There was as little comfort for Olive as there had been on the whole alarm in the recollection of that off-hand speech of Verena's about her preference for 'free unions.' This had been mere maiden flippancy; she had not known the meaning of what she said. Though she had grown up among people who took for granted all sorts of queer laxities, she had kept the consummate innocence of the American girl, that innocence which was the greatest of all, for it had survived the abolition of walls and locks; and of the various remarks that had dropped from Verena expressing this quality that startling observation certainly expressed it most. It implied, at any rate, that unions of some kind or other had her approval, and did not exclude the dangers that might arise from encounters with young men in search of sensations.
XVI
Mr. Pardon, as Olive observed, was a little out of this combination; but he was not a person to allow himself to droop. He came and seated himself by Miss Chancellor and broached a literary subject; he asked her if she were following any of the current 'serials' in the magazines. On her telling him that she never followed anything of that sort, he undertook a defence of the serial system, which she presently reminded him that she had not attacked. He was not discouraged by this retort, but glided gracefully off to the question of Mount Desert; conversation on some subject or other being evidently a necessity of his nature. He talked very quickly and softly, with words, and even sentences, imperfectly formed; there was a certain amiable flatness in his tone, and he abounded in exclamations —'Goodness gracious!' and 'Mercy on us!'—not much in use among the sex whose profanity is apt to be coarse. He had small, fair features, remarkably neat, and pretty eyes, and a moustache that he caressed, and an air of juvenility much at variance with his grizzled locks, and the free familiar reference in which he was apt to indulge to his career as a journalist. His friends knew that in spite of his delicacy and his prattle he was what they called a live man; his appearance was perfectly reconcilable with a large degree of literary enterprise. It should be explained that for the most part they attached to this idea the same meaning as Selah Tarrant—a state of intimacy with the newspapers, the cultivation of the great arts of publicity. For this ingenuous son of his age all distinction between the person and the artist had ceased to exist; the writer was personal, the person food for newsboys, and everything and every one were every one's business. All things, with him, referred themselves to print, and print meant simply infinite reporting, a promptitude of announcement, abusive when necessary, or even when not, about his fellow-citizens. He poured contumely on their private life, on their personal appearance, with the best conscience in the world. His faith, again, was the faith of Selah Tarrant—that being in the newspapers is a condition of bliss, and that it would be fastidious to question the terms of the privilege. He was an
He talked some time to Olive about Mount Desert, told her that in his letters he had described the company at the different hotels. He remarked, however, that a correspondent suffered a good deal to-day from the competition of the 'lady-writers'; the sort of article they produced was sometimes more acceptable to the papers. He supposed she would be glad to hear that—he knew she was so interested in woman's having a free field. They certainly made lovely correspondents; they picked up something bright before you could turn round; there wasn't much you could keep away from them; you had to be lively if you wanted to get there first. Of course, they were naturally more chatty, and that was the style of literature that seemed to take most to-day; only they didn't write much but what ladies would want to read. Of course, he knew there were millions of lady-readers, but he intimated that
'Well, it's a privilege to hear you two talk together,' Mrs. Tarrant said to her; 'it's what I call real conversation. It isn't often we have anything so fresh; it makes me feel as if I wanted to join in. I scarcely know whom to listen to most; Verena seems to be having such a time with those gentlemen. First I catch one thing and then another; it seems as if I couldn't take it all in. Perhaps I ought to pay more attention to Mr. Burrage; I don't want him to think we are not so cordial as they are in New York.'
She decided to draw nearer to the trio on the other side of the room, for she had perceived (as she devoutly hoped Miss Chancellor had not) that Verena was endeavouring to persuade either of her companions to go and talk to her dear friend, and that these unscrupulous young men, after a glance over their shoulder, appeared to plead for remission, to intimate that this was not what they had come round for. Selah wandered out of the room again with his collection of cakes, and Mr. Pardon began to talk to Olive about Verena, to say that he felt as if he couldn't say all he did feel with regard to the interest she had shown in her. Olive could not imagine why he was called upon to say or to feel anything, and she gave him short answers; while the poor young man, unconscious of his doom, remarked that he hoped she wasn't going to exercise any influence that would prevent Miss Tarrant from taking the rank that belonged to her. He thought there was too much hanging back; he wanted to see her in a front seat; he wanted to see her name in the biggest kind of bills and her portrait in the windows of the stores. She had genius, there was no doubt of that, and she would take a new line altogether. She had charm, and there was a great demand for that nowadays in connexion with new ideas. There were so many that seemed to have fallen dead for want of it. She ought to be carried straight ahead; she ought to walk right up to the top. There was a want of bold action; he didn't see what they were waiting for. He didn't suppose they were waiting till she was fifty years old; there were old ones enough in the field. He knew that Miss Chancellor appreciated the advantage of her girlhood, because Miss Verena had told him so. Her father was dreadfully slack, and the winter was ebbing away. Mr. Pardon went so far as to say that if Dr. Tarrant didn't see his way to do something, he should feel as if he should want to