the city; she didn't want to say anything that would tie them. When she felt her trembling that way before luncheon it made her quite sick to realise how much her friend was wrapped up in her—how terribly she would suffer from the least deviation. After they had started for their round of engagements the very first thing Verena spoke of in the carriage (Olive had taken one, in her liberal way, for the whole time) was the fact that her correspondence with Mr. Ransom, as her friend had called it, had consisted on his part of only one letter. It was a very short one, too; it had come to her a little more than a month before. Olive knew she got letters from gentlemen; she didn't see why she should attach such importance to this one. Miss Chancellor was leaning back in the carriage, very still, very grave, with her head against the cushioned surface, only turning her eyes towards the girl.
'You attach importance yourself; otherwise you would have told me.'
'I knew you wouldn't like it—because you don't like
'I don't think of him,' said Olive; 'he's nothing to me.' Then she added, suddenly, 'Have you noticed that I am afraid to face what I don't like?'
Verena could not say that she had, and yet it was not just on Olive's part to speak as if she were an easy person to tell such a thing to: the way she lay there, white and weak, like a wounded creature, sufficiently proved the contrary. 'You have such a fearful power of suffering,' she replied in a moment.
To this at first Miss Chancellor made no rejoinder; but after a little she said, in the same attitude, 'Yes,
Verena took her hand and held it awhile. 'I never will, till I have been through everything myself.'
'
'Well, I suppose I mustn't presume on it,' she remarked, glancing back at Olive with her natural sweetness, her uncontradicting grace.
That young lady lifted her hand to her lips—held it there a moment; the movement seemed to say, 'When you are so divinely docile, how can I help the dread of losing you?' This idea, however, was unspoken, and Olive Chancellor's uttered words, as the carriage rolled on, were different.
'Verena, I don't understand why he wrote to you.'
'He wrote to me because he likes me. Perhaps you'll say you don't understand why he likes me,' the girl continued, laughing. 'He liked me the first time he saw me.'
'Oh, that time!' Olive murmured.
'And still more the second.'
'Did he tell you that in his letter?' Miss Chancellor inquired.
'Yes, my dear, he told me that. Only he expressed it more gracefully.' Verena was very happy to say that; a written phrase of Basil Ransom's sufficiently justified her.
'It was my intuition—it was my foreboding!' Olive exclaimed, closing her eyes.
'I thought you said you didn't dislike him.'
'It isn't dislike—it's simple dread. Is that all there is between you?'
'Why, Olive Chancellor, what do you think?' Verena asked, feeling now distinctly like a coward. Five minutes afterwards she said to Olive that if it would give her pleasure they would leave New York on the morrow, without taking a fourth day; and as soon as she had done so she felt better, especially when she saw how gratefully Olive looked at her for the concession, how eagerly she rose to the offer in saying, 'Well, if you
XXXI
When she returned with her companion to the establishment in Tenth Street she saw two notes lying on the table in the hall; one of which she perceived to be addressed to Miss Chancellor, the other to herself. The hand was different, but she recognised both. Olive was behind her on the steps, talking to the coachman about sending another carriage for them in half an hour (they had left themselves but just time to dress); so that she simply possessed herself of her own note and ascended to her room. As she did so she felt that all the while she had known it would be there, and was conscious of a kind of treachery, an unfriendly wilfulness, in not being more prepared for it. If she could roll about New York the whole afternoon and forget that there might be difficulties ahead, that didn't alter the fact that there