recovered very quickly. The order of the world was safe enough. He was a civil servant and she his good and faithful wife. But when it comes to dealing with human beings anything, anything may be expected. So even my astonishment did not last very long. How far she developed and illustrated that conscienceless and austere doctrine to the girl-friends, who were mere transient shadows to her husband, I could not tell. Any length I supposed. And he looked on, acquiesced, approved, just for that very reason—because these pretty girls were but shadows to him. O! Most virtuous Fyne! He cast his eyes down. He didn’t like it. But I eyed him with hidden animosity for he had got me to run after him under somewhat false pretences.
Mrs Fyne had only smiled at me very expressively, very self-confidently. “Oh I quite understand that you accept the fullest responsibility,” I said. “I am the only ridiculous person in this—this—I don’t know how to call it— performance. However, I’ve nothing more to do here, so I’ll say good-night—or good morning, for it must be past one.”
“But before departing, in common decency, I offered to take any wires they might write. My lodgings were nearer the post-office than the cottage and I would send them off the first thing in the morning. I supposed they would wish to communicate, if only as to the disposal of the luggage, with the young lady’s relatives...”
Fyne, he looked rather downcast by then, thanked me and declined.
“There is really no one,” he said, very grave.
“No one,” I exclaimed.
“Practically,” said curt Mrs Fyne.
And my curiosity was aroused again.
“Ah! I see. An orphan.”
Mrs Fyne looked away weary and sombre, and Fyne said “Yes,” impulsively and then qualified the affirmative by the quaint statement: “To a certain extent.”
I became conscious of a languid, exhausted embarrassment, bowed to Mrs Fyne, and went out of the cottage to be confronted outside its door by the bespangled, cruel revelation of the Immensity of the Universe. The night was not sufficiently advanced for the stars to have paled; and the earth seemed to me more profoundly asleep— perhaps because I was alone now. Not having Fyne with me to set the pace I let myself drift, rather than walk, in the direction of the farmhouse. To drift is the only reposeful sort of motion (ask any ship if it isn’t) and therefore consistent with thoughtfulness. And I pondered: How is one an orphan “to a certain extent”?
No amount of solemnity could make such a statement other than bizarre. What a strange condition to be in. Very likely one of the parents only was dead? But no; it couldn’t be, since Fyne had said just before that “there was really no one” to communicate with. No one! And then remembering Mrs Fyne’s snappy “Practically” my thoughts fastened upon that lady as a more tangible object of speculation.
I wondered—and wondering I doubted—whether she really understood herself the theory she had propounded to me. Everything may be said—indeed ought to be said—providing we know how to say it. She probably did not. She was not intelligent enough for that. She had no knowledge of the world. She had got hold of words as a child might get hold of some poisonous pills and play with them for “dear, tiny little marbles.” No! The domestic-slave daughter of Carleon Anthony and the little Fyne of the Civil Service (that flower of civilisation) were not intelligent people. They were commonplace, earnest, without smiles and without guile. But he had his solemnities and she had her reveries, her lurid, violent, crude reveries. And I thought with some sadness that all these revolts and indignations, all these protests, revulsions of feeling, pangs of suffering and of rage, expressed but the uneasiness of sensual beings trying for their share in the joys of form, colour, sensations—the only riches of our world of senses. A poet may be a simple being but he is bound to be various and full of wiles, ingenious and irritable. I reflected on the variety of ways the ingenuity of the late bard of civilisation would be able to invent for the tormenting of his dependants. Poets not being generally foresighted in practical affairs, no vision of consequences would restrain him. Yes. The Fynes were excellent people, but Mrs Fyne wasn’t the daughter of a domestic tyrant for nothing. There were no limits to her revolt. But they were excellent people. It was clear that they must have been extremely good to that girl whose position in the world seemed somewhat difficult, with her face of a victim, her obvious lack of resignation and the bizarre status of orphan “to a certain extent.”
Such were my thoughts, but in truth I soon ceased to trouble about all these people. I found that my lamp had gone out leaving behind an awful smell. I fled from it up the stairs and went to bed in the dark. My slumbers—I suppose the one good in pedestrian exercise, confound it, is that it helps our natural callousness—my slumbers were deep, dreamless and refreshing.
My appetite at breakfast was not affected by my ignorance of the facts, motives, events and conclusions. I think that to understand everything is not good for the intellect. A well-stocked intelligence weakens the impulse to action; an overstocked one leads gently to idiocy. But Mrs Fyne’s individualist woman-doctrine, naively unscrupulous, flitted through my mind. The salad of unprincipled notions she put into these girl-friends’ heads! Good innocent creature, worthy wife, excellent mother (of the strict governess type), she was as guileless of consequences as any determinist philosopher ever was.
“As to honour—you know—it’s a very fine medieval inheritance which women never got hold of. It wasn’t theirs. Since it may be laid as a general principle that women always get what they want we must suppose they didn’t want it. In addition they are devoid of decency. I mean masculine decency. Cautiousness too is foreign to them—the heavy reasonable cautiousness which is our glory. And if they had it they would make of it a thing of passion, so that its own mother—I mean the mother of cautiousness—wouldn’t recognise it. Prudence with them is a matter of thrill like the rest of sublunary contrivances. ‘Sensation at any cost,’ is their secret device. All the virtues are not enough for them; they want also all the crimes for their own. And why? Because in such completeness there is power—the kind of thrill they love most...”
“Do you expect me to agree to all this?” I interrupted.
“No, it isn’t necessary,” said Marlow, feeling the check to his eloquence but with a great effort at amiability. “You need not even understand it. I continue: with such disposition what prevents women—to use the phrase an old boatswain of my acquaintance applied descriptively to his captain—what prevents them from ‘coming on deck and playing hell with the ship’ generally, is that something in them precise and mysterious, acting both as restraint and as inspiration; their femininity in short which they think they can get rid of by trying hard, but can’t, and never will. Therefore we may conclude that, for all their enterprises, the world is and remains safe enough. Feeling, in my character of a lover of peace, soothed by that conclusion I prepared myself to enjoy a fine day.”
And it was a fine day; a delicious day, with the horror of the Infinite veiled by the splendid tent of blue; a day innocently bright like a child with a washed face, fresh like an innocent young girl, suave in welcoming one’s respects like—like a Roman prelate. I love such days. They are perfection for remaining indoors. And I enjoyed it temperamentally in a chair, my feet up on the sill of the open window, a book in my hands and the murmured harmonies of wind and sun in my heart making an accompaniment to the rhythms of my author. Then looking up from the page I saw outside a pair of grey eyes thatched by ragged yellowy-white eyebrows gazing at me solemnly over the toes of my slippers. There was a grave, furrowed brow surmounting that portentous gaze, a brown tweed