‘There it is.’ The aircraft banked sharply to port, and Jeremy pointed to the coastline some ten thousand feet below. ‘I asked the pilot to take us into Los Angeles from the north, to give us a view of Malibu. It’s pretty spectacular.’
‘Beaches,’ Costas murmured. ‘Good surfing?’ He had been asleep for the entire trip from JFK in New York, and before that for most of the transatlantic haul from England. He looked as if he had just come out of hibernation, and leaned his forehead against the windowpane as he peered blearily down.
‘Not bad,’ Jeremy replied. ‘Not that I’d know, of course. When I was here, I was working on my dissertation.’
‘Right.’ Costas still sounded blocked up, but the worst of his cold seemed to have passed. ‘I’m looking forward to finding out what we’re doing here, Jeremy, but I’m not complaining.’
‘I told Jack the whole story while you were dead to the world. I found Everett in the California State Death Registers. Same date and place of birth, no doubt about the identity. He lived just north of here, in Santa Paula, arrived here after leaving England in 1912. On a hunch I called a friend in the Getty Villa. Turns out he can tell us more, a whole lot more. For a start, Everett was a devout Roman Catholic, a convert.’
‘Huh?’ Costas rubbed his eyes. ‘I thought this was all about the British Church, the Pelagian heresy.’
‘That’s what I hope this visit will sort out for us.’
‘So we’re not going surfing.’
‘The trail’s hotted up again, Costas,’ Jack said intently. ‘Jeremy’s made a real breakthrough.’
‘You can see it now,’ Jeremy said. ‘The Getty Villa. In the cleft in the hills down there, overlooking the sea.’
Jack peered at the cluster of buildings visible just in from the Coastal Highway. Suddenly it was if he was back at Herculaneum, staring at the plan of the Villa of the Papyri made by Karl Weber more than two centuries before. He could see the great peristyle courtyard, extending towards the sea, with the main mass of the villa structure nestled behind at the back of the valley.
‘The only big difference is the alignment,’ Jeremy said. ‘The villa at Herculaneum lies parallel to the seashore, with the courtyard and the main buildings abutting the seafront. Otherwise the Getty Villa’s faithful to Weber’s plan. It’s a fantastic creation, the kind of thing that’s only possible with American philanthropy, with unfettered vision and unlimited wealth. It’s also one of the finest museums of antiquities anywhere in the world, and the place where I’ve done some of my best writing. Whatever else awaits us down there, you’re in for a treat.’
Three hours later they stood beside a shimmering rectangular pool in the main courtyard of the Getty Villa. They had entered unobtrusively by a small door at the west end, and now they stood stock-still like the statues that adorned the garden, soaking in the sunshine and the brilliance of the scene. It was as if they had entered a movie set for a Roman epic, yet with an intimacy and attention to detail rarely seen in the sweeping panoramas of history. The pool was almost a hundred yards long, extending from the front portico of the villa to the seaward side where they had walked up from the Coastal Highway. At either end were copies of ancient bronzes found in the Villa of the Papyri at Herculaneum, a drunken Silenus and a sleeping faun, and opposite them was a seated Hermes so lifelike he seemed ready to slip into the pool at any moment. Between the pool and the colonnaded portico that surrounded the courtyard were trees and beds of plants that made the marble seem like natural extrusions of the bedrock, surrounded and cushioned by vegetation. The entire garden was an orderly version of the world outside, cocooned and protected by human ingenuity. The pool reflected the columns and trees, creating an illusionistic scene like the wall paintings they could just make out on the interior of the portico, as if they were being drawn beyond the garden to other, fanciful creations of the human mind, not to the disordered and uncontrollable reality beyond. Jack remembered the wall painting of Vesuvius he had shown Costas as they flew towards the volcano, an image that summed up all the Arcadian dreams of ancient Rome, a flimsy sheen over a reality that had blasted its way through on that fateful day almost two thousand years before.
‘Everything’s authentic,’ Jeremy said. ‘The plan’s based on Weber’s original record of the villa he saw in the tunnels in the eighteenth century, and the statues are exact copies of the originals they found then. Even the vegetation’s authentic, pomegranate trees, laurels, fan palms brought all the way from the Mediterranean.’
