Under Western Eyes

had never seen Madame de S— but in the carriage.

Peter Ivanovitch came out of his abstraction.

'Two things I may say to you at once. I believe, first, that neither a leader nor any decisive action can come out of the dregs of a people. Now, if you ask me what are the dregs of a people—h'm—it would take too long to tell. You would be surprised at the variety of ingredients that for me go to the making up of these dregs—of that which ought, must remain at the bottom. Moreover, such a statement might be subject to discussion. But I can tell you what is not the dregs. On that it is impossible for us to disagree. The peasantry of a people is not the dregs; neither is its highest class—well—the nobility. Reflect on that, Kirylo Sidorovitch! I believe you are well fitted for reflection. Everything in a people that is not genuine, not its own by origin or development, is—well—dirt! Intelligence in the wrong place is that. Foreign-bred doctrines are that. Dirt! Dregs! The second thing I would offer to your meditation is this: that for us at this moment there yawns a chasm between the past and the future. It can never be bridged by foreign liberalism. All attempts at it are either folly or cheating. Bridged it can never be! It has to be filled up.'

A sort of sinister jocularity had crept into the tones of the burly feminist. He seized Razumov's arm above the elbow, and gave it a slight shake.

'Do you understand, enigmatical young man? It has got to be just filled up.'

Razumov kept an unmoved countenance.

'Don't you think that I have already gone beyond meditation on that subject?' he said, freeing his arm by a quiet movement which increased the distance a little between himself and Peter Ivanovitch, as they went on strolling abreast. And he added that surely whole cartloads of words and theories could never fill that chasm. No meditation was necessary. A sacrifice of many lives could alone—He fell silent without finishing the phrase.

Peter Ivanovitch inclined his big hairy head slowly. After a moment he proposed that they should go and see if Madame de S— was now visible.

'We shall get some tea,' he said, turning out of the shaded gloomy walk with a brisker step.

The lady companion had been on the look out. Her dark skirt whisked into the doorway as the two men came in sight round the corner. She ran off somewhere altogether, and had disappeared when they entered the hall. In the crude light falling from the dusty glass skylight upon the black and white tessellated floor, covered with muddy tracks, their footsteps echoed faintly. The great feminist led the way up the stairs. On the balustrade of the first- floor landing a shiny tall hat reposed, rim upwards, opposite the double door of the drawing-room, haunted, it was said, by evoked ghosts, and frequented, it was to be supposed, by fugitive revolutionists. The cracked white paint of the panels, the tarnished gilt of the mouldings, permitted one to imagine nothing but dust and emptiness within. Before turning the massive brass handle, Peter Ivanovitch gave his young companion a sharp, partly critical, partly preparatory glance.

'No one is perfect,' he murmured discreetly. Thus, the possessor of a rare jewel might, before opening the casket, warn the profane that no gem perhaps is flawless.

He remained with his hand on the door-handle so long that Razumov assented by a moody 'No.'

'Perfection itself would not produce that effect,' pursued Peter Ivanovitch, 'in a world not meant for it. But you shall find there a mind—no!—the quintessence of feminine intuition which will understand any perplexity you may be suffering from by the irresistible, enlightening force of sympathy. Nothing can remain obscure before that—that— inspired, yes, inspired penetration, this true light of femininity.'

The gaze of the dark spectacles in its glossy steadfastness gave his face an air of absolute conviction. Razumov felt a momentary shrinking before that closed door.

'Penetration? Light,' he stammered out. 'Do you mean some sort of thought-reading?'

Peter Ivanovitch seemed shocked.

'I mean something utterly different,' he retorted, with a faint, pitying smile.

Razumov began to feel angry, very much against his wish.

'This is very mysterious,' he muttered through his teeth.

'You don't object to being understood, to being guided?' queried the great feminist. Razumov exploded in a fierce whisper.

'In what sense? Be pleased to understand that I am a serious person. Who do you take me for?'

They looked at each other very closely. Razumov's temper was cooled by the impenetrable earnestness of the blue glasses meeting his stare. Peter Ivanovitch turned the handle at last.

'You shall know directly,' he said, pushing the door open.

A low-pitched grating voice was heard within the room.

'Enfin.'

In the doorway, his black-coated bulk blocking the view, Peter Ivanovitch boomed in a hearty tone with something boastful in it.

'Yes. Here I am!'

He glanced over his shoulder at Razumov, who waited for him to move on.

'And I am bringing you a proved conspirator—a real one this time. Un vrai celui la.'

This pause in the doorway gave the 'proved conspirator' time to make sure that his face did not betray his angry curiosity and his mental disgust.

These sentiments stand confessed in Mr. Razumov's memorandum of his first interview with Madame de S—. The very words I use in my narrative are written where their sincerity cannot be suspected. The record, which could not have been meant for anyone's eyes but his own, was not, I think, the outcome of that strange impulse of indiscretion common to men who lead secret lives, and accounting for the invariable existence of 'compromising documents' in all the plots and conspiracies of history. Mr. Razumov looked at it, I suppose, as a man looks at himself in a mirror, with wonder, perhaps with anguish, with anger or despair. Yes, as a threatened man may look