Sphere. How did it feel when you heard you were getting out?' Cissy Kohler speaks so softly not even the posy of mikes can pick it up. 'Sorry? I couldn't catch that.' 'She says she felt nothing,' says Waggs. 'Next question.' 'Nothing?' insists Blindcrake incredulously. 'After all those years you're told you're innocent, and you feel nothing?' Kohler raises her head and speaks again, this time loud enough to be heard. 'I knew it already.' A pause, then laughter, a ripple of applause. 'Next,' says Waggs. 'Martin Redditch, BBC television. Miss Kohler, you didn't apply for parole until nineteen seventy-six, though you could have applied earlier. Why was that?' She frowns and says, 'I wasn't ready.' 'Ready for what?' shouts someone, but Redditch is pressing on, regardless of the one question limit.
'But you were ready in 'seventy-six, right. And it looked like you were getting out, till you attacked and killed Officer Daphne Bush in Beddington Prison. At least, you got tried and sentenced for killing her. Or are you claiming to be innocent of that killing too?' She takes her time, not as if the effort of remembering is painful so much as if the machinery of memory is rusty. Finally: 'I killed her,' she says. Redditch tries to follow up once more but now Waggs cuts him off. 'OK, Martin, you got two in. We'll call it one for each channel.
Next!' 'Norman Proudfoot, Church Times. Miss Kohler, the TV programme mentioned the Bible your mother gave you as a child. I presume it's that same Bible you're carrying now. Can you tell us what comfort you have drawn from it during your long imprisonment?' She looks down at the book still clutched tight against her breast. 'It helped me look in at myself. Without it, I don't think I'd have survived.' This is the longest answer she gives. The questions come thick and fast, some aggressive, some insinuating, some simply inane. All receive the same treatment – a pause followed by a short reply in a soft monotonous voice. Soon Waggs ceases to intervene and relaxes, faintly smiling as the cohorts of the Press dash themselves vainly against the walls of her solitude. At last the room is silent. Waggs asks, 'All done?'
Sally Blindcrake says, 'I know I've had my question but it was so long ago I've forgotten what it was. How about me closing the circle?' 'In the interests of balance? Well, that's certainly a novelty in the Sphere, Sally. OK. Last question.' 'Miss Kohler. Cecily. Cissy. If you were innocent, why did you confess?' This time the preliminary pause goes on and on. Blindcrake says, 'OK, let me rephrase the question. Not only did you confess, but your alleged confession implicated Ralph Mickledore to such an extent that, along with the other evidence against him, it sent him to the gallows. Was he innocent too?' Waggs says, 'OK, Sally, I should have known better.
That does it, folks…' 'No! Hold on. I need an answer, Jay. It was your telly programme that suggested she was so smashed up by little Emily's drowning that she was fair game for anyone. If she's innocent, then who's guilty? And I don't just mean of the murder. Who was it who twisted her arm till she stuck it up?' Now Waggs is on his feet, drawing Kohler upright too. Jacklin leans over to the mikes and says, 'I cannot allow my client to answer that question outside of a courtroom. We must remember the law of defamation…' 'Defamation nothing! You can't defame the dead,' yells Blindcrake. 'And isn't the guy most likely the late Detective-Superintendent Walter Tallantire, then Head of Mid-Yorkshire CID?' Waggs is urging Kohler off the platform. Any discipline the press conference might have had is rapidly disappearing. Cameramen and reporters jostle each other in their efforts to get near the woman. They spill out of the body of the hall and get between her and the door. The air is filled with a blizzard of flash bulbs and a babble of voices. '… What about compensation?… Will you go back to the States?… Are you suing the police?… Is it true you've written your memoirs?…
How much are they paying?… Have you heard from James Westropp?.
.. What's his son Philip doing now?… Did you mean to drown the kid?… Is it true you're going into a nunnery?… Was Daphne Bush your lover?…' Three uniformed policemen have appeared. They clear a path to the door. One of them flings it open. A camera peers through, momentarily revealing a long corridor in which several men are standing. Then Kohler and Jacklin are through. Waggs turns in the doorway, helping the police to block pursuit. Someone shouts, 'Hey, Jay. When they make the movie, how about Schwarzenegger playing you?'
Waggs grins and says, 'Thank you for your courtesy, gentlemen, and ladies. That's it. End of story.'
He steps back through the door. A policeman pulls it shut behind him.
