to-day work life to convince me that people were capable of dreadful things…and wonderful things, too. Somehow as I looked at the tear-wet face of Chuck Almand, age thirteen, budding sadist, I couldn't feel optimistic.
I was sure that Sheriff Rockwell would be pleased. We'd kept the locals from making a foolish mistake, we'd uncovered a genuinely disturbed source of future trouble, and I wasn't going to charge a penny on my own behalf for the distress I'd been put through. They did owe Xylda some cash, though, and I wanted to be sure they'd pay it.
The sheriff was not looking sunny, though. In fact, she looked tired, discouraged, and disheartened.
"Why so glum?" I asked her. Tolliver was making conversation with Manfred; he'd forced himself to do the polite thing. Xylda had hold of the arm of one of the officers, and she was giving him an earful of talk. He looked dazed.
"I hoped we'd wrap it up," she said. She seemed too down to disguise her thoughts and emotions. "I hoped this would be it. We'd find more bodies here. We'd find evidence—maybe trophies—tying someone, maybe Tom, to all the murders. It would all be over. We would have solved the case ourselves, instead of having to turn it over to the state boys or the FBI."
Sandra Rockwell was not the clear pool she'd seemed at first.
"There aren't any human corpses here. I'm sorry we can't wave a magic wand and make that come true for you," I said. And I was sincere. Like most other people, I wanted the bad guys caught, I wanted justice to prevail, and I wanted punishment of the wicked. But so often you didn't get all three at the same time, or in the same degree. "Can we leave now?" I asked.
The sheriff closed her eyes, just for a second. I had a creepy-crawly feeling in my belly. She said, "The SBI has asked that you remain on site for another day. They want to question you some more."
The creepy-crawly feeling resolved into a knot of anxiety. "I thought we'd get to leave after we did this." My voice must have gone up, because a lot of people turned to look at us. Even the boy at the heart of this brouhaha turned to look. I stared right into Chuck Almand's face, and for the first time I consciously looked into another human being.
"You might as well shoot him now," I said. It was an awful feeling. I wondered if this was how Xylda saw things, if this was what had made her so peculiar. I wondered if Manfred would go the same way. It wasn't like free choice had been taken away from the boy, that he was doomed from the beginning by his nature. It was more like I could see what choices he would make. And they were almost all on the side of becoming one of those people who end up as the subject of a documentary on A&E.
Was what I was seeing the truth? Was it inevitable? I hoped not. And I hoped I never experienced it again. Maybe I was able to see inside Chuck Almand only because I was close to two genuine psychics, and their proximity sparked a touch of it in myself. Maybe it was the rumble of thunder far away. That sound always triggered the lightning feelings in me—a jittery combination of fear and agitation. Maybe I had the completely wrong perspective.
"Tolliver," I said, "we have to find a place to stay. They're not going to let us leave after all." We should have taken off from the pharmacy, taken off and never looked back.
My brother was beside me instantly. He looked at Sheriff Rockwell for a long, long moment. "Then you have to find us a place to stay," he said. "We gave up our motel room."
With unexpected lucidity, Xylda said, "You can stay with us. It'll be cramped, but it's better than staying in the jail."
I thought of squeezing in a bed with Xylda while Tolliver and Manfred slept two feet away. I thought of other possible sleeping arrangements. I thought the jail might be better. "Thanks so much," I said, "but I'm sure the sheriff can help us find something."
"I'm not your travel agent," Rockwell said. She seemed to be glad to find something to be mad about. "But I realize you had planned on leaving, and I'll try to think of something. It's your fault the town's this crowded."
There was a long moment of silence in the barn, as everyone within hearing range stared at her.
"Not exactly your fault," she said.
"I think not," I said.
"Everyone in town has rented out every room they've got," a deputy said. His uniform said he was Tidmarsh—Rob Tidmarsh, the neighbor, then. "The only place I can think of is Twyla Cotton's lake house."
The sheriff brightened. "Give her a call, Rob." She turned back to us. "Thanks for coming here, and we'll figure out what to do with the juvenile delinquent here."
"He won't go to jail?"
"Tom," the sheriff said, raising her voice, "you and Chuck come here."
The two looked relieved that someone was finally talking to them. I didn't want Chuck anywhere close to me, and I took a couple of steps back. I knew he was only thirteen. I knew he wasn't going to hurt me there and then. And I knew that his life was still full of choices and possibilities, and he could change himself if he saw the need to.
