on the ice-slopes with the same practised skill; she opened, each evening, her 'Transcript' with the same interfusion of suspense and resignation; she attended her almost daily concert with the same expenditure of patience and the same economy of passion; she flitted in and out of the Public Library with the air of conscientiously returning or bravely carrying off in her pocket the key of knowledge itself; and finally—it was what she most did— she watched the thin trickle of a fictive 'love-interest' through that somewhat serpentine channel, in the magazines, which she mainly managed to keep clear for it. But the real thing, all the while, was elsewhere; the real thing had gone back to New York, leaving behind it the two unsolved questions, quite distinct, of why it
For the figure to which these questions attached themselves she had found a convenient description—she thought of it for herself, always, as that of a girl with a background. The great reality was in the fact that, very soon, after but two or three meetings, the girl with the background, the girl with the crown of old gold and the mourning that was not as the mourning of Boston, but at once more rebellious in its gloom and more frivolous in its frills, had told her she had never seen any one like her. They had met thus as opposed curiosities, and that simple remark of Milly's—if simple it was—became the most important thing that had ever happened to her; it deprived the love-interest, for the time, of actuality and even of pertinence; it moved her first, in short, in a high degree, to gratitude, and then to no small compassion. Yet in respect to this relation at least it was what did prove the key of knowledge; it lighted up as nothing else could do the poor young woman's history. That the potential heiress of all the ages should never have seen any one like a mere typical subscriber, after all, to the 'Transcript' was a truth that—in especial as announced with modesty, with humility, with regret—described a situation. It laid upon the elder woman, as to the void to be filled, a weight of responsibility; but in particular it led her to ask whom poor Mildred
This was, fortunately for her—and we give it in her own words—the sense of a harrowing pathos. That, primarily, was what appealed to her, what seemed to open the door of romance for her still wider than any, than a still more reckless, connection with the 'picture-papers.' For such was essentially the point: it was rich, romantic, abysmal, to have, as was evident, thousands and thousands a year, to have youth and intelligence and if not beauty, at least, in equal measure, a high, dim, charming, ambiguous oddity, which was even better, and then on top of all to enjoy boundless freedom, the freedom of the wind in the desert—it was unspeakably touching to be so equipped and yet to have been reduced by fortune to little humble-minded mistakes.
It brought our friend's imagination back again to New York, where aberrations were so possible in the intellectual sphere, and it in fact caused a visit she presently paid there to overflow with interest. As Milly had beautifully invited her, so she would hold out if she could against the strain of so much confidence in her mind; and the remarkable thing was that even at the end of three weeks she
Less than a month after the event that had so determined Mrs. Stringham's attitude—close upon the heels, that is, of her return from New York—she was reached by a proposal that brought up for her the kind of question her delicacy might have to contend with. Would she start for Europe with her young friend at the earliest possible date, and should she be willing to do so without making conditions? The inquiry was launched by wire; explanations, in sufficiency, were promised; extreme urgency was suggested, and a general surrender invited. It was to the honour of her sincerity that she made the surrender on the spot, though it was not perhaps altogether to that of her logic. She had wanted, very consciously, from the first, to give something up for her new acquaintance, but she had now no doubt that she was practically giving up all. What settled this was the fulness of a particular impression, the impression that had throughout more and more supported her and which she would have uttered so far as she might by saying that the charm of the creature was positively in the creature's greatness. She would have been content so to leave it; unless indeed she had said, more familiarly, that Mildred was the biggest impression of her life. That was at all events the biggest account of her, and none but a big, clearly, would do. Her situation, as such things were called, was on the grand scale; but it still was not that. It was her nature, once for all—a nature that reminded Mrs. Stringham of the term always used in the newspapers about the great new steamers, the inordinate number of 'feet of water' they drew; so that if, in your little boat, you had chosen to hover and approach, you had but yourself to thank, when once motion was started, for the way the draught pulled you. Milly drew the feet of water, and odd though it might seem that a lonely girl, who was not robust and who hated sound and show, should stir the stream like a leviathan, her companion floated off with the sense of rocking violently at her side. More than prepared, however, for that excitement, Mrs. Stringham mainly failed of ease in respect to her own consistency. To attach herself for an indefinite time seemed a roundabout way of holding her hands off. If she wished to be sure of neither touching nor smutching, the straighter plan would doubtless have been not to keep her friend within reach. This in fact she fully recognised, and with it the degree to which she desired that the girl should lead her life, a life certain to be so much finer than that of anybody else. The difficulty, however, by good fortune, cleared away as soon as she had further recognised, as she was speedily able to do, that she, Susan Shepherd—the name with which Milly for the most part amused herself—was
Many things, though not in many weeks, had come and gone since then, and one of the best of them, doubtless, had been the voyage itself, by the happy southern course, to the succession of Mediterranean ports, with the dazzled wind-up at Naples. Two or three others had preceded this; incidents, indeed rather lively marks, of their last fortnight at home, and one of which had determined on Mrs. Stringham's part a rush to New York, forty-eight breathless hours there, previous to her final rally. But the great sustained sea-light had drunk up the rest of the picture, so that for many days other questions and other possibilities sounded with as little effect as a trio of penny whistles might sound in a Wagner overture. It was the Wagner overture that practically prevailed, up through Italy, where Milly had already been, still further up and across the Alps, which were also partly known to Mrs. Stringham; only perhaps 'taken' to a time not wholly congruous, hurried in fact on account of the girl's high restlessness. She had been expected, she had frankly promised, to be restless—that was partly why she was 'great'—or was a