and black velvet knee-breeches, strutted like pigeons in a knot, some with one woman on the arm, some with two. Bundles of variegated rags lay against the walls, as if they were sweepings. Well, they were the sweepings of Havana jail. The men in white and black were the great thieves... and there were children, too—the place was the city orphanage. For the fifth part of a second my advent made no difference. Then, at the far end, one of the men in black and white separated himself, and came swiftly to me across the sunny
'Senor, I have the honour to salute you. I am Crisostomo Garcia. I ask the courtesy of your trousers.'
I did not answer him. I did not see what he wanted with my trousers, which weren't anyway as valuable as his own. The others were closing in on me like a solid wall. I leant back against the gate; I was not frightened, but I was mightily excited. The man like C?sar looked fiercely at me, swayed a long way back on his haunches, and imperiously motioned the crowd to recede.
'Senor Inglesito,' he said, 'the gift I have the honour to ask of you is the price of my protection. Without it these, my brothers, will tear you limb from limb, there will nothing of you remain.'
His brothers set up a stealthy, sinister growl, that went round among the heads like the mutter of an obscene echo among the mountain-tops. I wondered whether this, perhaps, was the man who, O'Brien said, would put a knife in my back. I hadn't any knife; I might knock the fellow's teeth down his throat, though.
The
'Are you mad, gentlemen?' he said. 'Do you wish to visit hell before your times? Do you know who the senor is? Did you ever hear of Carlos el Demonio? This is the
It was plain that my deeds, such as they were, reported by O'Brien spies, by the
'I ask your pardon, Senor Caballero. I did not know. How could I tell? You are free of all the
The tall
'If the senor will follow me,' he said. 'I will do the honours of this humble mansion, and indicate a choice of rooms where he may be free from the visits of these gentry.'
We went up steps, and through long, shadowy corridors, with here and there a dark, lounging figure, like a stag seen in the dim aisles of a wood. The
The room was like a blazing oblong-box, filled with light, but without window or chimney. Two men were fencing in the illumination of some twenty candles stuck all round the mildewed white walls on lumps of clay. There was a blaze of silver things, like an altar of a wealthy church, from a black, carved table in the far corner. The two men, in shirts and breeches, revolved round each other, their rapiers clinking, their left arms scarved, holding buttoned daggers. The
'Don Vincente Salazar, I have the honour to announce an English senor.'
The man with his face to me tossed his rapier impatiently into a corner. He was a plump, dark Cuban, with a brooding truculence. The other faced round quickly. His cheeks shone in the candle-light like polished yellow leather, his eyes were narrow slits, his face lugubrious. He scrutinized me intently, then drawled:
'My! You?... Hang me if I didn't think it would be you!'
He had the air of surveying a monstrosity, and pulled the neck of his dirty print shirt open, panting. He slouched out into the corridor, and began whispering eagerly to the
He muttered something contemptuous between his teeth. Well, if he didn't want to talk to me, I didn't want to talk to him. It had struck me that the tall, sallow man was undoubtedly the second mate of the
'You, Senor, are without doubt one of the spies of that friend of the priests, that O'Brien. Tell him to beware— that I bid him beware. I, Don Vincente Salazar de Valdepefias y Forli y...'
I remembered the name; he was once the suitor of Seraphina—the man O'Brien had put out of the way. He continued with a grotesque frown of portentous significance:
'To-morrow I leave this place. And your compatriot is very much afraid, Senor. Let him fear! Let him fear! But a thousand spies should not save him.'
The tall
'The
He presented me with the room—a remarkably bare place but for his properties: silver branch candlesticks, a silver chafing-dish as large as a basin. They might have been chased by Cellini—one used to find things like that in Cuba in those days, and Salazar was the person to have them. Afterwards, at the time of the first insurrection, his eight-mule harness was sold for four thousand pounds in Paris—by reason of the gold and pearls upon it. The atmosphere, he explained, was fetid, but his man was coming to burn sandal-wood and beat the air with fans.