Case of Constance Kent—had governess she adored—mother died. Governess married Father. She had a little boy—Constance very fond of him—he is found in earth closet—killed
In Notebook 43 Eva Crane from
Janice [Eva in the book] Crane—former Ethel Le Neve—husband—Crane a bloodless lawyer whom she adores
Murder discovered afterwards—(5 years) (2 years) like Crippen?
In Notebooks 27 and 36, during the plotting of
Arthur (innocent husband)—Katrina—suspicious, passionate for money—looks after old boy—she has boy friend…chemical research—or doctor—Bravo framework
The Bravo idea—would entail woman (widow) having affair with a doctor. She gives up liaison—he goes back to wife—she marries again
Finally, in Notebook 2, and notes for
No, No—it’s a pattern all right—Smith—Armstrong—Buck—Haig[h]—chap gets away with the first one and thinks he’s OK because he’s so clever
Joseph Smith, who drowned three ‘wives’, is the infamous ‘Brides in the Bath’ murderer who was hanged in August 1915. Major Herbert Rowse Armstrong was convicted in May 1922 for the murder of his wife although his original arrest was for the attempted murder of a professional rival. In September 1935 Dr Buck Ruxton murdered his wife and housemaid and dismembered the bodies; his conviction owed much to the groundbreaking forensic evidence. John Haigh, the acid-bath murderer, was convicted for the murder of six people and hanged in 1949.
6
The Girl in the Train: Murder Aboard
’Trust the train, Mademoiselle, for it is le bon Dieu who drives it’
Modes of transport provided an attractive setting for Christie throughout her career. As early as
Aboard
The notes for ‘Death on the Nile’ are contained in Notebook 63:
Wife confides to P (…or clergyman)
That she thinks her husband is poisoning her. She has money—apparently duel between husband and P— really husband is victim—wife is dupe—young man paying attention to niece is engineering it all—making love to auntie
The death scene in this short story has strong echoes of
One notable revelation from the above extract was that Christie intended the story to involve Hercule Poirot (‘P. P.’ was her shorthand for Parker Pyne). In fact it was published as a Parker Pyne story; the idea was abandoned probably because Poirot had appeared in ‘The Cornish Mystery’ almost ten years earlier.
And two further pages of notes in Notebook 63 also reveal that Christie considered a dramatisation of the story:
Play PP version
Lady Grayle—hard boiled—45
Sir George—50 good fellow—sportsman
Miss McNaughton—hospital nurse
Pam—lovely, nice
Michael—Sir G’s secretary
Dr. Crowthorne
Act II
She is poisoned—Miss M thinks it is Sir G—Doctor takes charge—strychnine found on Sir G—Miss M loses her head
Act III
Young people—Pam says Miss M did it—puts it up to doctor—he gets to work on her—Michael and Doctor
These notes follow the story closely, with no indication of the elaboration which would have been necessary for a ten-page short story. The reason for this may be deduced from the surrounding pages of the Notebook, where Christie experimented with other possible dramatic scenarios. On either side of this sketch there are similar brief outlines for stage adaptations (none of which were pursued) of