fire—an occasion to glance at it which no intelligent man could have neglected. He communicated to the rest of the household his vaguely forcible impression that something had gone damnably wrong with the affairs of “her father in London.”
This brought an atmosphere of constraint through the house, which Flora de Barral coming down somewhat later than usual could not help noticing in her own way. Everybody seemed to stare so stupidly somehow; she feared a dull day.
In the dining-room the governess in her place, a newspaper half-concealed under the cloth on her lap, after a few words exchanged with lips that seemed hardly to move, remaining motionless, her eyes fixed before her in an enduring silence; and presently Charley coming in to whom she did not even give a glance. He hardly said good morning, though he had a half-hearted try to smile at the girl, and sitting opposite her with his eyes on his plate and slight quivers passing along the line of his clean-shaven jaw, he too had nothing to say. It was dull, horribly dull to begin one’s day like this; but she knew what it was. These never-ending family affairs! It was not for the first time that she had suffered from their depressing after-effects on these two. It was a shame that the delightful Charley should be made dull by these stupid talks, and it was perfectly stupid of him to let himself be upset like this by his aunt.
When after a period of still, as if calculating, immobility her governess got up abruptly and went out with the paper in her hand, almost immediately afterwards followed by Charley who left his breakfast half eaten, the girl was positively relieved. They would have it out that morning whatever it was, and be themselves again in the afternoon. At least Charley would be. To the moods of her governess she did not attach so much importance.
For the first time that morning the Fynes saw the front door of the awful house open and the objectionable young man issue forth, his rascality visible to their prejudiced eyes in his very bowler hat and in the smart cut of his short fawn overcoat. He walked away rapidly like a man hurrying to catch a train, glancing from side to side as though he were carrying something off. Could he be departing for good? Undoubtedly, undoubtedly! But Mrs Fyne’s fervent “thank goodness” turned out to be a bit, as the Americans—some Americans—say “previous.” In a very short time the odious fellow appeared again, strolling, absolutely strolling back, his hat now tilted a little on one side, with an air of leisure and satisfaction. Mrs Fyne groaned not only in the spirit, at this sight, but in the flesh, audibly; and asked her husband what it might mean. Fyne naturally couldn’t say. Mrs Fyne believed that there was something horrid in progress and meantime the object of her detestation had gone up the steps and had knocked at the door which at once opened to admit him.
He had been only as far as the bank.
His reason for leaving his breakfast unfinished to run after Miss de Barral’s governess, was to speak to her in reference to that very errand possessing the utmost possible importance in his eyes. He shrugged his shoulders at the nervousness of her eyes and hands, at the half-strangled whisper “I had to go out. I could hardly contain myself.” That was her affair. He was, with a young man’s squeamishness, rather sick of her ferocity. He did not understand it. Men do not accumulate hate against each other in tiny amounts, treasuring every pinch carefully till it grows at last into a monstrous and explosive hoard. He had run out after her to remind her of the balance at the bank. What about lifting that money without wasting any more time? She had promised him to leave nothing behind.
An account opened in her name for the expenses of the establishment in Brighton, had been fed by de Barral with deferential lavishness. The governess crossed the wide hall into a little room at the side where she sat down to write the cheque, which he hastened out to go and cash as if it were stolen or a forgery. As observed by the Fynes, his uneasy appearance on leaving the house arose from the fact that his first trouble having been caused by a cheque of doubtful authenticity, the possession of a document of the sort made him unreasonably uncomfortable till this one was safely cashed. And after all, you know it was stealing of an indirect sort; for the money was de Barral’s money if the account was in the name of the accomplished lady. At any rate the cheque was cashed. On getting hold of the notes and gold he recovered his jaunty bearing, it being well-known that with certain natures the presence of money (even stolen) in the pocket, acts as a tonic, or at least as a stimulant. He cocked his hat a little on one side as though he had had a drink or two—which indeed he might have had in reality, to celebrate the occasion.
The governess had been waiting for his return in the hall, disregarding the side-glances of the butler as he went in and out of the dining-room clearing away the breakfast things. It was she, herself, who had opened the door so promptly. “It’s all right,” he said touching his breast-pocket; and she did not dare, the miserable wretch without illusions, she did not dare ask him to hand it over. They looked at each other in silence. He nodded significantly: “Where is she now?” and she whispered, “Gone into the drawing-room. Want to see her again?” with an archly black look which he acknowledged by a muttered, surly: “I am damned if I do. Well, as you want to bolt like this, why don’t we go now?”
She set her lips with cruel obstinacy and shook her head. She had her idea, her completed plan. At that moment the Fynes, still at the window and watching like a pair of private detectives, saw a man with a long grey beard and a jovial face go up the steps helping himself with a thick stick, and knock at the door. Who could he be?
He was one of Miss de Barral’s masters. She had lately taken up painting in water-colours, having read in a high-class woman’s weekly paper that a great many princesses of the European royal houses were cultivating that art. This was the water-colour morning; and the teacher, a veteran of many exhibitions, of a venerable and jovial aspect, had turned up with his usual punctuality. He was no great reader of morning papers, and even had he seen the news it is very likely he would not have understood its real purport. At any rate he turned up, as the governess expected him to do, and the Fynes saw him pass through the fateful door.
He bowed cordially to the lady in charge of Miss de Barral’s education, whom he saw in the hall engaged in conversation with a very good-looking but somewhat raffish young gentleman. She turned to him graciously: “Flora is already waiting for you in the drawing-room.”
The cultivation of the art said to be patronised by princesses was pursued in the drawing-room from considerations of the right kind of light. The governess preceded the master up the stairs and into the room where Miss de Barral was found arrayed in a holland pinafore (also of the right kind for the pursuit of the art) and smilingly expectant. The water-colour lesson enlivened by the jocular conversation of the kindly, humorous, old man was always great fun; and she felt she would be compensated for the tiresome beginning of the day.
Her governess generally was present at the lesson; but on this occasion she only sat down till the master and pupil had gone to work in earnest, and then as though she had suddenly remembered some order to give, rose quietly and went out of the room.
Once outside, the servants summoned by the passing maid without a bell being rung, and quick, quick, let all this luggage be taken down into the hall, and let one of you call a cab. She stood outside the drawing-room door on the landing, looking at each piece, trunk, leather cases, portmanteaus, being carried past her, her brows knitted and her aspect so sombre and absorbed that it took some little time for the butler to muster courage enough to speak to her. But he reflected that he was a free-born Briton and had his rights. He spoke straight to the point but in the usual respectful manner.
“Beg you pardon, ma’am—but are you going away for good?”
