Cook all over again.”
“I’ll be fine,” Quentin said. “Julia’s coming with me. Right, Julia?”
Eliot and Janet both stared at him. How long had it been since he surprised those two? Or anybody? He must be on to something. He smiled at Julia, and she looked back at him, though with her all-black pupils her expression was unreadable.
“Of course I am,” was all she said.
That night Eliot paid Quentin a visit in his bedroom.
When he first found it the room had been stuffed with an appalling amount of hideous quasi-medieval junk. It had been literally centuries since all four of Whitespire’s thrones had been filled at the same time, and in the meantime the extra royal suites had been invaded and occupied by creeping armies of superfluous candelabras, defunct chandeliers listing and deflated like beached jellyfish, unplayable musical instruments, unreturnable diplomatic gifts, chairs and tables so piteously ornamental they would break if you looked at them, or even if you didn’t, dead animals ruthlessly stuffed in the very act of begging for mercy, urns and ewers and other even less easily identifiable vessels that you didn’t know whether to drink out of or go to the bathroom in.
Quentin had had the room cleared out to the bare walls. Everything must go. He left the bed, one table, two chairs, a few of the better rugs, and some pleasing and/or politically expedient tapestries, that was all. He liked one tapestry in particular that depicted a marvelously appointed griffin frozen in the act of putting a company of foot soldiers to flight. It was supposed to symbolize the triumph of some group of long-dead people over some other group of long-dead people whom nobody had liked, but for some reason the griffin had cocked its head to one side in the midst of its rampage and was gazing directly out of its woven universe at the viewer as if to say, yes, granted, I’m good at this. But is it really the best use of my time?
When it was finally empty the room had grown by three times its size. It could breathe again. You could think in it. It turned out to be about as big as a basketball court, with a smooth stone floor, towering timbered ceilings where light got lost in the upper reaches and made interesting shadows, and soaring Gothic lead-glass windows a few little panels of which actually opened. It was so gloriously still and empty that when you scuffed your foot on the stone it echoed. It had the kind of hushed stillness that on Earth you saw only from a distance, on the other side of a velvet rope. It was the stillness of a closed museum, or a cathedral at night.
There was some murmuring among the upper servants that such a spartan chamber was not entirely suitable for a king of Fillory, but Quentin had decided that one of the good things about being a king of Fillory was that you got to decide what’s suitable for a king of Fillory.
And anyway, if it was high royal style they wanted, the High King was their man. Eliot had a bottomless appetite for it. His bedroom was the gilded, diamond-studded, pearl-encrusted rococo lair of a god-king. Whatever else it was, it was entirely suitable.
“You know in the Fillory books you could actually get into the tapestries?” It was late, after midnight, and Eliot was standing eye-to-eye with the woven griffin and sipping from a tumbler of something amber.
“I know.” Quentin was stretched out on the bed, wearing silk pajamas. “Believe me, I’ve tried. If they really did it I have no idea how they did it. They just look like ordinary tapestries to me. They don’t even move like in Harry Potter.”
Eliot had brought a tumbler for Quentin too. Quentin hadn’t drunk any yet, but he hadn’t ruled out the possibility either. At any rate he wasn’t going to let Eliot drink it, which he would inevitably try to do when he was done with his own. Quentin made a nest for the tumbler in the blankets next to him.
“I’m not sure I’d want to get into this one,” Eliot said.
“I know. Sometimes I wonder if he’s trying to get out.”
“Now this fellow,” he said, moving on to a full-length portrait of a knight in armor. “I wouldn’t mind getting into his tapestry, if you get what I mean.”
“I get what you mean.”
“Pull that sword out of its scabbard.”
“I get it.”
Eliot was building up to something, but there was no rushing him. Though if he took much longer Quentin was going to fall asleep.
“Do you think if I did you’d see a little tapestry version of me running around in there? I don’t know how I’d feel about that.”
Quentin waited. Since he’d made the decision to go to the Outer Island he felt calmer than he had in ages. The windows were open, to the extent that they could be opened, and warm night air flowed in, smelling like late summer grass and the sea, which wasn’t far off.
“So about this trip of yours,” Eliot said finally.
“About it.”
“I don’t understand why you’re doing this.”
“Do you have to?”
“Something about quests and adventures and whatever. Sailing beyond the sunset. It doesn’t matter. We don’t need you here for the Jollyby thing. One of us really should go out there anyway, they probably don’t even know they have kings and queens again. Just pass along any prurient details as a matter of state security.”
“Will do.”
“But I want to talk to you about Julia.”
“Oh.” Whiskey time. Trying to drink lying down, Quentin took a bigger swallow than he meant to, and it ignited a brush fire in his guts. He suppressed a cough. “Look, you’re only High King,” he gasped, “you’re not my dad. I’ll figure it out.”
“Don’t get defensive, I just want to make sure you know what you’re doing.”
“And what if I don’t?”
“Did I ever tell you,” Eliot said, sitting on one of the two chairs, “how Julia and I met?”
“Well, sure.” Had he? The exact particulars were fuzzy. “I mean, not in granular detail.”
The truth was that they hardly ever talked about that time. They talked around it. No good memories there for anybody. It was after the big disaster in Ember’s Tomb. Quentin had been half-dead and had to be left in the care of some irritating but ultimately very medically effective centaurs while Eliot and Janet and the others returned to the real world. Quentin had spent a year recovering in Fillory, then he went back to Earth and gave up magic. He spent another six months working in an office in Manhattan until Janet and Eliot and Julia finally came and got him. If they hadn’t he’d probably still be there. He was grateful, and he always would be.
Eliot stared out the window into the black moonless night, like an oriental potentate in his dressing gown, which looked too heavily embroidered to be comfortable.
“You know Janet and I were in pretty rough shape when we left Fillory?”
“Yes. Though at least Martin Chatwin hadn’t chewed you practically in half.”
“It’s not a contest, but yes, that is true. But we were shaken up. We loved Alice, too, you know, in our way. Even Janet did. And we thought we’d lost you as well as her. We were well and truly done with Fillory and all its goods and chattels, I can tell you.
“Josh went home to his parents in New Hampshire, and Richard and Anais went off somewhere to do whatever it was they’d been doing before they went to Fillory. Not big mourners, those two. I couldn’t face New York again, nor could I face my grotesque so-called family in Oregon, so I went home with Janet to L.A.
“That turned out to be an excellent decision. You know her parents are lawyers? Entertainment lawyers. Fantastically rich, huge house in Brentwood, working all the time, no discernible emotional life whatsoever. So we sucked around Brentwood for a week or two until Janet’s parents got tired of the sight of our post-traumatic faces shuffling off to bed as they were getting up for a predawn squash match. They packed us off to a fancy spa in Wyoming for a couple of weeks.
“You wouldn’t have heard of it, it was that kind of place. Impossible to get into and ludicrously expensive, but money means nothing to these people, and I wasn’t about to argue. Janet practically grew up there—the staff all knew her from when she was a little girl. Imagine that—our Janet, a little girl! She and I had a bungalow to ourselves and positively legions of people to wait on us. I think Janet had a manicurist for every nail.
“And they did a thing with mud and hot stones—I swear to you there was magic in it. Nothing feels that good without magic.