Sheriff Rockwell said, "Tom, we're not going to take Chuck away from you."
Tom Almand's narrow shoulders slumped in relief. He was such a pleasant-looking man, the kind of guy who'd be glad to accept your UPS package from the carrier or to feed your cat while you were out of town. "So what will we need to do?" His voice caught on the words as though his mouth were dry.
"There'll be a hearing with the judge. We'll work it all out. What would help is you getting Chuck into some counseling—that should be easy, huh?—even before the hearing. And you gotta keep a watch on your kid."
Sheriff Rockwell looked down at the boy, so I did, too. For God's sake, he had freckles. There'd never been an Andy Griffith episode called "Opie Skins a Cat."
Chuck was looking at me with almost equal fascination. I don't know why most young men are so interested in me. I don't mean guys my own age, I mean younger. I sure don't intend to attract them. And I don't look like anybody's mom.
"Chuck, you look at me," the sheriff said.
The boy did look toward Rockwell, with eyes as blue and clear as a mountain lake. "Yes'm."
"Chuck, you've been having bad thoughts and doing bad things."
He looked down hastily.
"Did any of your friends help you, or was this all your doing?"
There was a long pause while Chuck Almand tried to work out which answer would give him some advantage.
"It was just me, Sheriff," Chuck said. "I just felt so bad after my mom…"
He paused artistically, as if he could not speak the word.
Tolliver and I knew lying when we heard it. We had lied convincingly to everyone in the school system in Texarkana to keep our family together as our parents circled the drain. We knew this boy was not telling the truth. I was ashamed of him hiding behind his mother's death. At least she'd died of something honorable. She hadn't wanted to leave her family.
The boy made the mistake of glancing back at me. He probably thought he could pull any adult female under with that little hitch in his voice. When my eyes met his, he twitched—not quite a flinch, but close.
"Maybe the psychic could tell us more," Sheriff Rockwell suggested. "Such as whether he's telling the truth about working alone or not." I don't think she meant it; I think she was looking for a reaction from the boy that would tell her what she wanted to know. But of course, the psychic in question took her quite seriously.
Xylda said from behind me, "I'm not going within a yard of the little bastard," and Tom Almand said desperately, "This is my son. My child." He put his arm around the boy, who made a visible effort not to throw it off.
I turned to look at the old psychic. Xylda and I exchanged a long gaze. Manfred looked down at his grandmother and shook his head. "You don't have to, Grandmother," he said. "They wouldn't believe you anyway. Not the law."
"I know." She looked sadder and older in that moment.
"Lady," said Chuck Almand. His voice was very young and very urgent, and I found he was talking to me. "It's true that you can find bodies? "
"Yes."
"They have to be dead? "
"Yes."
He nodded, as if confirming a suspicion. "Thanks for telling me," he said, and then his father drew him away to talk to a few more people.
After that, the day was out of our hands. After a lot of chatter right out of our range of hearing, Sheriff Rockwell told us that Twyla had said we could use her lake house.
"It's at Pine Landing Lake," Sandra Rockwell said. "Parker, Twyla's son, is coming to lead you there."
It was a huge relief to have a place to stay, though if no one had supplied a bed, they would simply have had to let us leave town. I was definitely feeling just like a person who'd been released from the hospital that morning; not seriously ill, but tired and a little shaky. The police were digging for the animal corpses, I suppose to make sure there weren't any human remains mixed in. We were shunted over to the side of the barn where the earth was clearly undisturbed. Tolliver and I, Manfred, and Xylda stood in a silent row. Every now and then someone in uniform would dart a curious glance in our direction.
By the time Parker McGraw got there to take us to his mother's lake house, the media had discovered the police were at the old barn and were swarming around like flies on a carcass, though they were kept at a distance by the town cops. They were yelling my name from time to time.
After a handshake with Tolliver, Manfred led Xylda out to draw them off us. "Grandmother loves the photographers," he said. "Just watch." We did. Xylda, her flaming red hair outlining her creased round face like a scarf, strode off across the empty meadow with Manfred in colorful attendance. She paused by her car, with a reluctance so fake it was almost funny, to give the eager reporters a few well-chosen words. "She's ready for her close-up, Mr.
