on the table in front of Eddy. His callous fingers pick out a cigarette, and put it in his dry mouth. I light it for him with his lighter. His hands shackled, he raises the pack to me. I take one, and light it myself, then pace over to the mirror.
Eddy breaks his silence.
“I feel like The Unit, you know? When that cocksucker hit that goddamn pitch. Over his head, Ron. Pitch was over his goddamn head.”
I nod, without the heart to tell him my real name, and turn to the mirror. There are the three of us. Eddy looks betrayed, as he always does. I look a bit like me again, Eddy Schalaci. Eddie Schalaci. Undercover works like that. Looking in a mirror. You never know when someone’s behind it, looking back at you.
THEO GANGI is the author of
The Plot by Jeffery Deaver
When J. B. Prescott, the hugely popular crime novelist, died, millions of readers around the world were stunned and saddened.
But only one fan thought that there was something more to his death than what was revealed in the press reports.
Rumpled, round, middle-aged Jimmy Malloy was an NYPD detective sergeant. He had three passions other than police work: his family, his boat, and reading. Malloy read anything, but preferred crime novels. He liked the clever plots and the fast-moving stories. That’s what books should be, he felt. He’d been at a party once and people were talking about how long they should give a book before they put it down. Some people had said they’d endure fifty pages, some said a hundred.
Malloy had laughed. “No, no, no. It’s not dental work, like you’re waiting for the anesthetic to kick in. You should enjoy the book from page one.”
Prescott’s books were that way. They entertained you from the git-go. They took you away from your job, they took you away from the problems with your wife or daughter, your mortgage company.
They took you away from everything. And in this life, Malloy reflected, there was a lot to be taken away from.
“What’re you moping around about?” his partner, Ralph DeLeon, asked, walking into the shabby office they shared in the Midtown South Precinct, after half a weekend off. “I’m the only one round here got reason to be upset. Thanks to the Mets yesterday. Oh, wait. You don’t even know who the Mets are, son, do you?”
“Sure, I love basketball,” Malloy joked. But it was a distracted joke.
“So?” DeLeon asked. He was tall, slim, muscular, black-the opposite of Malloy, detail for detail.
“Got one of those feelings.”
“Shit. Last one of those
Plate glass and Corvettes are extremely expensive. Especially when owned by people with lawyers.
But Malloy wasn’t paying much attention to their past collars. Or to DeLeon. He once more read the obit that had appeared in the
J.B. Prescott, 68, author of thirty-two best-selling crime novels, died yesterday while on a hike in a remote section of Vermont, where he had a summer home.
The cause of death was a heart attack.
“We’re terribly saddened by the death of one of our most prolific and important writers,” said Dolores Kemper, CEO of Hutton-Fielding, Inc., which had been his publisher for many years. “In these days of lower book sales and fewer people reading, J.B.’s books still flew off the shelves. It’s a terrible loss for everyone.
Prescott’s best known creation was Jacob Sharpe, a down-and-dirty counterintelligence agent, who traveled the world, fighting terrorists and criminals. Sharpe was frequently compared to James Bond and Jason Bourne.
Prescott was not a critical darling. Reviewers called his books, “airport time-passers,” “beach reads,” and “junk food for the mind-superior junk food, but empty calories nonetheless.”
Still, he was immensely popular with his fans. Each of his books sold millions of copies.
His success brought him fame and fortune, but Prescott shunned the public life, rarely going on book tour or giving interviews. Though a multimillionaire, he had no interest in the celebrity lifestyle. He and his second wife, the former Jane Spenser, 38, owned an apartment in Manhattan, where she is a part-time photo editor for
Born in Kansas, John Balin Prescott studied English literature at the University of Iowa and was an advertising copywriter and teacher for some years while trying to publish literary fiction and poetry. He had little success and ultimately switched to writing thrillers. His first,
Demand for his books became so great that ten years ago he took on a co-writer, Aaron Reilly, 39, with whom he wrote sixteen bestsellers. This increased his output to two novels a year, sometimes more.
“We’re just devastated,” said Reilly, who described himself as a friend as well as a colleague. “John hadn’t been feeling well lately. But we couldn’t get him back to the city to see his doctor, he was so intent on finishing our latest manuscript. That’s the way he was. Type A in the extreme.”
Last week, Prescott traveled to Vermont alone to work on his next novel. Taking a break from the writing, he went for a hike, as he often did, in a deserted area near the Green Mountains. It was there that he suffered the coronary.
“John’s personal physician described the heart attack as massive,” co-author Reilly added. “Even if he hadn’t been alone, the odds of saving him were slim to nonexistent.”
Mr. Prescott is survived by his wife and two children from a prior marriage.
“So what’s this feeling you’re talking about?” DeLeon asked, reading over his partner’s shoulder.
“I’m not sure. Something.”
“Now,
“Mopey hat? Did you actually say mopey hat?”
A half hour later, Malloy and DeLeon were sitting in a disgusting dive of a coffee shop near the Hudson River docks, talking to a scummy little guy of indeterminate race and age.
Lucius was eating chili in a sloppy way and saying, “So what happened was Bark, remember I was telling you about Bark.”
“Who’s Bark?” Malloy asked.
“I
DeLeon said, “He told us.”
“What Bark did was he was going to mark the bag, only he’s a Nimrod, so he forgot which one it was. I figured it out and got it marked. That worked out okay. It’s marked, it’s on the truck. Nobody saw me. They had, I’d be capped.” A big mouthful of chili. And a grin. “So.”
“Good job,” DeLeon said. And kicked Malloy under the table. Meaning: Tell him he did a good job, because if