Jack closed his eyes, then opened them again. The California hills had the same stark, sun-scorched beauty he loved in the Mediterranean, and the smell of herbs and the sea transported him back. The villa was not an interpretation of the past but a perfect resemblance of it, full of light and shadow, alive with people, gesturing and breathing. Few other historical reconstructions had done this for him, and here it felt right. As he looked at the villa, rich with colour and precision, in his mind’s eye he saw the excavated buildings of Herculaneum, flickering in the background like a photographic negative. He found himself remembering the times he had witnessed death, the moment of transition when the body suddenly becomes a husk, when colour turns to grey. Herculaneum was too close after that moment for comfort, more troubling to behold than sites that had decayed and become whitewashed by time, like old skeletons. It was the blasted corpse of a city, still reeking and oozing, like a burns victim after a terrible accident. Yet here in the Getty Villa it was as if someone had injected a burst of adrenaline into the still-warm corpse and miraculously revived it, as if the ancient site was again pulsating and sparkling with a dazzling clarity.
‘Only in California,’ Costas said, shaking his head. ‘I guess with Hollywood only a few miles down the coast, this is what you’d expect.’
‘When the villa opened in 1974, the reaction was amazing,’ Jeremy said. ‘A lot of the critics panned it. The Romans can get a pretty bad press over here. It’s all Pontius Pilate, debauched emperors, throwing Christians to the lions. This place was a stunning revelation. The colour, the brilliance, the taste. Some scholars even refused to believe it was an authentic recreation.’
‘This place is all about putting art back in its original context, and that can be a shock to modern sensibility,’ Jack said. ‘The European aristocrats who plundered Greece and Rome thought they were doing it, arranging statues on pedestals in their neoclassical country houses, but their idea of the classical context was based on the bleached ruins of Greece rather than the Technicolor reality of Pompeii and Herculaneum. Here, you get the real deal, with objects like these bronzes as components of a larger whole, with the villa as a work of art in itself. Classical scholars for too long venerated these things as works of art in the modern sense, in their own right. What the critics didn’t like was that the villa makes these venerated sculptures seem frivolous, and the whole setting more whimsical and fun than they’d bargained for. But that’s what it was really like.’
‘And that’s what I like about it.’ Costas squatted down with a coin in the crook of his finger and eyed the length of the pool. ‘If the Romans could have fun, so can we.’ Jack shot him a warning glance as a man appeared through the entrance portico and made his way briskly towards them. He was of medium height with a close-cut beard, and wore chinos and a shirt and tie with his sleeves rolled up. He raised a hand in greeting to Jeremy, who gestured towards Jack and Costas.
‘Allow me to introduce Dr Ieuan Morgan,’ Jeremy said. ‘An old friend, my mentor when I was here. He’s on secondment from Brigham Young University. Permanently, by the look of it.’
Costas and Jack shook hands with him. ‘Thanks for seeing us at such short notice,’ Jack said warmly. ‘Are you anything to do with the BYU Herculaneum papyrus project?’
‘That’s why I came here originally,’ Morgan said, a hint of Welsh in his accent. ‘I’m a Philodemus specialist, and the infra-red spectrometry on the scrolls from the eighteenth-century excavations was inundating me with new stuff. I needed breathing space, somewhere to put it all in perspective.’
‘And where better than the Villa of the Papyri itself.’ Jack gestured around. ‘I’m envious.’
‘Any time you want a sabbatical here, just give the word,’ Morgan said. ‘Your reputation precedes you.’
Jack smiled back. ‘Much appreciated.’ He winked at Jeremy. ‘Maybe in about twenty years’ time.’
Morgan looked intently at Jack. ‘I understand from Jeremy that you’re on a tight schedule. Follow me.’
He led them along one side of the peristyle, then on to the west porch of the villa and through the open bronze doors that served as the main entrance to the museum. They went up a flight of marble stairs to the upper storey, and came to a second, inner courtyard, another fragrant and colourful place, resonating with the flash and sparkle of fountains. Below the tiled roof, tiers of columns dropped down to surround a garden proportioned in the Roman way, with bronze statues of five maidens in the centre appearing to draw water from a pool. Again Jack felt the extraordinary immediacy of the past. Whatever else came of the day, this Roman villa on the coast of California had been an unexpected revelation, another vivid lens on the ancient world.
Jack narrowed his eyes, and spoke from memory. ‘“Lovely gardens and cool colonnades and lily ponds would
