The Bostonians, Vol. II

what are you going to do with them? You must remember that women marry—are given in marriage—less and less; that isn't their career, as a matter of course, any more. You can't tell them to go and mind their husband and children, when they have no husband and children to mind.'

'Oh,' said Ransom, 'that's a detail! And for myself, I confess, I have such a boundless appreciation of your sex in private life that I am perfectly ready to advocate a man's having a half-a-dozen wives.'

'The civilisation of the Turks, then, strikes you as the highest?'

'The Turks have a second-rate religion; they are fatalists, and that keeps them down. Besides, their women are not nearly so charming as ours—or as ours would be if this modern pestilence were eradicated. Think what a confession you make when you say that women are less and less sought in marriage; what a testimony that is to the pernicious effect on their manners, their person, their nature, of this fatuous agitation.'

'That's very complimentary to me!' Verena broke in, lightly.

But Ransom was carried over her interruption by the current of his argument. 'There are a thousand ways in which any woman, all women, married or single, may find occupation. They may find it in making society agreeable.'

'Agreeable to men, of course.'

'To whom else, pray? Dear Miss Tarrant, what is most agreeable to women is to be agreeable to men! That is a truth as old as the human race, and don't let Olive Chancellor persuade you that she and Mrs. Farrinder have invented any that can take its place, or that is more profound, more durable.'

Verena waived this point of the discussion; she only said: 'Well, I am glad to hear you are prepared to see the place all choked up with old maids!'

'I don't object to the old old maids; they were delightful; they had always plenty to do, and didn't wander about the world crying out for a vocation. It is the new old maid that you have invented from whom I pray to be delivered.' He didn't say he meant Olive Chancellor, but Verena looked at him as if she suspected him of doing so; and to put her off that scent he went on, taking up what she had said a moment before: 'As for its not being complimentary to you, my remark about the effect on the women themselves of this pernicious craze, my dear Miss Tarrant, you may be quite at your ease. You stand apart, you are unique, extraordinary; you constitute a category by yourself. In you the elements have been mixed in a manner so felicitous that I regard you as quite incorruptible. I don't know where you come from nor how you come to be what you are, but you are outside and above all vulgarising influences. Besides, you ought to know,' the young man proceeded, in the same cool, mild, deliberate tone, as if he were demonstrating a mathematical solution, 'you ought to know that your connexion with all these rantings and ravings is the most unreal, accidental, illusory thing in the world. You think you care about them, but you don't at all. They were imposed upon you by circumstances, by unfortunate associations, and you accepted them as you would have accepted any other burden, on account of the sweetness of your nature. You always want to please some one, and now you go lecturing about the country, and trying to provoke demonstrations, in order to please Miss Chancellor, just as you did it before to please your father and mother. It isn't you, the least in the world, but an inflated little figure (very remarkable in its way too) whom you have invented and set on its feet, pulling strings, behind it, to make it move and speak, while you try to conceal and efface yourself there. Ah, Miss Tarrant, if it's a question of pleasing, how much you might please some one else by tipping your preposterous puppet over and standing forth in your freedom as well as in your loveliness!'

While Basil Ransom spoke—and he had not spoken just that way yet—Verena sat there deeply attentive, with her eyes on the ground; but as soon as he ceased she sprang to her feet—something made her feel that their association had already lasted quite too long. She turned away from him as if she wished to leave him, and indeed were about to attempt to do so. She didn't desire to look at him now, or even to have much more conversation with him. 'Something,' I say, made her feel so, but it was partly his curious manner—so serene and explicit, as if he knew the whole thing to an absolute certainty—which partly scared her and partly made her feel angry. She began to move along the path to one of the gates, as if it were settled that they should immediately leave the place. He laid it all out so clearly; if he had had a revelation he couldn't speak otherwise. That description of herself as something different from what she was trying to be, the charge of want of reality, made her heart beat with pain; she was sure, at any rate, it was her real self that was there with him now, where she oughtn't to be. In a moment he was at her side again, going with her; and as they walked it came over her that some of the things he had said to her were far beyond what Olive could have imagined as the very worst possible. What would be her state now, poor forsaken friend, if some of them had been borne to her in the voices of the air? Verena had been affected by her companion's speech (his manner had changed so; it seemed to express something quite different) in a way that pushed her to throw up the discussion and determine that as soon as they should get out of the park she would go off by herself; but she still had her wits about her sufficiently to think it important she should give no sign of discomposure, of confessing that she was driven from the field. She appeared to herself to notice and reply to his extraordinary observations enough, without taking them up too much, when she said, tossing the words over her shoulder at Ransom, while she moved quickly: 'I presume, from what you say, that you don't think I have much ability.'

He hesitated before answering, while his long legs easily kept pace with her rapid step—her charming, touching, hurrying step, which expressed all the trepidation she was anxious to conceal. 'Immense ability, but not in the line in which you most try to have it. In a very different line, Miss Tarrant! Ability is no word for it; it's genius!'

She felt his eyes on her face—ever so close and fixed there—after he had chosen to reply to her question that way. She was beginning to blush; if he had kept them longer, and on the part of any one else, she would have called such a stare impertinent. Verena had been commended of old by Olive for her serenity 'while exposed to the gaze of hundreds'; but a change had taken place, and she was now unable to endure the contemplation of an individual. She wished to detach him, to lead him off again into the general; and for this purpose, at the end of a moment, she made another inquiry: 'I am to understand, then, as your last word that you regard us as quite inferior?'

'For public, civic uses, absolutely—perfectly weak and second-rate. I know nothing more indicative of the muddled sentiment of the time than that any number of men should be found to pretend that they regard you in any other light. But privately, personally, it's another affair. In the realm of family life and the domestic affections ——'

At this Verena broke in, with a nervous laugh, 'Don't say that; it's only a phrase!'

'Well, it's a better one than any of yours,' said Basil Ransom, turning with her out of one of the smaller gates —the first they had come to. They emerged into the species of plaza formed by the numbered street which constitutes the southern extremity of the park and the termination of the Sixth Avenue. The glow of the splendid afternoon was over everything, and the day seemed to Ransom still in its youth. The bowers and boskages stretched behind them, the artificial lakes and cockneyfied landscapes, making all the region bright with the sense of air and space, and raw natural tints, and vegetation too diminutive to overshadow. The chocolate-coloured houses, in tall, new rows, surveyed the expanse; the street cars rattled in the foreground, changing horses while the horses steamed, and absorbing and emitting passengers; and the beer-saloons, with exposed shoulders and sides, which in New York do a good deal towards representing the picturesque, the 'bit'