her walk. It was I who was looking at her covertly—if I may say so. I knew where she had been, but I did not know what she had seen and heard in that nest of aristocratic conspiracies. I use the word aristocratic, for want of a better term. The Chateau Borel, embowered in the trees and thickets of its neglected grounds, had its fame in our day, like the residence of that other dangerous and exiled woman, Madame de Stael, in the Napoleonic era. Only the Napoleonic despotism, the booted heir of the Revolution, which counted that intellectual woman for an enemy worthy to be watched, was something quite unlike the autocracy in mystic vestments, engendered by the slavery of a Tartar conquest. And Madame de S— was very far from resembling the gifted author of Corinne. She made a great noise about being persecuted. I don't know if she were regarded in certain circles as dangerous. As to being watched, I imagine that the Chateau Borel could be subjected only to a most distant observation. It was in its exclusiveness an ideal abode for hatching superior plots—whether serious or futile. But all this did not interest me. I wanted to know the effect its extraordinary inhabitants and its special atmosphere had produced on a girl like Miss Haldin, so true, so honest, but so dangerously inexperienced! Her unconsciously lofty ignorance of the baser instincts of mankind left her disarmed before her own impulses. And there was also that friend of her brother, the significant new arrival from Russia.... I wondered whether she had managed to meet him.

We walked for some time, slowly and in silence.

'You know,' I attacked her suddenly, 'if you don't intend telling me anything, you must say so distinctly, and then, of course, it shall be final. But I won't play at delicacy. I ask you point-blank for all the details.'

She smiled faintly at my threatening tone.

'You are as curious as a child.'

'No. I am only an anxious old man,' I replied earnestly.

She rested her glance on me as if to ascertain the degree of my anxiety or the number of my years. My physiognomy has never been expressive, I believe, and as to my years I am not ancient enough as yet to be strikingly decrepit. I have no long beard like the good hermit of a romantic ballad; my footsteps are not tottering, my aspect not that of a slow, venerable sage. Those picturesque advantages are not mine. I am old, alas, in a brisk, commonplace way. And it seemed to me as though there were some pity for me in Miss Haldin's prolonged glance. She stepped out a little quicker.

'You ask for all the details. Let me see. I ought to remember them. It was novel enough for a—a village girl like me.'

After a moment of silence she began by saying that the Chateau Borel was almost as neglected inside as outside. It was nothing to wonder at, a Hamburg banker, I believe, retired from business, had it built to cheer his remaining days by the view of that lake whose precise, orderly, and well-to-do beauty must have been attractive to the unromantic imagination of a business man. But he died soon. His wife departed too (but only to Italy), and this house of moneyed ease, presumably unsaleable, had stood empty for several years. One went to it up a gravel drive, round a large, coarse grass-plot, with plenty of time to observe the degradation of its stuccoed front. Miss Haldin said that the impression was unpleasant. It grew more depressing as one came nearer.

She observed green stains of moss on the steps of the terrace. The front door stood wide open. There was no one about. She found herself in a wide, lofty, and absolutely empty hall, with a good many doors. These doors were all shut. A broad, bare stone staircase faced her, and the effect of the whole was of an untenanted house. She stood still, disconcerted by the solitude, but after a while she became aware of a voice speaking continuously somewhere.

'You were probably being observed all the time,' I suggested. 'There must have been eyes.'

'I don't see how that could be,' she retorted. 'I haven't seen even a bird in the grounds. I don't remember hearing a single twitter in the trees. The whole place appeared utterly deserted except for the voice.'

She could not make out the language—Russian, French, or German. No one seemed to answer it. It was as though the voice had been left behind by the departed inhabitants to talk to the bare walls. It went on volubly, with a pause now and then. It was lonely and sad. The time seemed very long to Miss Haldin. An invincible repugnance prevented her from opening one of the doors in the hall. It was so hopeless. No one would come, the voice would never stop. She confessed to me that she had to resist an impulse to turn round and go away unseen, as she had come.

'Really? You had that impulse?' I cried, full of regret. 'What a pity you did not obey it.'

She shook her head.

'What a strange memory it would have been for one. Those deserted grounds, that empty hall, that impersonal, voluble voice, and—nobody, nothing, not a soul.'

The memory would have been unique and harmless. But she was not a girl to run away from an intimidating impression of solitude and mystery. 'No, I did not run away,' she said. 'I stayed where I was—and I did see a soul. Such a strange soul.'

As she was gazing up the broad staircase, and had concluded that the voice came from somewhere above, a rustle of dress attracted her attention. She looked down and saw a woman crossing the hall, having issued apparently through one of the many doors. Her face was averted, so that at first she was not aware of Miss Haldin.

On turning her head and seeing a stranger, she appeared very much startled. From her slender figure Miss Haldin had taken her for a young girl; but if her face was almost childishly round, it was also sallow and wrinkled, with dark rings under the eyes. A thick crop of dusty brown hair was parted boyishly on the side with a lateral wave above the dry, furrowed forehead. After a moment of dumb blinking, she suddenly squatted down on the floor.

'What do you mean by squatted down?' I asked, astonished. 'This is a very strange detail.'

Miss Haldin explained the reason. This person when first seen was carrying a small bowl in her hand. She had squatted down to put it on the floor for the benefit of a large cat, which appeared then from behind her skirts, and hid its head into the bowl greedily. She got up, and approaching Miss Haldin asked with nervous bluntness—

'What do you want? Who are you?'

Miss Haldin mentioned her name and also the name of Peter Ivanovitch. The girlish, elderly woman nodded and puckered her face into a momentary expression of sympathy. Her black silk blouse was old and even frayed in places; the black serge skirt was short and shabby. She continued to blink at close quarters, and her eyelashes and eyebrows seemed shabby too. Miss Haldin, speaking gently to her, as if to an unhappy and sensitive person, explained how it was that her visit could not be an altogether unexpected event to Madame de S—.

'Ah! Peter Ivanovitch brought you an invitation. How was I to know? A dame de

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