The scene fades, to be replaced by a close-up of a woman with dead eyes and a mobile lower lip who says, 'The rest of our programme will be running approximately forty minutes late because of that news conference. We apologize for any inconvenience this may cause to viewers..
THREE
'Come on, and have it out in plain words! You hate the fellow.' Detective-Superintendent Andrew Dalziel of Mid- Yorkshire CID stabbed the off-button of the video remote control as if he wanted to drive it through his knee. 'Bastards!' he said. 'Bitch!' 'The poor woman,' said Maudie Tallantire. 'Poor nowt. She were guilty as hell,' said Dalziel. 'Three people are dead because of her. I'd have thrown away the key! You save your sympathy for yourself, Maudie. You heard what that newspaper cow said about Wally?' 'Wally's been dead nigh on twenty years,' said Maud Tallantire as if explaining something to a simple child. 'He's past harm now and who'd want to harm an old woman like me? Oh, I know the times have changed, and I reckon us old 'uns had the best of it, war and all. Everyone knew where they were going then, and in the years after. But it all went wrong somewhere, Andy.
But human nature doesn't change. At heart people are still as good as ever they were. They'd rather do you a good turn than a bad one. Look at you, Andy, coming all this way just 'cos you got to worrying about me, and no need at all!' Dalziel shook his head in affectionate exasperation. Anyone who could cite himself as evidence of the basic goodness of human nature was clearly beyond hope. Maudie was over seventy now, grey-haired, slightly lame, but she hadn't changed in essence from the pretty, amiable and rather vague woman he'd met more than thirty years ago, and very little, if report were true, from the wide-eyed lass who'd married Wally Tallantire back in the 'thirties.
'Copper's wife has got to be either tough as old boots to put up with the life, or live in a world of her own so she don't notice,' Wally had once confided in him when time and alcohol had matured their relationship. 'That's my Maudie. A rare orchid, Andy. She'll need looking out for if anything ever happens to me. You'll do that for me, won't you, lad? Do I have your word on that?' Dalziel had given his word gladly, but in the event, when Tallantire died of a heart attack shortly before he was due to retire, Maudie proved quite capable of looking out for herself. Within a year she'd moved back to her native Skipton and quickly gathered up the threads of her young life, broken when she'd moved from West to Mid-Yorkshire all those years ago.
Dalziel visited regularly for a while, then intermittently, and in recent years hardly at all. But when he saw the Kohler press conference on the telly, he knew the time had come for another visit.
He'd been going to suggest that Maudie might like to think about staying with friends for a couple of days just in case the Press came prying, but he wasn't a man to waste breath. Instead he ran his video back a little way, restarted it, and pressed the freeze button when he reached the shot of the corridor through the open door. 'That fellow there remind you of anyone, Maudie?' 'The tall one?' she said looking at the two men touched by his broad forefinger. 'He's a bit like Raymond Massey.' 'No. Someone you know. And I mean the other one. I know who the tall fellow is. Chap called Sempernel. He came sniffing around at the time. Said he were Home Office but he were a funny bugger, no question. You'd not have seen him. But the other one, the skinny runt, remind you of anyone? And don't say Mickey Rooney, luv!'
'He doesn't look a bit like Mickey Rooney,' said the woman, examining the man closely. 'He doesn't really look like anybody, but he does look familiar.' 'Remember a sergeant called Hiller? Adolf, we used to call him? Wally didn't care for him and got shut of him.' 'Vaguely,' she said. 'But what would Sergeant Hiller be doing there?' 'That's what I'd like to know,' said Dalziel grimly. 'And he's not a sergeant now. Deputy Chief Constable down south, last I heard. Well, the higher the monkey climbs, the more he shows his behind, eh?' Maudie Tallantire laughed. 'You don't change, do you, Andy? Now how about a cup of tea?' 'Grand. By the way, Maudie, do you still have any of Wally's personal papers? I seem to recall you said you'd put a lot of stuff together when you moved here just in case there were anything important…' 'That's right. And you said you'd look through it some time when you had a moment. But that was donkey's years ago, Andy. And you never had a moment, did you?' 'Sorry,' he said guiltily.
'You know how it is. But if you've still got it, I might as well take a look now.' 'I've probably thrown it out long since,' she said. 'It were in an old blue suitcase, one of them little ones which was all we used to need once when we went away. Now it takes a cabin trunk! It'll be in the boxroom if I've still got it, but it's dusty up there and you
