A Groom With a View

didn't much like the boy, but had no specific criticism he wanted to talk about. The boss is a pretty small cog himself and wouldn't risk causing trouble for himself. He did say that Dwayne was winding up his work and moving to his new wife's company after the wedding.'

“What about the victim?' Ambler asked. 'That's the place to start.'

“Harmless, annoying old woman. The local police where she lived found paperwork about some kind of fight she was having with the I.R.S. and the Social Security people. Apparently there's a discrepancy between what she paid in her self-employment taxes and what she was trying to get from Social Security. Wads of paperwork from both agencies and her accountant. But I can't see that it has anything to do with her death. We talked to the accountant. The only thing that came out of it is that he's also the accountant for one of the bridesmaids' fathers. Eden Matthews. The curvy one.'

“I know which one she is,' Mel said with a grin.

“It seems like simple coincidence,' Smith said. 'I can't see a way it would be connected. The accountant also said that a couple of years ago Mrs. Crossthwait tried to start some sewing classes. Rented sewing machines and a room at a community center. It didn't fly and that's when hertax troubles started. His wife, out of compassion, signed up and said Crossthwait was so critical and nasty to the students that half of them never came back. He had deposit slips showing those who had signed up and one of them was a Hessling, possibly the groom's mother, though the deposit slip didn't give a first name.'

“Did she stick out the course?' Mel asked.

“No way the accountant could tell. Only two of them tried, unsuccessfully, to get their money back. The rest just didn't come back,' Smith said.

“Seems unlikely that Mrs. Hessling would harbor a grudge for years over a sewing class. Enough of a grudge to kill the teacher,' Mel said. 'Not to mention that it might not even be the same person.”

Smith shrugged. 'Closer to impossible. Mrs. Crossthwait also kept a big old scrapbook of wedding pictures of all the brides she'd sewed for. One of the earliest was Jack Thatcher's sister Marguerite. But it was eons ago.'

“What about the other people who were in the house the night she died?' Ambler asked.

“Nothing much. No police or legal records on the bridesmaids. The florist is weird as hell, but hasn't stepped outside the law as far as we know. The caterer had to sue someone two years ago to get his bill paid, otherwise nothing else on him.”

Mel asked, 'And Uncle Joe, who often sees or imagines prowlers, didn't report any that night?'

“Not a peep from him that night,' Smith confirmed.

“Sounds to me like you've got a mess on your hands,' Ambler said gruffly. 'Any chance the woman who died wasn't the intended victim?'

“Anything's possible, but it doesn't seem very likely,' Smith said. 'Want the last of my pie? I'm stuffed.”

As Mel and Smith headed back to the police station, Mel said, 'I'm glad you asked Gus Ambler along. He's a good of boy, isn't he?'

“He was… tonight,' Smith said, smiling.

“What do you mean?' Mel asked, loosening his belt a notch and wondering how he'd ever be able to eat again after his massive dinner.

“Just that he was doing his 'country cop' act. After he retired and his wife had passed away, he got bored. So he got himself into Harvard and took a law degree.'

“You're kidding!'

“Not a bit. And get this — he drives a hundred miles once a week to teach art appreciation to some little college he's got a soft spot for. Doesn't even charge them.”

Mel was quiet for a couple miles, brooding unhappily over his misperception of the man. Finally, he said, 'I think I've been had.'

“Everybody who's run into Gus feels that way. Eventually.”

Fourteen

when Jane and Shelley had finished their din- ner, they went to Mrs. Crossthwait's room and started the sad job of gathering up and packing her things. She had, it appeared, come with everything she could possibly have needed and much more besides. There were tidy boxes of bobbins, buttons, needles, and a large, well-organized case with thread of every weight and color imaginable. There was a full kit of tiny repair tools, belts, and screws for the sewing machine.

“I've always wanted to have an entire collection of… something,' Shelley said. 'This comes as close as anything I've ever seen. What's this thing?' she asked, holding up a little gadget.

Jane glanced at it. 'I think it goes with the sewing machine. A thing for making ruffles, maybe? I'll bet there's a case that holds all those things. Here. This green plastic carton. See? Little compartments everything fits into.'

“She really knew her stuff, didn't she?' Shelley said. 'At least she had all the equipment. Poor old thing. I wonder who'll get all this.'

“I hope it's somebody who appreciates it. I guess her church friends will have to decide what to do with her things if she doesn't have family. Shelley, what do you suppose she was doing anywhere near the stairs in the middle of the night?'

“Going down for a midnight snack?'

“I don't think she had a flashlight,' Jane said. 'At least, I didn't notice one on the steps or the floor. Of course, it might have rolled under a sofa or chair.'

“She might have been meeting someone,' Shelley suggested.

Jane shook her head. 'Not in her jammies. Not a woman of her generation. She'd have stayed dressed if she had plans to see someone, I think.'

“Maybe she just heard an alarming noise and went to investigate.'

“Last night was nothing but alarming noises, Shelley. All that lightning and thunder. And being as she was already spooked about auras, and a tad deaf on top of it, I don't think she'd have willingly gone prowling around without a flashlight and probably a weapon like some sharp scissors.'

“Okay, I'm out of suggestions. Have you got any?'

“Nope,' Jane said, looking for the box where the packet of cherry pink seam binding must have belonged. 'What if someone told her there was something wrong and we had to get out of the house?'

“Like a fire?'

“Yes. A fire. Exactly. As slowly as she moved, she'd have probably been terrified of being in a burning building. Well, so would I, come to that. Or maybe somebody told her there was a big limb hanging over her room that could crash down on the house at any moment.”

Shelley sat down on the edge of the bed. 'You may have something there. Scaring her about some danger is about the only reason I can imagine that would get her out of her room, in the dark, in her nightwear.”

Jane had found the box of hem tapes and seam bindings and put the leftover packet into it. She had another one she'd found on the floor as well. 'Shelley, remember in the attic there was a wad of black seam binding?'

“Vaguely.'

“I just remembered something. It wasn't old and dusty. And here's another packet of black that's only got a few inches left.”

Jane crossed the landing to the attic, opened the door, and glanced around. After tripping over the box of doorknobs, she found the tape. 'Here it is,' she said as Shelley trailed in behind her. 'And look at the end of the tape in the packet and this end of the stuff on the floor.'

“They match. It's a jagged cut. But why would Mrs. Crossthwait have cut off a huge section and thrown it away in here? She had a big wastebasket in her room.'

“Because she didn't do it. Someone else did.”

“I don't get it, Jane. What are you talking about?'

“My guess is that somebody lifted the packet during the evening, strung it across one of the steps after the lights went out, and slipped what remained back into Mrs. Crossthwait's belongings sometime later.”

Shelley's eyes widened. 'To make quite certain she tripped on the stairs, even if the push didn't do it!'

“Right. And then the person untied the seam binding — see where it's crinkled from being tied? And pitched it in the attic, thinking nobody would go in there, and if they did, it would just be more junk if it were noticed at all.'