“Hi, Jason,” she said.
“Everything’s going to be fine,” he said.
He started barking orders, al of them unintel igible. It reminded Vicki of a quarterback cal ing out plays. A rubber mask went over her face. The mask smel ed like vanil a. It was the same smel , she thought, as her mother’s kitchen when cookies were baking.
She woke up in pain. Hideous pain, straight from the fire pits of hel . She woke up screaming.
A nurse gave her a shot in the arm. “Morphine booster,” she said. “You have Duramorph going into your spine as wel .”
Stil , Vicki screamed. She thought she might feel elation or at least a deep relief at finding herself alive; she had, somehow, made it through the granite tunnel. But as miraculous as that seemed to her intel ect, it was impossible to process because of the pain. With the pain, there was only one thought
It lasted an eternity. There was a blur of activity: people, machines, procedures—but none of it translated. Vicki, who hated to cal attention to herself, especial y in a public place, among strangers, screamed for hours. Vicki, who liked to be in control at al times, was not only screaming and howling like an animal, but begging, too.
And then, quiet. Dark. A soft beeping. A dark face hovering above hers. A nurse.
Vicki was sore in some places, numb in others. Her throat was kil ing her. Her mouth was dry, her lips cracked. She was thirsty. Juanita put a straw to her mouth. The water was cold, as cold as the ice water with paper-thin slices of lemon that Brenda had put by her bedside al summer.
Vicki started to cry. The water tasted so good. The summer had been so beautiful, despite everything. She was alive.
Vicki does not want to frighten anyone in the group, but she can’t bring herself to candy-coat things, either. The recovery was long, it was hard (Vicki means to use the word
After six weeks, Vicki went in for her postoperative scan. Dr. Garcia said the pictures looked “clean.” Vicki appeared to be “cancer-free.” Ted bought champagne. Vicki drank some from a Dixie cup, but that night Porter howled from his crib and the next day he broke out in red spots.
Chicken pox, contracted on one of the playdates. Ted took the week off from work. Vicki cursed herself for not being able to deal with it. She couldn’t do
Vicki felt empty, and she imagined her chest cavity as literal y empty. She imagined that, along with the cancer, Dr. Jason Emery had removed her capacity for getting things done, her good luck, and her happiness. She went to physical therapy; she went back to the psychotherapist.
She was better, yes. She was cancer-free, cured, a survivor. But she wasn’t herself—and what was the point of getting better if her essential Vicki-ness had been lost? Al her life, things had come easily. Now, the only thing that came easily was lying in bed and watching TV. She became addicted to the soap opera
“Recovery is a long, tough road,” Vicki tel s the group. “But in my case it was a road with an end.”
Somehow, she pul ed herself up. In spite of her deep despair, the lingering pain, the adjusted expectations, or perhaps because of them, she got better. It might have started with something little—a note came from Dr. Alcott, Ted made a joke and she laughed without splitting open, she had enough stamina to stand at the counter and make a sandwich. She fol owed her therapist’s advice and built on these minor successes rather than dismissing them.
Now look at her: Five months later, she is here, in the circle, head bowed for closing prayer. She has changed. She is cancer-free, yes, but the change is something else, something more elusive, harder to pinpoint. She has been on a journey, and the place she finds herself now is the place she hopes everyone else in this circle wil arrive. It is a place of wonder. It is a place of enormous gratitude.
Vicki’s answer—stil —is
Vicki recal s the night she stood on Sankaty Bluff, with the waves pounding the beach below her and the embarrassing riches of the night sky above.