic look in my eyes!

TOP TEN BOOKS

Poisonwood Bible by Barbara Kingsolver, which was not only a great read, but an eye-opener for me into the twentieth-century history of the Congo.

Gift from the Sea by Anne Morrow Lindbergh, because of its connection to the sea and beach and because of its exploration of a very real marriage.

White Horses by Alice Hoffman, because it was the first book of hers that I read, and it inspired my early writing. When I reread my first novel, Private Relations, I can recognise the passages that were written during my “Alice Hoffman phase.”

Prince of Tides by Pat Conroy, because it’s beautifully told and a fantastic, gripping story about a wildly dysfunctional family—my favourite kind.

The Time Traveller’s Wife by Audrey Niffenegger, because it’s so inventive and so very touching.

The Colour Purple by Alice Walker, because I started sobbing on page one.

The Miracle of Mindfulness by Thich Nhat Hanh, because it keeps me centred.

I Know this Much is True by Wally Lamb, because it’s an amazing story, wonderfully told. I reread it when I want to write from a male character’s point of view. It helps me understand how a man thinks and feels.

Beloved by Toni Morrison. I didn’t love it until I had to reread it for a book club. Then it suddenly came together for me, and I’ve reread it several times since.

Eat, Pray, Love by Elizabeth Gilbert, because it’s about three of my favourite things: food, spirituality, and relationships.

THE LOST DAUGHTER

Don’t miss Diane Chamberlain’s number one bestselling title, The Lost Daughter.

Would you live a lie to keep your child?

In 1977, pregnant Genevieve Russell disappeared. Twenty years later, her remains are discovered and Timothy Gleason is charged with murder. But there is no sign of the unborn child.

CeeCee Wilkes knows how Genevieve died—because she was there. She also knows what happened to the missing infant, because two decades ago CeeCee made the devastating choice to raise the baby as her own.

Now Timothy Gleason is facing the death penalty, and CeeCee has another choice to make. Tell the truth and destroy her family. Or let an innocent man die to protect a lifetime of