heartbeats. The body pushed into the crack, the fuel can emptied over it, the tossed cigarette. She wished the crack itself would take her, come alive as it had when the volcano had throbbed like a living heart under this place, the seething core of the underworld. She wanted to be embraced by it. She wanted it to burn.
There was a tearing sound as the tape on her wrists came free, a jolt of pain as it was ripped off. She let her left hand fall, shook it, feeling the circulation return. She slowly raised her right hand in front of her breasts, made the sign of the cross, and touched her forehead. Her hand was firm, unshaking. She was pleased. She let it drop. Her eyes were wide open, staring into the crack. She moved her hands together, felt the delicate ring Jack’s grandmother had given her, an ancient treasure of his seafaring ancestors. She felt the muzzle press against the nape of her neck. She bowed her head slightly. The angle would be better. Quicker. She heard a cell phone chirp, and then a voice behind her, a voice that brought back the warmth of childhood, a voice that she had loved hearing in the mornings when she had stroked his forehead, seeing him waken.
‘Eminence? Va bene. Your will be done.’
The click of the pistol cocking.
Then nothing.
Costas sneezed, as he made space for Jeremy, who had arrived in St Paul’s Cathedral five minutes before but had spotted a church official and gone straight off to talk to him. Jeremy came down the aisle carrying a dripping umbrella and briefcase and wearing a red Goretex jacket. Costas and Jack had only just returned to their seats below the dome a few moments before, having made a quick dash to a pharmacy outside on the Strand. Costas was noisily snorting a decongestant and peering at the label on a bottle. He popped a small handful of pills, took a swig of water and leaned back to let Jeremy by, making space on the chair between him and Jack. Jeremy took off his coat, sat down, sniffed the air, removed his glasses to wipe away the rainwater, then sniffed again. He leaned towards Costas, then recoiled slightly. ‘Something smells bad around here.’
‘Good morning to you too,’ Costas said nasally.
‘It’s kind of sickly,’ Jeremy said. ‘Really pretty disgusting.’
‘Ah,’ Jack said. ‘Body liqueur. Must have been when we took off the e-suits. Somehow it always stays with you.’
‘Ah,’ Jeremy replied forcibly. ‘I forgot where you’ve been. Dead bodies. That’s why I stick to libraries.’
‘Don’t say that word. Stick,’ Costas said, looking miserable.
‘Come on. This way,’ Jeremy said, gathering his things and getting up, pointedly keeping his distance from Costas. ‘I’ve arranged a private room.’
‘How do you know all these people?’ Costas said.
‘I’m a medieval manuscripts expert, remember?’ Jeremy replied. ‘A lot of the best documents are still held by the Church. It’s a small world.’ Jack quickly packed his laptop, then followed Jeremy down the nave towards a side chapel. Jeremy nodded at a cassocked man who was waiting discreetly nearby with a ring of heavy keys, and who came over and unlocked the grated steel door for them. Jack slipped in first, followed by the other two. They were in the Chapel of All Souls, dominated by an effigy of Lord Kitchener and also containing a pieta sculpture of the Virgin Mary holding the body of Christ. Jeremy led them behind the effigy out of earshot from the aisle outside and squatted down with his back to the statue. He took out a notebook from his bag and looked up at Jack, his face flushed with excitement. ‘Okay. You told me on the phone about your finds, about the tomb. Pretty incredible. Now it’s my turn.’
‘Fire away.’
‘I was in Oxford most of yesterday following that lead I told you about. The archivist at Balliol College is a friend of mine. We searched through all the unpublished papers related to the Church of St Lawrence Jewry, and found an accounts ledger from the 1670s’ reconstruction of the church by Sir Christopher Wren. Nobody had ever thought much of the ledger, as it seemed mostly to replicate Wren’s accounts books that have already been published. But something caught my eye, and we looked at it in more detail. It was an addendum, from 1685. An old burial chamber under the church had been cleared out, and Wren’s team returned to seal it up and check the foundations. They found a locked crypt beyond the chamber. They managed to break open the door, and one of them went in.’
Jack whistled. ‘Bingo. That’s our crypt. Do you know who it was?’
