Mark swore to himself. 'Did you see the gun? Are you sure he really has one?'
'I saw it.'
'Do you know when he was planning to come here?'
'No, but he must be here by now. He must be close by. If he saw you come home—'
'Take it easy, Tresa,' Mark told her. 'I'm not sure Troy's got what it takes to pull this off. It's one thing to think you can shoot someone, but it's different to actually pull the trigger.'
'He'll do it, Mark. You should have seen his face.'
'I understand, but you shouldn't have come here. You should have called and told me.'
'I know, but I thought — I wanted — that is, I figured maybe Troy would listen to me.'
Mark heard guilty embarrassment in her voice. It wasn't just that she was afraid of what Troy would do, or that she thought she could talk him out of it. Mark realized that she wanted to be the one to save him. She wanted to rescue him. That was what you did for someone you loved.
'How did you get here?' he asked.
'I drove my mom's car. I parked it down the road. I didn't think you'd want anyone to see it in your driveway — you know, because of what people would think. I mean, Hilary's not home, and here I am.'
He knew she believed it.
'Do you know anyone else on the island?' he asked.
'No.'
'I'll take you to one of the motels. You can spend the night there, and you'll be safe.'
Tresa clung to him fiercely. 'No way. I'm not leaving you alone.'
'I'll be fine.'
'No, Mark. I'm staying here.'
She had a childish determination. Part of him wondered if the story about Troy was really true, or if she had made it up as a way to bring them together. He didn't know how far Tresa would go. She'd taken the ferry to be here on a night when Hilary was gone, and he'd found her hiding in his bedroom. He couldn't help but wonder if this was a fantasy, like the sexual encounters in her diary. A fairy tale. It started with him being in danger, and it ended with her seducing him.
Or was she telling him the truth?
'Did you call the police?' he asked.
'I couldn't do that. I don't want my mom getting in trouble.'
'Let's go, Tresa,' he said.
'Wait! Did you hear that?'
Mark listened. The rain beat on the roof. That was all he heard. 'There's no one outside,' he said, but he had the same feeling he'd had earlier. Something was wrong. He looked around the bedroom, trying to pinpoint his anxiety, and realized that the clock on the nightstand was dark. Moments earlier, it had glowed with white numbers.
'Stay right there,' he told her.
He pushed himself off the floor, but despite his warning, Tresa got up with him and clung to his side. Her arm wrapped around his waist. He felt the speed of her breathing as her chest rose and fell like a scared animal. She wasn't acting. This was real.
Mark groped for the light switch on the wall, and when he found it, he flicked it upward and downward several times. Nothing happened.
'The power's out.'
'Oh, shit,' Tresa murmured. 'He's here.'
Chapter Forty-Four
Cab found an old steel gate at the dead end of Juice Mill Lane, where it butted up against the western land of the state park. He examined the gate in the darkness with the beam of a Mag-Lite. Two dented signs hung over the top rail, tied with rusted wire. One said No Trespassing. The other was a number stamped like a license plate in faded white letters: 11105.
This was Peter Hoffman's land.
He studied the rutted road beyond the gate that disappeared into the thick of the forest. The ground was a muddy mess of dirt and grass. He didn't see footprints, which told him that no one had been here in the rainy hours since Peter Hoffman's death. That was good. If Hoffman had a secret that had got him killed, and if this land was part of that secret, then Cab didn't want to wait until morning and give someone else a chance to visit overnight.
The rain kept on like Chinese music, making a plink-plink rhythm on the roof of the forest. He walked around the gate. The ground had a damp, wormy smell. He saw one fat worm in the light, stretched out like pink candy among the old leaves. He picked his way along the path, noting Private Property signs with reflective letters shining among the wet, glistening trees. Far from the old gate, he spotted vines draped over a narrow trail, where an ash had fallen, blocking the way with a mossy trunk. He stepped over the tree and followed the trail away from the road, sweeping the dirt with a back-and-forth arc of his flashlight. Fifty yards inside the forest, he spotted a glint of glass reflecting from the ground. Standing over it, he saw an open, empty bottle of Jameson's whiskey. The glass was clean; it hadn't been lying here for long. It was the same brand he'd found on the kitchen table at Peter Hoffman's house.
Hoffman had been here recently.
Cab lifted the flashlight and saw the remains of a cabin in front of him.
The dilapidated structure was quickly disappearing back into the arms of nature. Snow and rain had punched the roof downward, leaving gaping holes. The walls bowed inward, specked with remnants of red paint. Popped, rusty nails lined the beams like broken teeth. The door hung open, rotting away from its top hinge, and the chambered windows were broken into jagged fragments. Shredded yellow curtains billowed into the rain. Weeds grew as high as the gutters.
Cab walked up to the door and exposed the interior of the ruins to his light, scattering red-eyed mice. He saw an old stove, its door hanging open, with a rusted grate still inside. Two wooden chairs lay in broken slats on the floor, and bricks from the chimney had crumbled forward into scattered rubble. Rain splattered into puddles through the open roof, and he saw black pellets of feces. Old spiderwebs hung like lace across the windows. Other than the animal presence, the cabin had been unoccupied for many seasons, left to fend for itself in a losing battle against the elements.
Peter Hoffman had been planning to send Cab here to this spot with the section of map in his pocket. Cab was sure of it.
Why?
He followed the damaged walls of the ruins. When he'd made a complete circle, he took a cautious step inside. Debris sprinkled from the gaps in the roof. His foot sank through a rotting beam, trapping his ankle between jagged spikes until he bent down and pushed aside the splintered wood to free himself. He cast his light upward into the rafters, where he saw deserted bird's nests and wasp hives.
Cab backed out of the cabin. He studied the trail, which petered out amid a solid grove of pines. In the cone of light, he spotted the empty bottle of Jameson's again, and he made his way there to stand where Peter Hoffman would have stood. Near the bottle, he spotted a small square of dirt where nothing grew. It was almost invisible among the tall weeds. He pushed through the grass into the bare space, and when he kicked at the mud with his toe, he found that the ground at his feet was actually metal. He bent down and scraped aside the dirt until his fingers were black and found a corrugated metal door, two feet by two feet, built into the earth inside a concrete border. It was a tornado shelter.