comprehension. I was simply in the line of his stare. I don't know if he had heard the bell or expected to see anybody. He was going out, I believe, and I do not think that he saw Miss Haldin till she advanced towards him a step or two. He disregarded the hand she put out.
'It's you, Natalia Victorovna.... Perhaps you are surprised...at this late hour. But, you see, I remembered our conversations in that garden. I thought really it was your wish that I should—without loss of time...so I came. No other reason. Simply to tell...'
He spoke with difficulty. I noticed that, and remembered his declaration to the man in the shop that he was going out because he 'needed air.' If that was his object, then it was clear that he had miserably failed. With downcast eyes and lowered head he made an effort to pick up the strangled phrase.
'To tell what I have heard myself only to-day—to-day....'
Through the door he had not closed I had a view of the drawing-room. It was lighted only by a shaded lamp— Mrs. Haldin's eyes could not support either gas or electricity. It was a comparatively big room, and in contrast with the strongly lighted ante-room its length was lost in semi-transparent gloom backed by heavy shadows; and on that ground I saw the motionless figure of Mrs. Haldin, inclined slightly forward, with a pale hand resting on the arm of the chair.
She did not move. With the window before her she had no longer that attitude suggesting expectation. The blind was down; and outside there was only the night sky harbouring a thunder-cloud, and the town indifferent and hospitable in its cold, almost scornful, toleration—a respectable town of refuge to which all these sorrows and hopes were nothing. Her white head was bowed.
The thought that the real drama of autocracy is not played on the great stage of politics came to me as, fated to be a spectator, I had this other glimpse behind the scenes, something more profound than the words and gestures of the public play. I had the certitude that this mother, refused in her heart to give her son up after all. It was more than Rachel's inconsolable mourning, it was something deeper, more inaccessible in its frightful tranquillity. Lost in the ill-defined mass of the high-backed chair, her white, inclined profile suggested the contemplation of something in her lap, as though a beloved head were resting there.
I had this glimpse behind the scenes, and then Miss Haldin, passing by the young man, shut the door. It was not done without hesitation. For a moment I thought that she would go to her mother, but she sent in only an anxious glance. Perhaps if Mrs. Haldin had moved...but no. There was in the immobility of that bloodless face the dreadful aloofness of suffering without remedy.
Meantime the young man kept his eyes fixed on the floor. The thought that he would have to repeat the story he had told already was intolerable to him. He had expected to find the two women together. And then, he had said to himself, it would be over for all time—for all time. 'It's lucky I don't believe in another world,' he had thought cynically.
Alone in his room after having posted his secret letter, he had regained a certain measure of composure by writing in his secret diary. He was aware of the danger of that strange self-indulgence. He alludes to it himself, but he could not refrain. It calmed him—it reconciled him to his existence. He sat there scribbling by the light of a solitary candle, till it occurred to him that having heard the explanation of Haldin's arrest, as put forward by Sophia Antonovna, it behoved him to tell these ladies himself. They were certain to hear the tale through some other channel, and then his abstention would look strange, not only to the mother and sister of Haldin, but to other people also. Having come to this conclusion, he did not discover in himself any marked reluctance to face the necessity, and very soon an anxiety to be done with it began to torment him. He looked at his watch. No; it was not absolutely too late.
The fifteen minutes with Mrs. Haldin were like the revenge of the unknown: that white face, that weak, distinct voice; that head, at first turned to him eagerly, then, after a while, bowed again and motionless—in the dim, still light of the room in which his words which he tried to subdue resounded so loudly—had troubled him like some strange discovery. And there seemed to be a secret obstinacy in that sorrow, something he could not understand; at any rate, something he had not expected. Was it hostile? But it did not matter. Nothing could touch him now; in the eyes of the revolutionists there was now no shadow on his past. The phantom of Haldin had been indeed walked over, was left behind lying powerless and passive on the pavement covered with snow. And this was the phantom's mother consumed with grief and white as a ghost. He had felt a pitying surprise. But that, of course, was of no importance. Mothers did not matter. He could not shake off the poignant impression of that silent, quiet, white-haired woman, but a sort of sternness crept into his thoughts. These were the consequences. Well, what of it? 'Am I then on a bed of roses?' he had exclaimed to himself, sitting at some distance with his eyes fixed upon that figure of sorrow. He had said all he had to say to her, and when he had finished she had not uttered a word. She had turned away her head while he was speaking. The silence which had fallen on his last words had lasted for five minutes or more. What did it mean? Before its incomprehensible character he became conscious of anger in his stern mood, the old anger against Haldin reawakened by the contemplation of Haldin's mother. And was it not something like enviousness which gripped his heart, as if of a privilege denied to him alone of all the men that had ever passed through this world? It was the other who had attained to repose and yet continued to exist in the affection of that mourning old woman, in the thoughts of all these people posing for lovers of humanity. It was impossible to get rid of him. 'It's myself whom I have given up to destruction,' thought Razumov. 'He has induced me to do it. I can't shake him off.'
Alarmed by that discovery, he got up and strode out of the silent, dim room with its silent old woman in the chair, that mother! He never looked back. It was frankly a flight. But on opening the door he saw his retreat cut off: There was the sister. He had never forgotten the sister, only he had not expected to see her then—or ever any more, perhaps. Her presence in the ante-room was as unforeseen as the apparition of her brother had been. Razumov gave a start as though he had discovered himself cleverly trapped. He tried to smile, but could not manage it, and lowered his eyes. 'Must I repeat that silly story now?' he asked himself, and felt a sinking sensation. Nothing solid had passed his lips since the day before, but he was not in a state to analyse the origins of his weakness. He meant to take up his hat and depart with as few words as possible, but Miss Haldin's swift movement to shut the door took him by surprise. He half turned after her, but without raising his eyes, passively, just as a feather might stir in the disturbed air. The next moment she was back in the place she had started from, with another half-turn on his part, so that they came again into the same relative positions.
'Yes, yes,' she said hurriedly. 'I am very grateful to you, Kirylo Sidorovitch, for coming at once—like this.... Only, I wish I had.... Did mother tell you?'
'I wonder what she could have told me that I did not know before,' he said, obviously to himself, but perfectly audible. 'Because I always did know it,' he added louder, as if in despair.
He hung his head. He had such a strong sense of Natalia Haldin's presence that to look at her he felt would be a relief. It was she who had been haunting him now. He had suffered that persecution ever since she had suddenly appeared before him in the garden of the Villa Borel with an extended hand and the name of her brother on her lips.... The ante-room had a row of hooks on the wall nearest to the outer door, while against the wall opposite there stood a small dark table and one chair. The paper, bearing a very faint design, was all but white. The light of an electric bulb high up under the ceiling searched that clear square box into its four bare corners, crudely, without shadows—a strange stage for an obscure drama.
