toilets: they have two on duty because people make such a mess in there.'

Just as Anna was about to thank Doreen for coming in, she dropped another jewel in their lap. 'She had a friend with her, blonde girl, she's often at the club; she's a naughty one. She didn't stay more than an hour.'

Anna closed her eyes; this had to be Sharon.

'So I had to get her wrap, it was one of those bits of fur; you know, sort of a collar thing that's in fashion at the moment: you can't really hang them up on the hangers, you've got to tie them or they slip off. She was quite a little madam: she said for me not to tie a knot in the ribbon; anyways, she came back and she was with her.'

'I'm sorry, who was with her?'

'Your dead girl, she was with her; they were arguing and then the blonde girl opened her bag and gave her some money.'

Anna opened her file, searched around and brought out the photograph used by the newspapers of Sharon. 'Is this the blonde girl?'

'Yes, that's her. I mean, I don't know her, but I saw her picture in the newspaper as well, I recognised them both. The blonde has quite a mouth on her, and they was really having a row, and then she almost threw this money at her and screeched out something, then sort of pushed her; you know, like a smack, but it was a push.'

As Anna put the photographs back in the file, Barolli beat her to the next question.

'Why haven't you come forward with this information?'

Doreen looked startled. 'Well I didn't think it was anything interesting, you know. I didn't think it meant anything, really; it doesn't, does it?'

'It's a great help to us.' Anna smiled, though she didn't feel happy at all. She was furious that Sharon had not told them the truth about her last night with Louise. Doreen led them to the alleyway and fire exit. The road was not that far from the doorway and, as Doreen pointed out, it was very well lit. As they returned to the club, Doreen, who by now fancied herself as some kind of detective, stopped to show them the cloakroom.

'I think there was some jealousy going on between them. I mean, as I said, I didn't hear exactly what they were saying, but it was quite a nasty squabble; the dead girl was very upset afterwards. She went into the ladies', then next minute she's wanting her coat!'

Doreen was about to repeat everything she had told them about her methods of running the cloakroom, but Anna cut her short. 'You have been really very helpful, Doreen, thank you.'

'Is there a reward?'

Barolli glanced at Anna as he headed out.

'No, I'm sorry, there isn't.'

Barolli already had the engine ticking over as Anna joined him.

'Don't bloody believe this,' he muttered.

'What, you think she's lying?' Anna said, slamming her door closed.

'No, just the one person I didn't question, and bingo! Not that we got too much out of it.'

'You want to bet? I think that little cow Sharon has been holding out on us, so I want to get to see her a.s.a.p. I know it would be too much luck, but can you check if a traffic warden saw the car parked up? She said they stick tickets on anything parked in that road.' Barolli nodded and made a call on his mobile as Anna tried to contact Sharon on hers. There was no reply. By the time they returned to the station, it was after twelve. As Anna was updating Langton, they were interrupted with a message to say that there had been no ticket issued to a black Rover; all the other vehicles parked in the road behind the club would now be checked, in case one of them proved to be their suspect's car. Two steps forward, one back, and by three o'clock, Anna still had not been able to contact Sharon.

The team were all gathered for a briefing; Langton had received yet another contact from their suspect. It read, LP derserved to die, another victimm will pay the same price

Partly in cut-out newspaper letters and partly handwritten in ink, it was signed The Dahlia Killer. The forensic experts felt this latest note was from the same person, deliberate spelling mistakes and all.

The press office was becoming agitated, wanting an update on what they could or could not release. Langton, with no suspect, was at his wits' end. It seemed, as the killer said, that the police could not catch him; despite the audacity of actually sending the notes to the Incident Room, the postmarks were from so many different locations that tracing the sender was impossible. The cheap lined notepaper and manila envelopes were both sold in bulk. Whoever had sent them had not licked the envelope, leaving no DNA, nor even a single fingerprint.

Langton maintained a calm front but he was looking worn out. Even with the latest information from the nightclub, they still were no closer to identifying the tall, dark-haired man. The sketch had been in the papers over three consecutive days; he could not believe that no one had come forward. The Commander and her team were putting the pressure on and considering bringing in backup; to Langton, this meant he could be removed from the case.

Anna had assumed that after Professor Marshe had tripped up with the newspaper editor, she would not be called on again. Anna was wrong. Professor Marshe, looking her usual sophisticated self, arrived as the briefing ended and went straight into Langton's office.

While everyone waited for them to emerge, Anna yet again called Sharon Bilkin. There was still no reply; this time, her answerphone did not click on but made a whirring sound. Anna called Mrs Jenkins, the landlady, also without success. She felt as disillusioned as the other members of the team. They talked quietly to each other, mulling over statements and the nonstop phone calls coming in to the station. To date, they had had three 'confessors': three men of various ages appearing at the station to admit to the murder. It was a known hazard of any murder enquiry; some were even known to the police because they were persistent 'I done it' time-wasters. The three were all questioned and released.

Langton returned to the Incident Room at almost five forty-five, accompanied by Professor Marshe. He did not seem in any way attentive to her; if anything, he was cold and aloof, gesturing for her to sit. She produced notes and files and laid them out, then sat, straight-backed, in the chair.

'I have been studying the original case history of the Elizabeth Short murder, obviously, as you have all been doing, matching the notes and threats alongside your Red Dahlia.' She held up the two women's photographs. 'If we are to believe our killer has an obsession with the Los Angeles murder, and is now making a sickening mirror of it, then we have to take very seriously the threat to kill again.'

Anna gave a sidelong glance to Lewis to see him rolling his eyes at Barolli.

The Professor continued, laying out details of the LA victims, all purported to have been murdered by the same man. The first had been killed before Elizabeth Short: she had been an heiress, and had been found brutally killed in the bathtub of her own apartment. 'If this was his first kill, although it was messy and brutal, it did not have the same hallmarks as the murder of Elizabeth Short; the third victim, however…'

She held up a photograph of a woman called Jeanne Axford French. 'She had been kicked and stomped, which was similar to victim one, but this girl also had almost the identical slash wounds to her mouth as the Black Dahlia. The killer used the victim's own lipstick to write obscenities on her naked body: he printed 'fuck you' on her chest. As with your victim, Louise Pennel, and as with the Black Dahlia, her underwear and clothes were missing. The killer struck four weeks after he killed Elizabeth Short, and possibly again another month later. No one was ever charged with these murders and it was surmised the killer either left LA or became dormant.'

Langton coughed and she turned towards him.

'I don't mean to sound impatient, Professor Marshe, but this has been in the papers! We are all privy to these cases, we've not exactly got the T-shirt but we've read the case history, the books, etcetera.'

'I'm aware of that,' she said, tetchily 'I'm sorry if this is something you are aware of already, but I think it is necessary for me to explain the reasons for my grave concerns. You have a very dangerous killer on the loose, and one I believe has killed again. You must not think that the letters written are just threats, a ploy to get into the press. As well as enjoying himself playing games, he has to make sure that you are aware of the pattern of murders in the Black Dahlia case.'

Langton interrupted. 'Professor Marshe, we have taken every contact made very seriously. If he does intend to kill again, what we need is a profile that will help us catch him; so far we have the one suspect.'

'That you have been unable to trace,' she said brusquely.

Вы читаете The Red Dahlia
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