the conscious tension of poor Olive, who would have been spared none of the anxieties and tremors, none of the previsions of accident or calculations of failure. In the front of the stage was a slim, high desk, like a music-stand, with a cover of red velvet, and near it was a light ornamental chair, on which he was sure Verena would not seat herself, though he could fancy her leaning at moments on the back. Behind this was a kind of semicircle of a dozen arm-chairs, which had evidently been arranged for the friends of the speaker, her sponsors and patrons. The hall was more and more full of premonitory sounds; people making a noise as they unfolded, on hinges, their seats, and itinerant boys, whose voices as they cried out 'Photographs of Miss Tarrant—sketch of her life!' or 'Portraits of the Speaker—story of her career!' sounded small and piping in the general immensity. Before Ransom was aware of it several of the arm-chairs, in the row behind the lecturer's desk, were occupied, with gaps, and in a moment he recognised, even across the interval, three of the persons who had appeared. The straight-featured woman with bands of glossy hair and eyebrows that told at a distance, could only be Mrs. Farrinder, just as the gentleman beside her, in a white overcoat, with an umbrella and a vague face, was probably her husband Amariah. At the opposite end of the row were another pair, whom Ransom, unacquainted with certain chapters of Verena's history, perceived without surprise to be Mrs. Burrage and her insinuating son. Apparently their interest in Miss Tarrant was more than a momentary fad, since—like himself—they had made the journey from New York to hear her. There were other figures, unknown to our young man, here and there, in the semicircle; but several places were still empty (one of which was of course reserved for Olive), and it occurred to Ransom, even in his preoccupation, that one of them ought to remain so—ought to be left to symbolise the presence, in the spirit, of Miss Birdseye.
He bought one of the photographs of Verena, and thought it shockingly bad, and bought also the sketch of her life, which many people seemed to be reading, but crumpled it up in his pocket for future consideration. Verena was not in the least present to him in connexion with this exhibition of enterprise and puffery; what he saw was Olive, struggling and yielding, making every sacrifice of taste for the sake of the largest hearing, and conforming herself to a great popular system. Whether she had struggled or not, there was a catch-penny effect about the whole thing which added to the fever in his cheek and made him wish he had money to buy up the stock of the vociferous little boys. Suddenly the notes of the organ rolled out into the hall, and he became aware that the overture or prelude had begun. This, too, seemed to him a piece of claptrap, but he didn't wait to think of it; he instantly edged out of his place, which he had chosen near the end of a row, and reached one of the numerous doors. If he had had no definite plan he now had at least an irresistible impulse, and he felt the prick of shame at having faltered for a moment. It had been his tacit calculation that Verena, still enshrined in mystery by her companion, would not have reached the scene of her performance till within a few minutes of the time at which she was to come forth; so that he had lost nothing by waiting, up to this moment, before the platform. But now he must overtake his opportunity. Before passing out of the hall into the lobby he paused, and with his back to the stage, gave a look at the gathered auditory. It had become densely numerous, and, suffused with the evenly distributed gaslight, which fell from a great elevation, and the thick atmosphere that hangs for ever in such places, it appeared to pile itself high and to look dimly expectant and formidable. He had a throb of uneasiness at his private purpose of balking it of its entertainment, its victim—a glimpse of the ferocity that lurks in a disappointed mob. But the thought of that danger only made him pass more quickly through the ugly corridors; he felt that his plan was definite enough now, and he found that he had no need even of asking the way to a certain small door (one or more of them), which he meant to push open. In taking his place in the morning he had assured himself as to the side of the house on which (with its approach to the platform) the withdrawing room of singers and speakers was situated; he had chosen his seat in that quarter, and he now had not far to go before he reached it. No one heeded or challenged him; Miss Tarrant's auditors were still pouring in (the occasion was evidently to have been an unprecedented success of curiosity), and had all the attention of the ushers. Ransom opened a door at the end of the passage, and it admitted him into a sort of vestibule, quite bare save that at a second door, opposite to him, stood a figure at the sight of which he paused for a moment in his advance.
The figure was simply that of a robust policeman, in his helmet and brass buttons—a policeman who was expecting him—Ransom could see that in a twinkling. He judged in the same space of time that Olive Chancellor had heard of his having arrived and had applied for the protection of this functionary, who was now simply guarding the ingress and was prepared to defend it against all comers. There was a slight element of surprise in this, as he had reasoned that his nervous kinswoman was absent from her house for the day—had been spending it all in Verena's retreat, wherever that was. The surprise was not great enough, however, to interrupt his course for more than an instant, and he crossed the room and stood before the belted sentinel. For a moment neither spoke; they looked at each other very hard in the eyes, and Ransom heard the organ, beyond partitions, launching its waves of sound through the hall. They seemed to be very near it, and the whole place vibrated. The policeman was a tall, lean-faced, sallow man, with a stoop of the shoulders, a small, steady eye, and something in his mouth which made a protuberance in his cheek. Ransom could see that he was very strong, but he believed that he himself was not materially less so. However, he had not come there to show physical fight—a public tussle about Verena was not an attractive idea, except perhaps, after all, if he should get the worst of it, from the point of view of Olive's new system of advertising; and, moreover, it would not be in the least necessary. Still he said nothing, and still the policeman remained dumb, and there was something in the way the moments elapsed and in our young man's consciousness that Verena was separated from him only by a couple of thin planks, which made him feel that she too expected him, but in another sense; that she had nothing to do with this parade of resistance, that she would know in a moment, by quick intuition, that he was there, and that she was only praying to be rescued, to be saved. Face to face with Olive she hadn't the courage, but she would have it with her hand in his. It came to him that there was no one in the world less sure of her business just at that moment than Olive Chancellor; it was as if he could see, through the door, the terrible way her eyes were fixed on Verena while she held her watch in her hand and Verena looked away from her. Olive would have been so thankful that she should begin before the hour, but of course that was impossible. Ransom asked no questions—that seemed a waste of time; he only said, after a minute, to the policeman:
'I should like very much to see Miss Tarrant, if you will be so good as to take in my card.'
The guardian of order, well planted just between him and the handle of the door, took from Ransom the morsel of pasteboard which he held out to him, read slowly the name inscribed on it, turned it over and looked at the back, then returned it to his interlocutor. 'Well, I guess it ain't much use,' he remarked.
'How can you know that? You have no business to decline my request.'
'Well, I guess I have about as much business as you have to make it.' Then he added, 'You are just the very man she wants to keep out.'
'I don't think Miss Tarrant wants to keep me out,' Ransom returned.
'I don't know much about her, she hasn't hired the hall. It's the other one—Miss Chancellor; it's her that runs this lecture.'
'And she has asked you to keep me out? How absurd!' exclaimed Ransom ingeniously.
'She tells me you're none too fit to be round alone; you have got this thing on the brain. I guess you'd better be quiet,' said the policeman.
'Quiet? Is it possible to be more quiet than I am?'
'Well, I've seen crazy folks that were a good deal like you. If you want to see the speaker why don't you go and set round in the hall, with the rest of the public?' And the policeman waited, in an immovable, ruminating, reasonable manner, for an answer to this inquiry.
