'Seton-Charles was in Cairo…'

'So were the three commandos. The second thing also came from Greece. Kalos told me a radio ham – a friend of Sarris' – had picked up a coded message. At the end there was an instruction in English. From now on the call sign is changed to Colonel Winter. History can be changed by such chance happenings.'

Paula arrived early when Tweed and Monica were standing by the window, drinking tea. She was behind the wheel of Newman's Mercedes. As she parked by the kerb further along the Crescent Tweed saw the automatic radio aerial retracting, sliding down inside the rear. He frowned, held his cup in mid-air.

'What is it?' asked Monica.

'Nothing. Just an idea.'

'She's made very good time. And she seems to be in a rush – she's almost running. And her clothes!'

Paula was wearing a pair of tight blue denims and a windcheater. An outfit neither of them had ever seen her adopt before. Paula was classic pleated skirts and blouse with a well-fitting jacket. She disappeared inside the entrance below them.

'I'll make her coffee,' Monica decided. 'She's had quite a long drive. Back in a minute. And I think something's wrong.'

Tweed had his back to the window when there was a knock on his door, he called, 'Come in,' and Paula appeared, carrying in one hand her briefcase, in the other her small travelling case.

'What's the matter?' he asked, coming forward.

'Does there have to be something?' she asked, went to her desk and dumped two cases. Her voice was cool, too cool. She turned, leaning against the desk, and smiled wanly as he gave her a hug, kissed her on the cheek. She was a shade too controlled.

She took off her gloves slowly, placed one neatly on top of the other. Then she folded her arms, tilted her chin in the defiant look he knew so well. She was white-faced and there were dark circles under her eyes.

'I drove like a bat out of hell to get here.' She smiled again at his expression. 'But within the speed limit all the way.'

'What's the matter?' he repeated.

'You really are the most perceptive man.' She paused. 'It's good to be back.' Another pause. 'I've just shot two men.'

Tweed concealed the jolt he'd felt. 'Why not sit down and tell me about it? Monica is coming with coffee. The Browning automatic I sent down by courier was for you then? Not for Newman or Marler, as I thought?' 'They've given me hell, those two.' She sat down, crossed her legs. 'I gave them hell back. Am I – or am I not – a fully- fledged member of this outfit?'

'Very fledged.' He smiled and drew a chair close to her. 'I have always shown you that's the way I feel, surely?'

'Yes. You have. Want to hear about my target-shooting – with live targets?'

Her voice was steady but Tweed sensed tension under the surface. He fetched a bottle of cognac and a glass from a cupboard, poured a hefty snifter. 'Get that down inside yourself.'

'Thanks.' She held the balloon glass in both hands to drink – to stop the glass shaking, Tweed suspected. 'My, that's made a difference.' She relaxed against the chair-back, her normal colour started to return. 'I hardly know where to start. I suppose it was Marler who saved my life. He arrived soon after I did.'

'Because I decided we needed every possible person down there. Exmoor is a vast territory to cover. And why not start at the beginning? When you'd arrived with Newman at Porlock Weir…'

Monica had phoned ahead and there were two rooms reserved for them when Newman and Paula carried their cases into The Anchor. They reached Porlock Weir in the early evening – Newman had encountered heavy sea mist drifting across the road. The moor was blotted out.

They had a conference with Butler and Nield over dinner and divided up duties. Newman took charge, made the suggestion. The dining room was almost empty so they could talk easily.

'We have three people to watch – Robson, Barrymore and Kearns. Nield, you take Robson. I'll keep an eye on Barrymore. That leaves Butler for Kearns…'

'No go,' Butler informed him. 'Tweed has given me the job of checking out the people who live on that bungalow estate near Reams' place.'

'And I'd like to help Harry, if he doesn't mind,' Paula said. 'I was the one who thought there was something odd about the place.'

'Be my guest,' replied Butler with enthusiasm. 'I've been helping Nield watch the three commando types. The electoral register in Taunton is our first check,' he told Paula.

'Then I'll have to take on both Barrymore and Kearns,' Newman decided. He grinned at Paula. 'You're just about as bloody… independent as Marler.'

'You were going to say bloody-minded,' Paula told him. 'Maybe I am. Do I get the order of the boot?'

'I'll overlook it this time. Eat your dinner, it's getting cold. ..'

The problem solved itself the following day when Marler turned up at The Anchor, sent down by Tweed. Secretly Newman had been relieved the previous evening: Paula would have protection, working with Butler. He was careful not to point this out to Paula.

While Paula and Butler visited Taunton, Newman gave Marler the task of shadowing Kearns in his hired Peugeot. Apart from Newman, they all travelled in hired cars. It took a week for Butler and Paula to come up with a list of names of the owners of the bungalows on the estate. Once she had the names Paula took to visiting The Royal Oak at Winsford where she was soon firm friends with the heavily built barman. She always arrived before the crowd at lunchtime, always came alone.

Bit by bit she told Jack, the barman, about herself. 'I'm recovering from an illness – convalescent leave they call it, the insurance company I work for. And when I was a kid I used to come down to Taunton to visit relatives…'

Her psychology was shrewd: country folk liked to know who they were talking to. Gradually she extracted from Jack information about the occupants of the bungalow estate. The one day she avoided was Wednesday: she had seen Barrymore and Robson lunching at their usual table. They were still keeping up the ritual meetings, but Kearns was not there with them. She checked his absence on two Wednesdays before avoiding that day.

'Thinkin' of buyin' one of those bungalows when it comes on the market?' Jack commented to her one day. 'You'll be lucky. A funny set-up that lot, you mark my words.'

Tunny in what way?' she asked.

'Ever 'card of a bungalow estate put up fifteen years ago and not one of the original owners has moved? Six bungalows there are. Six men. You'd think at least one would have moved on. New job, somethin' like that. Not a bit of it. They're all still there. And keeps themselves to themselves.'

'You mean you've never met one of them?'

'Now I didn't say that, did I, miss? One of them came in here soon after they'd all moved in. Chap called Foster. Didn't take to 'im. Drank gin and tonics while he chatted. La-di-dah type.'

'What did he chat about? It sounds like a mystery. I love mysteries,' Paula glowed.

'Said he was an investment counsellor, whatever that might be. Works in Bristol. His wife has some big job overseas. Never seen 'er. Said his friend, Saunders, also had his wife abroad. Some job with the UN in New York. Funny sort of married life. Wouldn't suit me – visiting the missus once or twice a year.'

'You mean the wives never come here?'

'That's about the long and short of it. Then there's the crank. Professor Guy Seton-Charles. Bachelor. Something to do with Bristol University. In summer they mows their lawns at the weekends. That's about all you see of 'em. Stuffy lot, if you ask me.'

Paula swallowed a piece of her chicken and mushroom pie, the day's speciality chalked up on a blackboard. She sipped at her glass of white wine. Jack was polishing yet another glass until it came up gleaming like silver crystal.

'I heard there was a Mr Simon Mode living in one of the bungalows,' she said casually.

'Maybe. I wouldn't know. They're there and yet they're not there.' People were beginning to fill up the tables. He turned to another customer. 'What can I get you, sir?'

That was the night they had the most almighty row back at The Anchor.

They were all assembled for dinner at their usual table. Paula sat between Newman and Marler. Butler and

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