‘All of the master craftsmen were present in the burial chamber. It was five years after the church had been completed, and the 1685 visit was a tour of inspection to see how everything was standing up. Edward Pierce, mason and sculptor. Thomas Newman, bricklayer. John Longland, carpenter. Thomas Mead, plasterer. Christopher Wren himself was there, taking a breather from his work here at St Paul’s. And there was one other man, a new name to me. Johannes Deverette.’
‘French?’ Jack said.
‘Flemish. My friend the librarian had come across the name before, and we found enough to build up a sketch. He was a Huguenot refugee, a Calvinist Protestant who had fled the Low Countries for England earlier that year. Sixteen eighty-five was the year the French king revoked the Edict of Nantes, which had given Protestants protection.’
‘Nothing unusual in a Huguenot in the London building trade at that time,’ Jack murmured. ‘Some of Wren’s best-known woodworkers were Huguenots, the famous carver Grinling Gibbons for example. You can see his work all round us here in St Paul’s.’
‘What was unusual was Deverette’s occupation. I went over the road to the Bodleian Library and did a name search, came up with more biographical notes. He described himself as a Musick Meister, a master of music. Wren apparently employed him on a recommendation from Grinling Gibbons, to soothe Wren’s young son Billy, who was mentally handicapped. Deverette sang Gregorian chant.’
‘Gregorian music.’ Costas sneezed. ‘Isn’t that the traditional music of the Roman Catholic liturgy?’
‘It’s a really fascinating ingredient of this whole story,’ Jeremy said. ‘Like the Anglicans, the Huguenots rejected the rule of the Roman Church, but there were many who clung to the old traditions for purely aesthetic reasons. I discovered that Deverette came from a long line of Gregorian musicians who claimed descent from the time of St Gregory himself, the Pope who formalized the plainsong repertory in the sixth century. I was stunned to discover that Sir Christopher Wren also shared that aesthetic. But then I thought of his architecture. Just look at this place.’ Jeremy gestured up at the cathedral interior. ‘It’s hardly an austere Protestant meeting house, is it? It’s a match for the grandeur of St Peter’s in the Vatican.’ He pulled out a scrap of notepaper. ‘This quote is almost all we know about Wren’s religious views, but it’s extraordinarily revealing. As a young man he was much taken by the country house of a friend. He said it was a place where “the piety and devotion of another age, put to flight by the impiety and crime of ours, have found sanctuary, in which the virtues are all not merely observed but cherished”. Nobody has ever seriously thought of Wren as a secret Catholic, but he certainly regretted the killjoy aspects of the Protestant Reformation.’
‘Doesn’t plainchant originate much earlier than all that, in Jewish ritual?’ Jack said.
‘Unaccompanied singing almost certainly goes back before the foundation of the Roman Church, to the time of the apostles,’ Jeremy said. ‘It was probably responsorial chanting, verses sung by a soloist alternating with responds by a choir. It may have been one of the very earliest congregational rituals, sung in secret places where the first followers of Jesus came together. Singing is even mentioned in the Gospels.’ He looked at his notebook. ‘Matthew, 26:30. “And when they had sung a hymn, they went out unto the Mount of Olives.”’
‘So this guy Deverette was here in London during Wren’s rebuilding of St Paul’s Cathedral?’ Costas asked.
‘He was here from 1685, when he arrived in England. Wren’s men had finished the new structure of the Church of St Lawrence Jewry a few years earlier, but the ledger we found in the college library shows that 1685 was the year they broke through into the undercroft, the old crypt. That’s where it gets really fascinating. It turns out Deverette had another passion. He was a keen antiquarian, a collector of Roman and Christian relics. Wren was also interested in all the old stuff his men found during his building work in London. He gave Deverette another job, to rescue interesting artefacts. A kind of archaeological watching brief.’
‘He’s our man,’ Jack said excitedly. ‘We know somebody got into the tomb and found that cylinder. It must be him.’
‘Did he keep any records?’ Costas said, coughing.
‘I checked everywhere. I went back through all the published Wren papers, everything on the churches, all his
