you know what it means, young and lovely as you are—giving your life!'

Verena looked down for a moment in meditation.

'Well,' she replied, 'I guess I have thought more than I appear.'

'Do you understand German? Do you know 'Faust'?' said Olive. ''Entsagen sollst du, sollst entsagen!''

'I don't know German; I should like so to study it; I want to know everything.'

'We will work at it together—we will study everything.' Olive almost panted; and while she spoke the peaceful picture hung before her of still winter evenings under the lamp, with falling snow outside, and tea on a little table, and successful renderings, with a chosen companion, of Goethe, almost the only foreign author she cared about; for she hated the writing of the French, in spite of the importance they have given to women. Such a vision as this was the highest indulgence she could offer herself; she had it only at considerable intervals. It seemed as if Verena caught a glimpse of it too, for her face kindled still more, and she said she should like that ever so much. At the same time she asked the meaning of the German words.

''Thou shalt renounce, refrain, abstain!' That's the way Bayard Taylor has translated them,' Olive answered.

'Oh, well, I guess I can abstain!' Verena exclaimed, with a laugh. And she got up rather quickly, as if by taking leave she might give a proof of what she meant. Olive put out her hands to hold her, and at this moment one of the portieres of the room was pushed aside, while a gentleman was ushered in by Miss Chancellor's little parlour-maid.

XII

Verena recognised him; she had seen him the night before at Miss Birdseye's, and she said to her hostess, 'Now I must go—you have got another caller!' It was Verena's belief that in the fashionable world (like Mrs. Farrinder, she thought Miss Chancellor belonged to it—thought that, in standing there, she herself was in it)—in the highest social walks it was the custom of a prior guest to depart when another friend arrived. She had been told at people's doors that she could not be received because the lady of the house had a visitor, and she had retired on these occasions with a feeling of awe much more than a sense of injury. They had not been the portals of fashion, but in this respect, she deemed, they had emulated such bulwarks. Olive Chancellor offered Basil Ransom a greeting which she believed to be consummately lady-like, and which the young man, narrating the scene several months later to Mrs. Luna, whose susceptibilities he did not feel himself obliged to consider (she considered his so little), described by saying that she glared at him. Olive had thought it very possible he would come that day if he was to leave Boston; though she was perfectly mindful that she had given him no encouragement at the moment they separated. If he should not come she should be annoyed, and if he should come she should be furious; she was also sufficiently mindful of that. But she had a foreboding that, of the two grievances, fortune would confer upon her only the less; the only one she had as yet was that he had responded to her letter—a complaint rather wanting in richness. If he came, at any rate, he would be likely to come shortly before dinner, at the same hour as yesterday. He had now anticipated this period considerably, and it seemed to Miss Chancellor that he had taken a base advantage of her, stolen a march upon her privacy. She was startled, disconcerted, but as I have said, she was rigorously lady-like. She was determined not again to be fantastic, as she had been about his coming to Miss Birdseye's. The strange dread associating itself with that was something which, she devoutly trusted, she had felt once for all. She didn't know what he could do to her; he hadn't prevented, on the spot though he was, one of the happiest things that had befallen her for so long—this quick, confident visit of Verena Tarrant. It was only just at the last that he had come in, and Verena must go now; Olive's detaining hand immediately relaxed itself.

It is to be feared there was no disguise of Ransom's satisfaction at finding himself once more face to face with the charming creature with whom he had exchanged that final speechless smile the evening before. He was more glad to see her than if she had been an old friend, for it seemed to him that she had suddenly become a new one. 'The delightful girl,' he said to himself; 'she smiles at me as if she liked me!' He could not know that this was fatuous, that she smiled so at every one; the first time she saw people she treated them as if she recognised them. Moreover, she did not seat herself again in his honour; she let it be seen that she was still going. The three stood there together in the middle of the long, characteristic room, and, for the first time in her life, Olive Chancellor chose not to introduce two persons who met under her roof. She hated Europe, but she could be European if it were necessary. Neither of her companions had an idea that in leaving them simply planted face to face (the terror of the American heart) she had so high a warrant; and presently Basil Ransom felt that he didn't care whether he were introduced or not, for the greatness of an evil didn't matter if the remedy were equally great.

'Miss Tarrant won't be surprised if I recognise her—if I take the liberty to speak to her. She is a public character; she must pay the penalty of her distinction.' These words he boldly addressed to the girl, with his most gallant Southern manner, saying to himself meanwhile that she was prettier still by daylight.

'Oh, a great many gentlemen have spoken to me,' Verena said. 'There were quite a number at Topeka——' And her phrase lost itself in her look at Olive, as if she were wondering what was the matter with her.

'Now, I am afraid you are going the very moment I appear,' Ransom went on. 'Do you know that's very cruel to me? I know what your ideas are—you expressed them last night in such beautiful language; of course you convinced me. I am ashamed of being a man; but I am, and I can't help it, and I'll do penance any way you may prescribe. Must she go, Miss Olive?' he asked of his cousin. 'Do you flee before the individual male?' And he turned to Verena.

This young lady gave a laugh that resembled speech in liquid fusion. 'Oh no; I like the individual!'

As an incarnation of a 'movement,' Ransom thought her more and more singular, and he wondered how she came to be closeted so soon with his kinswoman, to whom, only a few hours before, she had been a complete stranger. These, however, were doubtless the normal proceedings of women. He begged her to sit down again; he was sure Miss Chancellor would be sorry to part with her. Verena, looking at her friend, not for permission, but for sympathy, dropped again into a chair, and Ransom waited to see Miss Chancellor do the same. She gratified him after a moment, because she could not refuse without appearing to put a hurt upon Verena; but it went hard with her, and she was altogether discomposed. She had never seen any one so free in her own drawing-room as this loud Southerner, to whom she had so rashly offered a footing; he extended invitations to her guests under her nose. That Verena should do as he asked her was a signal sign of the absence of that 'home-culture' (it was so that Miss Chancellor expressed the missing quality) which she never supposed the girl possessed: fortunately, as it would be supplied to her in abundance in Charles Street. (Olive of course held that home-culture was perfectly compatible with the widest emancipation.) It was with a perfectly good conscience that Verena complied with Basil Ransom's request; but it took her quick sensibility only a moment to discover that her friend was not pleased. She scarcely knew what had ruffled her, but at the same instant there passed before her the vision of the anxieties (of this sudden, unexplained sort, for instance, and much worse) which intimate relations with Miss Chancellor might entail.

'Now, I want you to tell me this,' Basil Ransom said, leaning forward towards Verena, with his hands on his knees, and completely oblivious to his hostess. 'Do you really believe all that pretty moonshine you talked last night? I could have listened to you for another hour; but I never heard such monstrous sentiments, I must protest —I must, as a calumniated, misrepresented man. Confess you meant it as a kind of reductio ad absurdum—a satire on Mrs. Farrinder?' He spoke in a tone of the freest pleasantry, with his familiar,

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