ridiculous.
I love it because it is honest. I love it because it is true. In his other photos he appears spontaneous, open,
I call for Amanda. I close the door behind me, put the key in my pocket. All is quiet. I fumble, find the light switch, flip it upward, and the hallway is flooded with light. Hey there! I say, louder this time. Nothing. Perhaps she is out of town? But she would have told me. Reminded me to water her plants, take in her mail, feed Max.
That reminds me. Max! I call. Good kitty! But no jangling bell, no skittering of claws across hardwood.
Yellow tape has been strung across the entrance to the living room: police line do not cross. I walk into the kitchen, which I know as well as my own. Something is wrong. None of the noises of a living household. No electric hum from the refrigerator. I open the door. The inside is dark and rank smelling. The water pipes that give Amanda perpetual insomnia, silent. No squeaking floorboards.
Yet something is here, something that wants congress with me. I do not believe in the supernatural. I am not a fanciful woman, nor a religious one. But this I know: Revelation is near. For I am not alone.
And from the shadows she comes, barely recognizable, so brilliant is her complexion, so golden her hair. She is dressed in a plain blue suit, sheer stockings, low-heeled shoes. I have never seen her attired like this, like a seventies-style junior executive intent on ascending the organizational ladder. Corporate angel. But her face is twisted in pain, and her hands are bandaged. She holds them out to me.
I take hold of her right wrist and gently begin to unwrap the coarse cotton from her hand. Around and under and around until it is revealed: perfect, white, and soft to the touch. The unblemished hand of a good child. I compare it to my own liver-spotted ones. Those of the witch that lures the child into the forest, fattens her up to eat. The hands of a sinner.
Suddenly Amanda and I are not alone. My mother is there with her virgin martyrs. And my father, too, wearing, oddly enough, a motorcycle helmet and jacket, when he was too terrified to ever get a driver’s license. And James, of course, and Ana and Jim and Kimmy and Beth from the hospital and Janet and Edward and Shirley from the neighborhood.
Even Cindy and Beth from college and Jeannette from before that. My grandmother O’Neill. Her sister, my great aunt May. People I haven’t thought of in decades. The room is full of faces I recognize, and if I don’t love them, at least I know their names, and that is more than enough. Perhaps this is my revelation? Perhaps this is heaven? To wander among a multitude and have a name for each.
It is dark here in my house. I bump into something with a sharp edge, bruise my hip. I put out my hands and feel a wall, a door frame, a closed door. I try the knob. It will not open. I need the bathroom, badly. Where is the light. I want to go home. Home to Philadelphia. I’ve been here long enough. A prisoner.
What crime have I committed? How long have I been incarcerated?
The relief ! Now I can sleep. Now I can go to sleep. I lie down where I am. There is softness under me, not a bed but acceptable. I hug my body for warmth. If I lie here, still, I will be safe. If I revel in my chains I will be free.
Inside is not safe. Too dark, and the house breathes. It breathes, and strangers appear and touch you. Tug at your clothes. Force open your mouth and fill it with foul pills. Out here it is brighter, the moon and the streetlights conjoining to cast a soothing aura over the sidewalks, the gardens just awakening from the winter.
Everything is where it should be. Even the squat object made of metal and painted bright red is a beautiful sight. It has always been there, in front of the house. It will always be there. There may be things lurking in the shadows, but they come in peace. They let me sit here, unmolested, on this patch of grass.
I can look to the right and see the church at the end of the block. To the left, the Bright and Easy Laundry. And upward, the stars. Bright pinpricks, most staying in their places, but others blinking, transmitting signals as they crawl across the vast darkness.
If only I could interpret this message. I want my friend. She would understand. She is safety. She is comfort. Her features remain constant, her voice does not rise or get loud. She does not reach for the phone. She does not make me drink tea, swallow small round bitter objects. I’m walking now. I’m opening the gate. Down three houses. I count carefully.
That gate sticks, but I get it open. The brick path is uneven, so I proceed carefully to the white stone statue of the laughing Buddha that presides over the front garden.
I take the key from under the Buddha’s rotund cheeks and let myself in. I will find my friend. She will explain everything. She knows everything. She knows it all.
It is apparently my birthday today. May 22. Magdalena did the math for me: I’m sixty-five. Fiona and Mark are taking me out to dinner at Le Titi. In the afternoon, my old assistant Sarah stopped by. Remarkable for her to remember. I wouldn’t know her birthday under the best of circumstances. Even in my prime. I wouldn’t even have asked. Sarah presented me with a gift from the hospital: a three-foot-tall statue of Saint Rita of Cascia. Eighteenth century. A beauty.
Technically, the day of her death and of my birth are the same, yes. But we share more than that.
You’re up on your hagiography.