The Bostonians, Vol. I

the parlour—the two parlours which, in their prolonged, adjacent narrowness, formed evidently one apartment—and wandered to the windows at the back, where there was a view of the water; Miss Chancellor having the good fortune to dwell on that side of Charles Street toward which, in the rear, the afternoon sun slants redly, from an horizon indented at empty intervals with wooden spires, the masts of lonely boats, the chimneys of dirty 'works,' over a brackish expanse of anomalous character, which is too big for a river and too small for a bay. The view seemed to him very picturesque, though in the gathered dusk little was left of it save a cold yellow streak in the west, a gleam of brown water, and the reflexion of the lights that had begun to show themselves in a row of houses, impressive to Ransom in their extreme modernness, which overlooked the same lagoon from a long embankment on the left, constructed of stones roughly piled. He thought this prospect, from a city-house, almost romantic; and he turned from it back to the interior illuminated now by a lamp which the parlour-maid had placed on a table while he stood at the window as to something still more genial and interesting. The artistic sense in Basil Ransom had not been highly cultivated; neither (though he had passed his early years as the son of a rich man) was his conception of material comfort very definite; it consisted mainly of the vision of plenty of cigars and brandy and water and newspapers, and a cane-bottomed arm-chair of the right inclination, from which he could stretch his legs. Nevertheless it seemed to him he had never seen an interior that was so much an interior as this queer corridor-shaped drawing-room of his new-found kinswoman; he had never felt himself in the presence of so much organised privacy or of so many objects that spoke of habits and tastes. Most of the people he had hitherto known had no tastes; they had a few habits, but these were not of a sort that required much upholstery. He had not as yet been in many houses in New York, and he had never before seen so many accessories. The general character of the place struck him as Bostonian; this was, in fact, very much what he had supposed Boston to be. He had always heard Boston was a city of culture, and now there was culture in Miss Chancellor's tables and sofas, in the books that were everywhere, on little shelves like brackets (as if a book were a statuette), in the photographs and watercolours that covered the walls, in the curtains that were festooned rather stiffly in the doorways. He looked at some of the books and saw that his cousin read German; and his impression of the importance of this (as a symptom of superiority) was not diminished by the fact that he himself had mastered the tongue (knowing it contained a large literature of jurisprudence) during a long, empty, deadly summer on the plantation. It is a curious proof of a certain crude modesty inherent in Basil Ransom that the main effect of his observing his cousin's German books was to give him an idea of the natural energy of Northerners. He had noticed it often before; he had already told himself that he must count with it. It was only after much experience he made the discovery that few Northerners were, in their secret soul, so energetic as he. Many other persons had made it before that. He knew very little about Miss Chancellor; he had come to see her only because she wrote to him; he would never have thought of looking her up, and since then there had been no one in New York he might ask about her. Therefore he could only guess that she was a rich young woman; such a house, inhabited in such a way by a quiet spinster, implied a considerable income. How much? he asked himself; five thousand, ten thousand, fifteen thousand a year? There was richness to our panting young man in the smallest of these figures. He was not of a mercenary spirit, but he had an immense desire for success, and he had more than once reflected that a moderate capital was an aid to achievement. He had seen in his younger years one of the biggest failures that history commemorates, an immense national fiasco, and it had implanted in his mind a deep aversion to the ineffectual. It came over him, while he waited for his hostess to reappear, that she was unmarried as well as rich, that she was sociable (her letter answered for that) as well as single; and he had for a moment a whimsical vision of becoming a partner in so flourishing a firm. He ground his teeth a little as he thought of the contrasts of the human lot; this cushioned feminine nest made him feel unhoused and underfed. Such a mood, however, could only be momentary, for he was conscious at bottom of a bigger stomach than all the culture of Charles Street could fill.

