she wanted her to hold her tight, to rescue her; and there was no fear that, for an instant, she should sleep at her post.

'I like him—I like him; but I want to hate——'

'You want to hate him!' Olive broke in.

'No, I want to hate my liking. I want you to keep before me all the reasons why I should—many of them so fearfully important. Don't let me lose sight of anything! Don't be afraid I shall not be grateful when you remind me.'

That was one of the singular speeches that Verena made in the course of their constant discussion of the terrible question, and it must be confessed that she made a great many. The strangest of all was when she protested, as she did again and again to Olive, against the idea of their seeking safety in retreat. She said there was a want of dignity in it—that she had been ashamed, afterwards, of what she had done in rushing away from New York. This care for her moral appearance was, on Verena's part, something new; inasmuch as, though she had struck that note on previous occasions—had insisted on its being her duty to face the accidents and alarms of life— she had never erected such a standard in the face of a disaster so sharply possible. It was not her habit either to talk or to think about her dignity, and when Olive found her taking that tone she felt more than ever that the dreadful, ominous, fatal part of the situation was simply that now, for the first time in all the history of their sacred friendship, Verena was not sincere. She was not sincere when she told her that she wanted to be helped against Mr. Ransom—when she exhorted her, that way, to keep everything that was salutary and fortifying before her eyes. Olive did not go so far as to believe that she was playing a part and putting her off with words which, glossing over her treachery, only made it more cruel; she would have admitted that that treachery was as yet unwitting, that Verena deceived herself first of all, thinking she really wished to be saved. Her phrases about her dignity were insincere, as well as her pretext that they must stay to look after Miss Birdseye: as if Doctor Prance were not abundantly able to discharge that function and would not be enchanted to get them out of the house! Olive had perfectly divined by this time that Doctor Prance had no sympathy with their movement, no general ideas; that she was simply shut up to petty questions of physiological science and of her own professional activity. She would never have invited her down if she had realised this in advance so much as the doctor's dry detachment from all their discussions, their readings and practisings, her constant expeditions to fish and botanise, subsequently enabled her to do. She was very narrow, but it did seem as if she knew more about Miss Birdseye's peculiar physical conditions—they were very peculiar—than any one else, and this was a comfort at a time when that admirable woman seemed to be suffering a loss of vitality.

'The great point is that it must be met some time, and it will be a tremendous relief to have it over. He is determined to have it out with me, and if the battle doesn't come off to-day we shall have to fight it to-morrow. I don't see why this isn't as good a time as any other. My lecture for the Music Hall is as good as finished, and I haven't got anything else to do; so I can give all my attention to our personal struggle. It requires a good deal, you would admit, if you knew how wonderfully he can talk. If we should leave this place to-morrow he would come after us to the very next one. He would follow us everywhere. A little while ago we could have escaped him, because he says that then he had no money. He hasn't got much now, but he has got enough to pay his way. He is so encouraged by the reception of his article by the editor of the Rational Review, that he is sure that in future his pen will be a resource.'

These remarks were uttered by Verena after Basil Ransom had been three days at Marmion, and when she reached this point her companion interrupted her with the inquiry, 'Is that what he proposes to support you with— his pen?'

'Oh yes; of course he admits we should be terribly poor.'

'And this vision of a literary career is based entirely upon an article that hasn't yet seen the light? I don't see how a man of any refinement can approach a woman with so beggarly an account of his position in life.'

'He says he wouldn't—he would have been ashamed—three months ago; that was why, when we were in New York, and he felt, even then—well (so he says) all he feels now, he made up his mind not to persist, to let me go. But just lately a change has taken place; his state of mind altered completely, in the course of a week, in consequence of the letter that editor wrote him about his contribution, and his paying for it right off. It was a remarkably flattering letter. He says he believes in his future now; he has before him a vision of distinction, of influence, and of fortune, not great, perhaps, but sufficient to make life tolerable. He doesn't think life is very delightful, in the nature of things; but one of the best things a man can do with it is to get hold of some woman (of course, she must please him very much, to make it worth while) whom he may draw close to him.'

'And couldn't he get hold of any one but you—among all the exposed millions of our sex?' poor Olive groaned. 'Why must he pick you out, when everything he knew about you showed you to be, exactly, the very last?'

'That's just what I have asked him, and he only remarks that there is no reasoning about such things. He fell in love with me that first evening, at Miss Birdseye's. So you see there was some ground for that mystic apprehension of yours. It seems as if I pleased him more than any one.'

Olive flung herself over on the couch, burying her face in the cushions, which she tumbled in her despair, and moaning out that he didn't love Verena, he never had loved her, it was only his hatred of their cause that made him pretend it; he wanted to do that an injury, to do it the worst he could think of. He didn't love her, he hated her, he only wanted to smother her, to crush her, to kill her—as she would infallibly see that he would if she listened to him. It was because he knew that her voice had magic in it, and from the moment he caught its first note he had determined to destroy it. It was not tenderness that moved him—it was devilish malignity; tenderness would be incapable of requiring the horrible sacrifice that he was not ashamed to ask, of requiring her to commit perjury and blasphemy, to desert a work, an interest, with which her very heart-strings were interlaced, to give the lie to her whole young past, to her purest, holiest ambitions. Olive put forward no claim of her own, breathed, at first, at least, not a word of remonstrance in the name of her personal loss, of their blighted union; she only dwelt upon the unspeakable tragedy of a defection from their standard, of a failure on Verena's part to carry out what she had undertaken, of the horror of seeing her bright career blotted out with darkness and tears, of the joy and elation that would fill the breast of all their adversaries at this illustrious, consummate proof of the fickleness, the futility, the predestined servility, of women. A man had only to whistle for her, and she who had pretended most was delighted to come and kneel at his feet. Olive's most passionate protest was summed up in her saying that if Verena were to forsake them it would put back the emancipation of women a hundred years. She did not, during these dreadful days, talk continuously; she had long periods of pale, intensely anxious, watchful silence, interrupted by outbreaks of passionate argument, entreaty, invocation. It was Verena who talked incessantly, Verena who was in a state entirely new to her, and, as any one could see, in an attitude entirely unnatural and overdone. If she was deceiving herself, as Olive said, there was something very affecting in her effort, her ingenuity. If she tried to appear to Olive impartial, coldly judicious, in her attitude with regard to Basil Ransom, and only anxious to see, for the moral satisfaction of the thing, how good a case, as a lover, he might make out for himself and how much he might touch her susceptibilities, she endeavoured, still more earnestly, to practise this fraud upon her own imagination. She abounded in every proof that she should be in despair if she should be overborne, and she thought of arguments even more convincing, if possible, than Olive's, why she should hold on to her old faith, why she should resist even at the cost of acute temporary suffering. She was voluble, fluent, feverish; she was perpetually bringing up the subject, as if to encourage her friend, to show how she kept possession of her judgement, how independent she remained.

Вы читаете The Bostonians, Vol. II
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