appearance.
As if he had witnessed the murder, Philip saw what had happened. Karin had run screaming into the kitchen, followed by Hie Motorman who had dealt with Anton. Her screaming had annoyed him, so he had turned on both taps, filling the sink swiftly, then he had forced her head under the water to shut her up. She was probably half- drowning when his hands had done their devilish work, breaking her neck. Water was slopped all over the tiled floor.
Philip left the house of death, ran back to the Elite to tell Newman.
Newman had woken out of a deep sleep, had washed, dressed, combed his hair, when the phone rang.
'Yes, who is it?'
'You can recognize my voice, I am sure.'
Archie's. Soft and calm as usual. Little more than a whisper.
'Yes, I can.'
'I am going up the huge rock which rises up behind Marchat's house. There is only one pathway. The beginning is behind his house. The Motorman is out. I am going to lead him up to the top. This time you can get him – the pathway is the only way back…'
'Archie!' In his desperation Newman let out the name. The phone had gone dead.
He was reaching for his overcoat when someone rapped on his door. Despite his anxiety to leave at once Newman had the Smith amp; Wesson in his hand when he unlocked the door, opened it a few inches, then flung it wide open. Philip, ashen faced, walked in, closed the door.
'I've just come back from the Marchats' home. I was going to tell them what had happened, to thank them for their help.'
'I've got to leave.'
'I found both Anton and Karin murdered, their necks broken. Karin had been half-drowned in a sink full of water before he broke her neck …'
'I've had a call from Archie.' Newman was putting on his coat, picking up his gloves. 'He's going up that hunk of rock behind their house. The Motorman is still there. Archie is using himself as bait. I'm off…'
I'll come with you.'
They ran through the night. They ran, keeping pace with each other like racers in a marathon approaching the finishing post. Again the streets were deserted, but this was the middle of the night. It was not snowing and the ground was still paved with hard-packed snow, so there was no ice to trip them up. And the moon was shining brilliantly.
The looming mass of the great rock came into view. Philip took the lead, knowing the way to the Marchats' home. He went behind the house, explored swiftly, found the start of a steep, narrow path protected on one side by a drystone wall. They paused to catch their breath and Newman put out his hand.
'Philip, you wait here. If The Motorman gets me he has to come back down this way. Then you kill him.'
'I'd sooner come with you…'
'Who's in command of this team?' snapped Newman. 'That was an order.'
Philip gritted his teeth, watched Newman start to climb, moving swiftly and silently, the Smith amp; Wesson in his hand. He watched him until he disappeared round a bend higher up, then he stepped back into the shadows thrown by the houses, slipped his Walther out of his holster.
Because he couldn't see – or hear – what was happening, Philip couldn't keep still. His eyes never left the path as he paced a few steps one way, then another. He almost disobeyed Newman and followed him up, but all his training had drilled into him that you took orders from the head man in a team.
Newman, thankful only that the moonlight showed him the footpath, which here and there had patches of ice and sharp stones protruding above the snow, continued his ascent. To his right a panoramic view was opening up of the snowbound rooftops of Sion which, at that hour, looked like a dead city. He glanced at it only once and then concentrated on reaching the top, thinking of poor little Archie at the mercy of a professional killing machine.
At the summit, some distance above where Newman ran, Archie pulled up the collar of his coat against the freezing cold. He was standing in the shadow of the Chapel, an ancient building which looked like a ruin by the light of the moon. Left-handed, he adjusted the cigarette stub in the corner of his mouth. It gave him a certain comfort.
He was at the top of the path and in front of him, a few feet away, there was a break in the outer drystone wall where it had crumbled. He wriggled his toes inside his shoes to try and bring back the circulation.
Out of the shadows behind him a waiting shadow emerged silently. The first Archie knew of his presence was when a powerful arm was wrapped round his neck. He sagged back against the figure.
'You've talked too much,' a reedy voice said in English. 'Now you'll never talk again.'
Archie's left hand clawed out the small automatic in his pocket, quickly pressed the muzzle against the lower part of the strangling arm, just below the elbow. He pulled the trigger. The arm relaxed, there was a groan of pain, the arm fell away from him. He took two steps forward carefully, near the gap in the wall, swung round.
He held the automatic in both hands now, aimed at the stomach of the figure which had straightened up. They stood looking at each other for a few tense moments.
'You can't shoot me again.' said Bill Franklin in his normal voice.
'I can empty the magazine into your stomach without a second thought,' Archie said. 'Now, turn your back to me or I'll pull the trigger again.'
On Franklin's face disbelief and fear were mingled. He turned round, stood with his back to Archie.
'Now step backward a few paces so we are not so close.' said Archie, moving to one side.
Franklin was moving backwards, as ordered, forcing himself to move his right arm, flexing the fingers of his right hand, waiting for the chance to throw himself at Archie, to knock the automatic to one side.
At that moment Newman appeared at the top of the path in a rush. He stopped, stunned as he gazed at the scene unfolding, remaining perfectly still so as not to distract Archie. He had never felt so taken aback in his life.
'I told you to take several paces.' Archie ordered. 'I'm about to press the trigger nonstop if you don't do what I told you to do.'
There was something in the quiet tone of Archie's voice which scared Franklin. He noticed that the automatic levelled at his stomach was steady, showed no sign of even a quiver. Newman gazed in fascination as Franklin obeyed the order.
His second step took him through the gap into space over the precipice below. He yelled, fell, grabbed with both hands at the edge of the path, his fingers clawing at, holding on to two small rocks protruding above the snow.
'Help me!' he screamed. 'For God's sake have pity.'
'It depends on whether you tell the truth.' said Archie. 'First, you are The Motorman?'
'Yes! Craig paid me a lot of money.'
'To kill, among other victims.' Archie continued, 'the bartender, Ben, at Bowling Green in Wareham?'
'Yes! Yes!' Franklin yelled desperately.
'And Rico Sava in Geneva was another victim?'
'Yes! I can't hold on much longer…'
'And Anton and Karin Marchat here in Sion.' Archie went on remorselessly.
'Yes! Yes! Yes…'
Franklin's right hand slipped off the rock. He held on with his left hand, sweat pouring down his face, freezing into small beads of ice almost at once. His right hand reappeared, clutched again at the rock.
Time to go.' said Archie.
'You can't leave me here!' screamed Franklin. 'I can't hold on much longer.'
'Those people you killed horribly were my friends.' Archie told him.
He started to walk back down the path and Newman followed him. They descended in silence for some time. Newman could not think of anything to say – he was still stunned by what had happened. Of all people – Archie.
'He'll have dropped by now.' Newman said as they arrived at the bottom of the path.
Philip was standing on the far side of the road in the moonlight, staring up. They joined him, looking up to the summit. A tiny figure was still hanging there, suspended over the almost sheer precipice, which had occasional
