Baby proof

'What were you wearing when you got the six?' I ask as our waitress, wearing an orange kimono, delivers us our menu.

'I think it was some kind of turtleneck sweater,' he says, laughing.

I smile, recognizing that I'm no longer nervous.

Richard looks as if he's still considering Jared's cards as he says, 'I heard that if you had on any sort of Louis Vuitton or Prada, Jared automatically gave you an extra point, while if you wore anything from the Gap, or God forbid, Old Navy, you were docked three points.'

I laugh and then say, 'Where is ol' Jared now?'

'I'm not sure. But something tells me he's sitting at a bar somewhere with his fashionista friends, all of them telling each other how fabulous they look.'

I smirk as I recall another Jared story.

'What?' Richard says.

'Nothing,' I say, as I spot a man who I am pretty sure is Chris Noth sidle up to the bar with a gorgeous blonde. He is way shorter than I thought he'd be, and I think to myself, Mr. Medium. 'I'm just smiling.'

'C'mon. What's so funny?' Richard says again, because it's clear that I'm smirking rather than merely smiling. There is a difference between a smirk and smile-which is especially apparent to the recipient.

'I was just thinking of something Jared did to you once,' I say.

'And what was that?' he says, looking worried. Or at least pretending to look worried.

'Well, I heard that he went through your garbage and found a postcard with rather colorful sexual references.'

He looks sheepish and says, 'Now, when was all this?'

It's hardly a denial, which I point out by saying, 'So it happened more than once?'

He makes a hand motion as if to say, Continue with your evidence.

'I dunno. It was about three years ago. I heard that Jared suspected you of sleeping with some woman in the art department,' I say, trying to remember her name.

'Lydia,' he says.

I snap and point at him. 'That's the one. So it was true?'

He nods. 'I was, in fact, sleeping with her… But I didn't think she signed her name to that postcard.'

'She didn't,' I say. 'Jared recognized her handwriting. He trotted the postcard and a handwriting sample from her notepad all over the office. That was one of his proudest moments.'

'Wow. He was good,' Richard says.

'And so were you, apparently. At least according to Lydia.'

I surprise myself with this last comment as I've never been one for sexual innuendo. As we study our menus, both of us still smiling, I try to analyze why I feel so open with Richard. I decide that it has less to do with him (although he does put me at ease) and more to do with my divorce and new mindset. I hate to be jaded, but I can't help feeling that all my fears about marriage were confirmed when Ben and I broke up. I'm not sure I believe in permanent monogamy anymore, and in any case, I don't plan on attempting it again.

Therefore, I don't need to follow any rules. If I thought I was free when I didn't want children, I'm especially free now that I don't even want a husband. Instead of playing hard to get or worrying about perception, I can do exactly what strikes my fancy. Which at the moment is to flirt outrageously with a very hot colleague.

As the night progresses, Richard and I fall into an easy rhythm of talking, laughing, and mocking each other in a way you only can when you feel comfortable with someone and like them a lot. No topics are off-limits. We cover the basics, but spice them up with shock value and humor. We talk about work-and about publishing in general. We talk about travel, books, music, and families. We talk about past relationships.

When we touch on Ben, I expect to feel a bit sad or defensive, but I am neither of these things. I find myself embracing the past tense with a strange sense of relief: I felt, he was, we were. Then I look into Richard's eyes and say, 'Enough of all of that.'

He nods in agreement as I mentally shift back to the present, feeling happy to be in Richard's company, happy to be moving on.

fourteen

Despite the success of that first date with Richard, and our nightcap at his apartment afterward (I teased him that only old men use the term nightcap), we don't even kiss on that first date. Or the one after that. I'm not sure what the delay is-because it's safe to say that neither of us is playing things close to vest, nor are we striving to be prim and proper. I also know that I am very attracted to Richard, and I can tell that he is attracted to me. And I'm positive that the wait has nothing to do with Ben; I refuse to dwell on him.

So the only explanation is that we are relishing the growing sexual tension and intrigue. I've always enjoyed going to work, but never has the office been such an enticing, tantalizing playground. I come in early every day, hungry for Richard's first phone call. I end up working late every night, to make up for my three-hour chunks of time spent e-mailing a man sitting two floors away. When we pass each other in the halls, we exchange formal pleasantries before returning to our offices and e-mailing things like, 'You look hot.'… 'No, you look hot. '

So I suppose it's fitting that our first kiss happens at work.

It is a late Monday night-close to ten o'clock-and I've just e-mailed Richard a question about one of my authors. As I wait for his reply, he suddenly appears in my doorway with the answer.

I jump and say, 'Shit, Richard! You scared me.'

He gives me his standard-issue grin and then makes a sarcastic comment, something about my guilty conscience.

I shake my head, smiling. Then I stand and head for the door.

'Where do you think you're going?' he asks, blocking me.

Our bodies touch-and the contact gives me a little rush.

'To the copier,' I say, attempting to exit again.

He blocks me again and then pulls me back into my office, closing the door behind us.

'What's the big idea?' I say, knowing exactly what his big idea is.

His face comes closer to mine. I tilt my head to the right, my preferred angle to kiss. At the same second, he tilts his head to the right. Our lips meet effortlessly, softly. Then more urgently. We swiftly become two movie stars, making out in a forbidden place. I am watching myself kiss Richard, aware of how good we must look. Richard is the sort of man who can make any woman look good.

He backs me up, over to my desk, where he lifts me up and puts me down with the exact right mix of passion and care. His hands slide under my bare thighs. I am glad I wore a skirt today. And-hallelujah!-lacy, matching underwear. Sometimes things really do work out; I make a mental note to remember this small blessing the next time I'm complaining about bad luck, when, say, I am stuck in a middle seat on a flight between two oversized passengers.

Richard keeps kissing me, mostly on the lips, but also on my neck and collarbone. The man is an expert, and there's really no doubt about where he got his experience. I think of Lydia in the art department-and so many other women before me. Some he met at work, others from bars or restaurants or blind dates or the subway. But I don't care about any of them. I don't care if he's seeing other women right now. I just want him to keep touching me, everywhere, right under these fluorescent lights.

'Will you come back to my place?' Richard breathes in my ear.

I nod and whisper, 'Yeah,' as he continues to kiss my neck. My hands are on his back-which feels stronger than I imagined. I decide that forty-eight is not very old. He presses harder against me. Not so old at all.

'Now?' he says.

'Uh-huh,' I say. 'But you'll need to stop kissing me first.'

There are a few more false stops before we finally disentangle ourselves and breathlessly formulate a plan: I