Afterwards, when his cousin had come back and they had gone down to dinner together, where he sat facing her at a little table decorated in the middle with flowers, a position from which he had another view, through a window where the curtain remained undrawn by her direction (she called his attention to this—it was for his benefit), of the dusky, empty river, spotted with points of light—at this period, I say, it was very easy for him to remark to himself that nothing would induce him to make love to such a type as that. Several months later, in New York, in conversation with Mrs. Luna, of whom he was destined to see a good deal, he alluded by chance to this repast, to the way her sister had placed him at table, and to the remark with which she had pointed out the advantage of his seat.

'That's what they call in Boston being very 'thoughtful,'' Mrs. Luna said, 'giving you the Back Bay (don't you hate the name?) to look at, and then taking credit for it.'

This, however, was in the future; what Basil Ransom actually perceived was that Miss Chancellor was a signal old maid. That was her quality, her destiny; nothing could be more distinctly written. There are women who are unmarried by accident, and others who are unmarried by option; but Olive Chancellor was unmarried by every implication of her being. She was a spinster as Shelley was a lyric poet, or as the month of August is sultry. She was so essentially a celibate that Ransom found himself thinking of her as old, though when he came to look at her (as he said to himself) it was apparent that her years were fewer than his own. He did not dislike her, she had been so friendly; but, little by little, she gave him an uneasy feeling—the sense that you could never be safe with a person who took things so hard. It came over him that it was because she took things hard she had sought his acquaintance; it had been because she was strenuous, not because she was genial; she had had in her eye—and what an extraordinary eye it was!—not a pleasure, but a duty. She would expect him to be strenuous in return; but he couldn't—in private life, he couldn't; privacy for Basil Ransom consisted entirely in what he called 'laying off.' She was not so plain on further acquaintance as she had seemed to him at first; even the young Mississippian had culture enough to see that she was refined. Her white skin had a singular look of being drawn tightly across her face; but her features, though sharp and irregular, were delicate in a fashion that suggested good breeding. Their line was perverse, but it was not poor. The curious tint of her eyes was a living colour; when she turned it upon you, you thought vaguely of the glitter of green ice. She had absolutely no figure, and presented a certain appearance of feeling cold. With all this, there was something very modern and highly developed in her aspect; she had the advantages as well as the drawbacks of a nervous organisation. She smiled constantly at her guest, but from the beginning to the end of dinner, though he made several remarks that he thought might prove amusing, she never once laughed. Later, he saw that she was a woman without laughter; exhilaration, if it ever visited her, was dumb. Once only, in the course of his subsequent acquaintance with her, did it find a voice; and then the sound remained in Ransom's ear as one of the strangest he had heard.

She asked him a great many questions, and made no comment on his answers, which only served to suggest to her fresh inquiries. Her shyness had quite left her, it did not come back; she had confidence enough to wish him to see that she took a great interest in him. Why should she? he wondered, He couldn't believe he was one of her kind; he was conscious of much Bohemianism—he drank beer, in New York, in cellars, knew no ladies, and was familiar with a 'variety' actress. Certainly, as she knew him better, she would disapprove of him, though, of course, he would never mention the actress, nor even, if necessary, the beer. Ransom's conception of vice was purely as a series of special cases, of explicable accidents. Not that he cared; if it were a part of the Boston character to be inquiring, he would be to the last a courteous Mississippian. He would tell her about Mississippi as much as she liked; he didn't care how much he told her that the old ideas in the South were played out. She would not understand him any the better for that; she would not know how little his own views could be gathered from such a limited admission. What her sister imparted to him about her mania for 'reform' had left in his mouth a kind of unpleasant aftertaste; he felt, at any rate, that if she had the religion of humanity—Basil Ransom had read Comte, he had read everything—she would never understand him. He, too, had a private vision of reform, but the first principle of it was to reform the reformers. As they drew to the close of a meal which, in spite of all latent incompatibilities, had gone off brilliantly, she said to him that she should have to leave him after dinner, unless perhaps he should be inclined to accompany her. She was going to a small gathering at the house of a friend who had asked a few people, 'interested in new ideas,' to meet Mrs. Farrinder.

'Oh, thank you,' said Basil Ransom. 'Is it a party? I haven't been to a party since Mississippi seceded.'