run-up, then jumped into the hallway, bounding from one pool of light to the next, careful to never let his feet touch any patch of shadow. One leap, two-he was feeling very pleased with himself for figuring it out-a third leap, directly to the final pool of moonlight at the corridor’s end. And that was when he remembered something else Cythera had said.
“These traps are not made to be circumvented, they are made to kill thieves. The dwarf who designs them will know what you are thinking, and will find ways to confound your logic, to surprise you when you least expect it.”
Despite heeding her advice in all other things, he was still not ready when his feet came down on the final pool of moonlight-and the floor gave way. A trapdoor there had been set to hinge open when any weight fell on it, and though Malden was slender and short of stature, he was more than heavy enough to trigger it.
Chapter Nineteen
Malden’s feet kicked wildly at nothing as his body dropped like a stone into the pit. His blood sang in his ears and his heart galloped in his chest as he felt himself falling, plummeting. It was all he could do to keep a shriek from bursting out of him. His arms flailed out to his sides for balance and his fingers just barely grasped the edge of the pit. His body slammed forward into the wall of the pit, and that hurt so much it made him gasp and lose the grip of one hand.
But the other one held.
Gasping to refill his lungs, his face pressed up tight against the pit wall, he glanced down. There was a flickering light from below, not enough to see much but it showed him that it was a very, very long way down if he let go.
Carefully he reached up and grasped the lip of the pit with both hands. His fingers protested at taking all his weight. They were still sore and swollen from the long climb up the palace wall from the Skrait. He ignored their pain.
From below a distant sound came up, echoing in the shaft of the pit so it sounded distorted and hollow. Yet he could not mistake it: a scream of agony. It was followed by the noise of a great wheel turning, and then more sounds of pain. The pit must lead straight down to the dungeon, far below the palace. Should he fall now, he would be saving the Burgrave the trouble of having guards drag him thence. He doubted very much there was a pile of soft straw at the bottom either.
Very, very slowly he pulled himself up and out of the pit. Once he had a shoulder above its edge it was much easier, and once he had a leg up and out of the shaft, he was able to just roll out and lie on the floor a moment. He was about to spread out his aching arms when he realized that would put his hand down in one of the shadowy zones of the hallway floor.
He was very fond of that hand. He did not wish to see it pierced by a razor-sharp iron spear. So he kept it by his side and just shook for a while, letting the fear drain out of him. He had expected danger on this job-any burglary was a risky proposition. He had never met such devious hazards before, though. Well, he supposed that should be expected, considering the value of the thing he’d come to steal.
Eventually he recovered his feet and stood up, at the end of the hall.
He must be very close to the tower room he sought. It must indeed lie beyond the very wall ahead of him. Yet he saw no door. Instead he found a niche that held a bronze statue of Sadu, the Bloodgod.
He searched the wall around the niche, looking for some hidden panel that would open to admit him to the tower. He could find none. He tapped the wall with the pommel of his bodkin, thinking to find any kind of hollow or thin place in the wall through which he might break through, but the wall seemed to be made of solid stone, of the same thickness throughout.
It was only after this exhaustive and pointless search that he chose to look at the floor, and noticed an obvious seam in the wood. The crack formed a semicircle five feet in diameter. He was standing within its bound, in fact. He tapped the floor in several places but found it as solid as the wall. Perhaps-yes, perhaps this was a door after all. If somehow the floor could be made to rotate, and the whole wall with it… but there must be some trigger, some way of activating the change.
The statue of the Bloodgod, of course.
The Burgrave was known to be a devout of the Lady of Abundance. Sadu was a much older god, one whose worship was not officially forbidden in the Free City but certainly frowned upon. The Bloodgod was the patron deity of the poor and the oppressed, a symbol of ultimate justice and even vindictive revenge. Sadu punished all men alike in the afterlife, and each according to his sins. He was hardly the sort of god a man like the Burgrave would ever want to meet.
The Bloodgod did have eight arms, though, and that leant itself to the obvious purpose of this particular idol.
The bronze statue depicted Sadu in the typical fashion, as he was worshipped in tiny shrines all over the city. The idol had seven arms on the left side of its body, each holding a different weapon: a sword, a falchion, a spear, a trident, a net, a flail, and an arrow. Different images of the Bloodgod always had different weapons in his hands, since Sadu was the master of them all. On the right side he had only one arm, holding an ornate crown, as it always did. Sadu’s face was depicted as that of a snarling demon with massive tusklike teeth and wide, staring eyes. Malden had seen more terrifying versions, though this was a common depiction. Yet as he examined the statue quite carefully he noticed two things that were unique to this image in all his experience.
For one, the eyes were not just open-they had been hollowed out. Two sharp points of metal glinted from within their depths. Malden thought of the needles that sprang from Cutbill’s lock. Perhaps these were the same-or worse, tiny darts that would fly through the air to poison him if they pierced his flesh. And of course this time the poison would be fatal.
The second thing he noticed was that all eight arms of the Bloodgod were attached to the body by stout hinges. One could move them, if one desired, independently from the rest of the statue.
Clearly he would have to push the correct arm to open the way to the tower room, while pushing any other would result in instant death.
He rejected the crown arm immediately. It was far too obvious.
Of the weapon arms, the net appealed to him first. It was the least deadly of the weapons, while the others could all kill you easily. The arrow was a bit confusing-it really should have been a bow Sadu held, should it not? But the arrow was also very similar to the darts hidden in the eyes.
Yet wouldn’t that appeal to some dwarf artificer’s twisted sense of irony? Perhaps you pushed the arrow arm to say you did not wish the darts to fire.
It was a gamble, but it seemed most likely. Malden stood well back of the statue, but still within the circular seam on the floor, and reached over to tap at the arm that held the arrow. Nothing happened. He applied more pressure, bending the arm backward.
There was a rumbling of massive gears, a shrieking of poorly oiled metal-and then the whole wall swung on its axis, propelling him directly into the tower room. The place where the Burgrave kept his crown when he wasn’t wearing it.
Chapter Twenty
“You’re-You’re mad,” Malden had said two days before, when Cythera finally revealed what she was after. “The crown of the Burgrave? What possible reason could you have to steal that? Why would anyone? If I’m caught with it, I’d be drawn and quartered!”
“You needn’t be caught, if you stick to our plan,” Cythera said. Though he could see in her eyes that she knew no plan was ever perfect, that events could always conspire to catch a thief. She was asking him to take an enormous risk.
“But-why? It’s made of gold, to be sure, but it’s only so big. Melted down, it isn’t worth a tenth of what you’re
