under the lamp.
`There is a phone number,' he told Foley. 'And what looks like a car registration number. It is a car registration… Newman had recognized the car registration. The figures were engraved on his memory. The letters too. 'Let him talk,' he told Foley. 'Ease up on him. What was that reference he made to the Bahnhof?'
`Your employer,' Foley said to Nagy. 'This time we want the truth – not some crap about the Geneva police…'
`The other coat pocket…' Nagy was looking at Newman. `Inside it you'll find a camera. I took a shot of a man getting into that Mercedes – outside the Bahnhof. He came in off the one fifty-eight pm express from Geneva..
Foley held the walking stick an inch from the little man's throat while Newman scrabbled around inside the other pocket. His hand came out holding a small, slim camera. A Voigtlander. Three shots had been taken. He looked up and caught Nagy's expression as the little man stared straight at him over the bar of the walking stick.
`I only took two shots,' Nagy croaked. 'The man getting into the car – and the Mercedes itself.' He switched his gaze to Foley. 'I think that man is the boss, my employer – and somebody important. There was a chauffeur with the car.'
`Mind if I take out the film?' Newman asked. 'I'll pay for it…'
`Jesus Christ!' Foley exploded. 'Take the film. Why pay this shit?'
Newman broke open the camera after winding the film through. Extracting the film, he dropped it inside his coat pocket, shut the camera, took a banknote from his wallet and replaced camera with banknote inside Nagy's pocket.
`I'll get it developed and printed,' he told Foley. 'Now let our friend go…'
`Break an arm- just to teach him not to follow people…'
`No!' Newman's tone was tough and he took a step towards the American. `He was following me, so I decide. I said let him go…'
With a grimace of disgust the American released Nagy who felt his injured throat, swallowed and then straightened his rumpled tie. He seemed oddly reluctant to leave and kept eyeing Newman as though trying to transmit some message. Foley gave him a shove and he shuffled off down the alley, glancing back once and again it was Newman he stared at.
`You and I have to talk,' Foley said. It was a statement. 'I want to know what's on that film – and on that piece of paper..
`Not now. I'm late for an appointment. Thanks for spotting my shadow, but you play pretty rough. Sometimes you get more if you coax..
`I coax with the barrel of a gun, Newman. I'll call you at the Bellevue. Then we meet. Inside twenty-four hours. You owe me.
`Agreed…'
Newman walked rapidly away down the Munstergasse and continued along the Junkerngasse, which is also arcaded, but without shops. Crossing the cobbled street which was now running downhill, he looked back. No sign of Foley, but that didn't surprise him. The American was too fly to follow him. He reached the closed door with three bell-pushes, a recently- installed speak-phone, a name alongside each bell-push. He pressed the one lettered B. Signer.
Blanche had taken his advice or, woman-like, she had hoped – expected – he would turn up. Her quiet voice came to him through the speak-phone grille clearly when he announced himself.
`I thought it was you, Bob. Push the door when the buzzer buzzes…'
Beyond the heavy wooden door, which closed automatically behind him on the powerful sprung-hinge, a dim light showed him the way up a flight of ancient stone steps, well-worn in the middle. On the first floor landing he noticed another new addition in the door to her apartment. A fish-eye spyhole. The door opened inward and Blanche stood there, wearing only a white bathrobe.
He sensed she had nothing on underneath as she stood aside and the bathrobe, loosely corded round her waist, parted to expose a bare, slim leg to her thigh. She closed the door, fixed the special security lock and put on the thick chain.
`Blanche, I have another film for you to develop and print.' He handed the spool to her. 'Only three shots – the third one intrigues me. The party who gave it to me said there were only two…'
`Because someone else was present? Tomorrow you have prints and negatives along with my own contribution. No, don't sit there. In here…'
Here was a tidily-furnished bedroom with one large single bed. He paused and swung round to face her. She had closed the door and stood facing him, brushing the cascade of titian hair slowly, her face expressionless.
`No, Blanche,' he said. 'I've come to tell you to forget all about the Berne Clinic. Too many pretty tough characters keep turning up. You could get hurt – that I won't risk…'
`You'll hurt me if you don't…'
She pushed him suddenly, a hard shove. The edge of the bed acted as a fulcrum against the back of his legs and he sprawled on the white duvet. She flicked the cord round her waist free, dropped the bathrobe and he had guessed right about her lack of attire. She was on top of him before he could move.
`I'm engaged,' Newman protested as she spread herself. `Of course you are – engaged in battle…'
She giggled as her slim hands industriously burrowed, whipping open the buttons of his coat, the buttons of his jacket underneath, unfastening his tie, his shirt buttons. He had never known a woman's hand operate with such skill and agility. He sighed. When it's inevitable… relax… enjoy…
Julius Nagy was livid with rage and resentment. He shuffled back along the deserted Finstergasschen. They never expected you to come back the same way. This was twice he had been subjected to violent abuse. First the obscene experience with that thug in the lavatory aboard the express to Zurich. Now the same thing had happened again at the end of this alley.
The injury to Nagy's dignity hurt him even more than the injury to his throat. Only the Englishman, Newman, had treated him like a fellow human being. Well, he would get his revenge. He emerged from the end of the alley and peered cautiously both ways along the Munstergasse. No one in sight anywhere. Pulling up the collar of his shabby coat against the bitter cold, he turned left towards the Munster.
`Make a sound and I'll blow your spine in half…'
The violent threat, spoken in German, was accompanied by the equally violent ramming of something hard against his back. A gun barrel. Nagy froze with sheer fright, standing quite still.
`Keep walking,' the voice ordered. 'Don't look round. That would be the last mistake you'd made. Cross the street. Head for the Munsterplatz…'
There was still no one else about. It was still the interval between the workers going home and the night revellers appearing. Nagy crossed the street, the gun muzzle glued against his back, and walked down under the other arcade, praying a patrol car would drive down the street.
`Now walk round the Munsterplatz – on the pavement…'
The gunman knew what he was doing, Nagy realized with growing terror. Following this route they stayed within the dark shadows. On the far side of the square the huge bulk of the front facade of the Munster sheered up. The great tower was enclosed inside a series of builder's boards – like tiers in a theatre. Above that speared the immense spire, all knobbly and spiky.
Nagy began to suspect what was their ultimate destination – the Plattform. The large garden square alongside the Munster which overlooked the river Aare. He was pushed and prodded through the gateway and guided across the square towards the far wall. The naked trees in the garden were vague skeletal silhouettes, the only sound the crunch of two pairs of feet on the gravel. Nagy, sweat streaming down his face despite the cold, was trying to look ahead to predict the next move. His mind wouldn't function.
`I need information,' the voice growled. 'Here we can talk undisturbed…'
So that was it. The raw wind beat across the exposed heights of the Plattform, sliced at his face. No one would come out here on such a night. His attacker had worked it out well. And this was the third time! A hint of fury welled up, faded into fear again. His feet walked with leaden step. Then they reached the wall near the corner furthest from the lift which descended to the Badgasse. Nagy was pressed against the wall.
`Now I will tell you what we want to know. Then you will tell me the answers to the questions I put to
