The Twelfth Enchantment: A Novel

readership. His spells are fabricated or extracted from tawdry volumes meant for the ignorant. And such books are always obsessed with love magic, which you must never practice.”

“I thought that was nearly the whole of what cunning women do,” said Lucy. “Make this one fall in love with that one.”

“Those spells are for dabblers with little skill. For someone with talent, it is a vile thing to make someone believe he feels what he does not, to induce him to make commitments that stand even after the effects of the magic fade. I cannot tell you how many unhappy matches, how many ruined hopes and lives, are the result of cunning folk playing with love magic.”

Lucy nodded, though she might as well be promising not to fly too close to the sun with her waxen wings.

“If there is anything of value in Barrett,” Miss Crawford continued, “it is cribbed from other writers, principally Agrippa. I daresay these are the sections you chose not to read.”

“But I have read of Agrippa. My father had me read some histories of his life. I found them extraordinarily dull, but my father thought him important.”

Miss Crawford’s expression remained neutral. “Indeed he is. But you will have to know more than his biography. You will have to read and understand Agrippa’s thinking, along with the ideas of a number of other writers even more impenetrable. Yes, I see the look upon your face. No one wants to spend her days and nights buried in dusty old tomes, especially those that are designed to confound, confuse, and defeat the reader, but there can be no true greatness without sacrifice. And, let me assure you, before I ask you to read anything too dull, you will have seen things, done things that will make you hungry to read the most tedious books in the world if they will advance your craft. Let me give you something.”

Miss Crawford reached into her picnic basket and removed a little book, a duodecimo, and put it in Lucy’s hand. It was hardly bigger than her palm, though it was heavy. It smelled of old leather and mold, and all at once it reminded her of her father. How at home she felt with Miss Crawford. A warmth spread over her, for here was another great protector, like her father had been, who loved her books. The thought of it made her feel safe, and for the first time in many years, it made her feel like she was somewhere she belonged.

“Are you well?” Miss Crawford asked her. “You have gone quite pale.”

“I am well,” said Lucy, who felt her eyes beginning to moisten. “It is just that I suddenly felt—I know this will sound odd—but I felt as though, for a moment, I was living my own life.”

“I understand you—more than you can know.” She took Lucy’s hand and squeezed it. They sat like that for a moment until Miss Crawford let go and invited Lucy to examine the book.

The first fifty or sixty pages contained densely written arguments about magical theory—Lucy could see that from the most casual of glances—but the rest of it was nothing more than various charts. Here were chessboards filled with letters, sometimes English, sometimes Greek, sometimes Hebrew. Some stood alone, some of the squares were embedded within circles, and these circles contained writing as well.

“You may recognize this sort of thing from Barrett,” Miss Crawford said. “These are charms and talismans collected from major works on magic. Many of the charms included in those books are false, deliberately false, to deceive dabblers. There has never been a book of spells that was not at least three-quarters nonsense. In that book you hold, one of the better ones I could obtain, there are perhaps three hundred charms, and it may be that forty are genuine. Before you begin to read through material you will find challenging, why don’t you attempt to discover which charms are real and make some of them work?”

Lucy examined the book. As she had when looking at the charms in The Magus, she felt vaguely silly, but at the same time she could not help but respond to Miss Crawford’s gravity, and she held the book as though it were a piece of delicate and rare china. On the pages, the charms had labels indicating what they did, and most involved some sort of manipulation of another person. To make another cleave to you in loyalty. To drive another from your presence. To inspire feelings of love in another. Many required no other work than to copy out the charm and to hide it in the clothes or things or upon the person of the subject. Others required a small ritual or manipulation of objects.

“How will I know which are genuine?”

Miss Crawford merely said, “You must determine that for yourself.”

“Must I choose now?” she asked, feeling slightly panicked and inadequate.

Miss Crawford laughed and her eyes appeared to turn darker, and then grow pale once more, like the moon appearing from, and disappearing behind, clouds. “No, I shall not make you perform for me, Miss Derrick. You take the book as a gift. Do not object. It is not rare.”

Lucy hardly knew what to say, but she clutched the book to her chest. She wanted to bask in this new sensation of feeling special and important and of being someone of whom great things were expected. She had learned that very afternoon that she and her sister had been cheated out of their father’s money, that their liberty had been stolen from them, and yet this awful knowledge was somehow mitigated by what Miss Crawford promised. This very notion of magic was foolish, but Lucy could hardly dismiss what she had seen. It was silly, she knew that, and yet she also knew it was real and suddenly all set out before her. With Miss Crawford, her friend, to guide her, soon everything would be different.

13

THINGS DID NOT HAPPEN ALL AT ONCE. LUCY COULD FIND FEW enough quiet hours to take her book out of its secret hiding place and look it over, and perhaps she did not want to find the time. The mere thought of Miss Crawford’s pale and pretty face was enough to fill Lucy with a kind of unrestrained happiness, but other times she would push the image away, not daring to hope that her life could be something more than what it was.

In the end, it was a feeling of responsibility toward Miss Crawford that drove Lucy forward. If that lady called upon her and asked how she had done, Lucy wanted to be able to report success, or, at the very least, report an honest and honorable failure. When she did examine the talismans, however, she found herself growing quickly frustrated. They all appeared equally plausible or implausible. They were mostly squares, subdivided into smaller squares, in which were written letters of Roman, Greek, or Hebrew, and occasionally some more mysterious runic symbols. Outside a square was often more writing, sometimes within a circle that surrounded the square. Many of the talismans were merely to be worn about the neck or placed upon the person one wished to affect. Others required more elaborate execution—combining the charm with particular plants or actions or items. She practiced copying them out, just to be sure that her hand could replicate the images, though she never produced a complete talisman, and always destroyed what she had made.

She sat in the one comfortable chair in her room, the light to her back, flipping through the pages for perhaps the fifth or sixth time, unable to see how she could determine a true talisman from a false. They were all different, all had their own characteristics, and nothing made some stand out and some fade away. Each was as opaque in its meaning as the next.

Perhaps because she was tired and not troubling herself with her feelings of hope or her unwillingness to feel hope, Lucy was able to clear her mind. She began to drift away from herself, something like the act of quieting herself she had learned, so many years ago, from Mrs. Quince. So it was in this half-quieted state that she turned the pages until she stopped hard. Her heart felt as though it would explode in her chest, for the charm upon which she gazed stood out as different—as powerful, as vibrant, as unmistakable. The charm upon which she looked was magic.

It was like an image in a book of trompe l’oeil etchings she had once leafed through with her sisters. These were pictures that, when looked at in a particular way, or with a particular disposition, would reveal a second picture hidden within. The means of uncovering these hidden images was beyond her ability to explain. When her sister Martha had begged Lucy to show her how to see it, Lucy could think of no way to instruct her. She could only say that Martha must look in different ways until she found it.

Now Lucy rapidly flipped through the volume, seeing the talismans for what they were, seeing which charms jumped off the page announcing their efficacy, and which lay flat and lifeless. She heard herself laugh aloud as she found one, and then she snapped the book shut and hugged it to her chest. What Miss Crawford said was true. And if there was magic, if it was real and Lucy could do it, what did it mean for her life?

In the end there were fewer true spells than Miss Crawford had said, only thirty-six. Many of these were to coerce love or loyalty or compliance—a few were so vile, Lucy could not imagine attempting to use them. There were a handful that would be worth trying, if only to see if the charms could be used effectively. Now Lucy wanted