moving. That bunch of flowers going into the house in the hand of a Chinaman was for the breakfast-table. What else could it be for?
'I'll give you flowers!' he muttered threateningly. 'You wait!'
Another moment, just for a glance towards the Jones bungalow, whence he expected Heyst to issue on his way to that breakfast so offensively decorated, and Ricardo began his retreat. His impulse, his desire, was for a rush into the open, face to face with the appointed victim, for what he called a 'ripping up,' visualized greedily, and always with the swift preliminary stooping movement on his part—the forerunner of certain death to his adversary. This was his impulse; and as it was, so to speak, constitutional, it was extremely difficult to resist when his blood was up. What could be more trying than to have to skulk and dodge and restrain oneself, mentally and physically, when one's blood was up? Mr. Secretary Ricardo began his retreat from his post of observation behind a tree opposite Heyst's bungalow, using great care to remain unseen. His proceedings were made easier by the declivity of the ground, which sloped sharply down to the water's edge. There, his feet feeling the warmth of the island's rocky foundation already heated by the sun, through the thin soles of his straw slippers he was, as it were, sunk out of sight of the houses. A short scramble of some twenty feet brought him up again to the upper level, at the place where the jetty had its root in the shore. He leaned his back against one of the lofty uprights which still held up the company's signboard above the mound of derelict coal. Nobody could have guessed how much his blood was up. To contain himself he folded his arms tightly on his breast.
Ricardo was not used to a prolonged effort of self-control. His craft, his artfulness, felt themselves always at the mercy of his nature, which was truly feral and only held in subjection by the influence of the 'governor,' the prestige of a gentleman. It had its cunning too, but it was being almost too severely tried since the feral solution of a growl and a spring was forbidden by the problem. Ricardo dared not venture out on the cleared ground. He dared not.
'If I meet the beggar,' he thought, 'I don't know what I mayn't do. I daren't trust myself.'
What exasperated him just now was his inability to understand Heyst. Ricardo was human enough to suffer from the discovery of his limitations. No, he couldn't size Heyst up. He could kill him with extreme ease—a growl and a spring—but that was forbidden! However, he could not remain indefinitely under the funereal blackboard.
'I must make a move,' he thought.
He moved on, his head swimming a little with the repressed desire of violence, and came out openly in front of the bungalows, as if he had just been down to the jetty to look at the boat. The sunshine enveloped him, very brilliant, very still, very hot. The three buildings faced him. The one with the rug on the balustrade was the most distant; next to it was the empty bungalow; the nearest, with the flower-beds at the foot of its veranda, contained that bothersome girl, who had managed so provokingly to keep herself invisible. That was why Ricardo's eyes lingered on that building. The girl would surely be easier to 'size up' than Heyst. A sight of her, a mere glimpse, would have been something to go by, a step nearer to the goal—the first real move, in fact. Ricardo saw no other move. And any time she might appear on that veranda!
She did not appear; but, like a concealed magnet, she exercised her attraction. As he went on, he deviated towards the bungalow. Though his movements were deliberate, his feral instincts had such sway that if he had met Heyst walking towards him, he would have had to satisfy his need of violence. But he saw nobody. Wang was at the back of the house, keeping the coffee hot against Number One's return for breakfast. Even the simian Pedro was out of sight, no doubt crouching on the door-step, his red little eyes fastened with animal-like devotion on Mr. Jones, who was in discourse with Heyst in the other bungalow—the conversation of an evil spectre with a disarmed man, watched by an ape.
His will having very little to do with it, Ricardo, darting swift glances in all directions, found himself at the steps of the Heyst bungalow. Once there, falling under an uncontrollable force of attraction, he mounted them with a savage and stealthy action of his limbs, and paused for a moment under the eaves to listen to the silence. Presently he advanced over the threshold one leg—it seemed to stretch itself, like a limb of india-rubber—planted his foot within, brought up the other swiftly, and stood inside the room, turning his head from side to side. To his eyes, brought in there from the dazzling sunshine, all was gloom for a moment. His pupils, like a cat's, dilating swiftly, he distinguished an enormous quantity of books. He was amazed; and he was put off too. He was vexed in his astonishment. He had meant to note the aspect and nature of things, and hoped to draw some useful inference, some hint as to the man. But what guess could one make out of a multitude of books? He didn't know what to think; and he formulated his bewilderment in the mental exclamation:
'What the devil has this fellow been trying to set up here—a school?'
He gave a prolonged stare to the portrait of Heyst's father, that severe profile ignoring the vanities of this earth. His eyes gleamed sideways at the heavy silver candlesticks—signs of opulence. He prowled as a stray cat entering a strange place might have done, for if Ricardo had not Wang's miraculous gift of materializing and vanishing, rather than coming and going, he could be nearly as noiseless in his less elusive movements. He noted the back door standing just ajar; and all the time his slightly pointed ears, at the utmost stretch of watchfulness, kept in touch with the profound silence outside enveloping the absolute stillness of the house.
He had not been in the room two minutes when it occurred to him that he must be alone in the bungalow. The woman, most likely, had sneaked out and was walking about somewhere in the grounds at the back. She had been probably ordered to keep out of sight. Why? Because the fellow mistrusted his guests; or was it because he mistrusted
Ricardo reflected that from a certain point of view it amounted nearly to the same thing. He remembered Schomberg's story. He felt that running away with somebody only to get clear of that beastly, tame, hotel-keeper's attention was no proof of hopeless infatuation. She could be got in touch with.
His moustaches stirred. For some time he had been looking at a closed door. He would peep into that other room, and perhaps see something more informing than a confounded lot of books. As he crossed over, he thought recklessly:
'If the beggar comes in suddenly, and starts to prance, I'll rip him up and be done with it!'
He laid his hand on the handle, and felt the door come unlatched. Before he pulled it open, he listened again to the silence. He felt it all about him, complete, without a flaw.
The necessity of prudence had exasperated his self-restraint. A mood of ferocity woke up in him, and, as always at such times, he became physically aware of the sheeted knife strapped to his leg. He pulled at the door with fierce curiosity. It came open without a squeak of hinge, without a rustle, with no sound at all; and he found himself glaring at the opaque surface of some rough blue stuff, like serge. A curtain was fitted inside, heavy enough and long enough not to stir.
A curtain! This unforeseen veil, baffling his curiosity checked his brusqueness. He did not fling it aside with an impatient movement; he only looked at it closely, as if its texture had to be examined before his hand could touch such stuff. In this interval of hesitation, he seemed to detect a flaw in the perfection of the silence, the faintest
