The beauty of young boys - now, that isn’t an easy thing. Girls, yes, full of their enticing eggs, the mothers of us all, that makes sense, they should be beautiful and usually are, even if only for a year or a day. But boys - why? What for? There is a time, a short time, at about sixteen, seventeen, when they have a poetic aura. They are like young gods. Their families and their friends may be awed by these beings who seem visitors from a finer air. They are often unaware of it, seeming to themselves more like awkwardly packed parcels they are trying to hold together.
Roz and Lil lolled on the little verandah overlooking the sea, and saw the two boys come walking up the path, frowning a little, dangling swimming things they would put to dry on the verandah wall, and they were so beautiful the two women sat up to look at each other, sharing incredulity. ‘Good God!’ said Roz. ‘Yes,’ said Lil. We made that, we made them,’ said Roz. ‘If we didn’t, who did?’ said Lil. And the boys, having disposed of their towels and trunks, went past with smiles that indicated they were busy on their own affairs: they did not want to be summoned for food or to tidy their beds, or something equally unimportant.
‘My God!’ said Roz again. ‘Wait, Lil …’ She got up and went inside, and Lil waited, smiling a little to herself, as she often did, at her friend’s dramatic ways. Out came Roz with a hook in her hand, a photograph album. She pushed her chair against Lil’s, and together they turned the pages past babies on rugs, babies in baths - themselves, then ‘her first step’ and ‘the first tooth’ - and they were at the page they knew they both sought. Two girls, at about sixteen.
‘My God!’ said Roz.
‘We didn’t do too badly, then,’ said Lil.
Pretty girls, yes, very, all sugar and spice, but if photographs were taken now of Ian and Tom, would they show the glamour that stopped the breath when one saw them walk across a room or saunter up out of the waves?
They lingered over the pages of themselves, in this album, Roz s; Lil’s would have to be the same. Photographs of Roz, with Lil. Two pretty girls.
What they were looking for they did not find. Nowhere could they find the shine of unearthliness that illuminated their two sons, at this time.
And there they were sitting, the album spread out across both their stretched-out brown legs - they were in bikinis - when the boys came out, glasses of fruit juice in their hands.
They sat on the wall of the veranda’s edge and contemplated their mothers, Roz and Lil.
‘What are they doing?’ Ian seriously asked Tom.
‘What are they doing?’ echoed Tom, owlishly, joking as always. He jumped up, peered down at the open page, half on Roz’s, half on Lil’s knees, and returned to his place. ‘They are admiring their beauty when they were nymphets,’ he reported to Ian. ‘Aren’t you, Ma?’ he said to Roz.
‘That’s right,’ said Roz. ‘Tempus fugit. It fugit’s like anything. You have no idea - yet. We wanted to find out what we were like all those years ago.’
‘Not so many years,’ said Lil.
‘Don’: bother to count,’ said Roz. ‘Enough years.’
Now Ian captured the album off the women’s thighs, and he and Tom sat staring at the girls, their mothers.
‘They weren’t bad,’ said Tom to Ian.
‘Not bad at all,’ said Ian to Tom.
The women smiled at each other: more of a grimace.
‘But you are better now,’ said Ian, and went red.
‘Oh, you are charming,’ said Roz, accepting the compliment for herself.
‘I don’t know,’ said the clown, Tom, pretending to compare the old photographs with the two women sitting there, in their bikinis. ‘I don’t know. Now? -‘ and he screwed up his eyes for the examination. ‘And then.’ He bent to goggle at the photographs,
‘Now has it,’ he pronounced. ‘Yes, better now.’ And at this the two boys fell to foot-and-shoulder wrestling, or jostling, as they often still did, like boys, though what people saw were young gods who couldn’t take a step or make a gesture that was not from some archaic vase, or antique dance.
‘Our mothers,’ said Tom, toasting them in orange juice.
‘Our mothers,’ said Ian, smiling directly at Roz in a way that made her shift about in her chair and move her legs.
Roz had said to Lil that Ian had a crush on her, Roz, and Lil had said, ‘Well, never mind, he’ll get over it.’
What Ian was not getting over, had not begun to get over, was his father’s death, already a couple of years behind, in time. From the moment he had ceased to have a father he had pined, becoming thinner, almost transparent, so that his mother complained, ‘Do eat, Ian, eat something - you must.’
‘Oh, leave me alone.’
It was all right for Tom, whose father turned up sometimes, and whom he visited up there in his landlocked university. But Ian had nothing, not even waning memories. Where his father should have been, unsatisfactory as he had been with his affairs and his frequent absences, was nothing, a blank, and Ian tried to put a brave face on it, had bad dreams, and both women’s hearts ached for him.
A big boy, his eyes heavy with crying, he would go to his mother, where she sat on a sofa, and collapse beside her, and she would put her arms around him. Or go to Roz, and she embraced him, ‘Poor Ian.’
And Tom watched this, seriously, coming to terms with this grief, not his own, but its presence so close in his friend, his almost brother, Ian. ‘They are like brothers,’ people said. ‘Those two, they might as well be brothers.’ But in one a calamity was eating away, like a cancer, and not in the other, who tried to imagine the pain of grief and failed.
