what are these myriad blue threads, Harry?'
'The life-threads of the human race,' Harry explained. 'See over there? That one just this moment bursting into being, such a pure, shining blue that it's almost blinding? That's a newborn baby with a long, long way to go. And this one here, gradually fading and getting ready to blink out?' He lowered his voice in respect. 'Well, that's an old man about to die.'
'The hell — you — say!' said Jack Garrulous, awed. 'But of course, you'd know all about that, now wouldn't you, Harry? I mean, about death and such? For after all, aren't you the one they call a Necrowhatsit?'
'A Necroscope, yes,' Harry nodded. 'Or at least I was.'
'And how's that for a talent, folks?' Garrulous beamed with teeth like piano keys. 'For Harry Keogh's the man who talks to the dead! And he's the
'Deadspeak,' Harry cut him short.
'Deadspeak? Really? The hell… you…
'Um?' said Harry.
'One last question, son,' said Garrulous, urgently, his narrowing eyes fixed on something just outside Harry's sphere of vision. 'I mean, you told us about the blue life-threads sure enough, but what in all get-out's the meaning of a red one, eh?'
Harry's head snapped round; wide-eyed, he stared; and saw a scarlet thread, even now angling in towards him! And:
There was a small table beside his chair, which Harry had knocked flying. Groping in the darkness, his fingers found two things: a table-lamp thrown to the floor, and the weapon he'd worked on earlier in the day. The latter was loaded. Switching on the lamp, Harry went into a crouch behind his chair and brought up his gleaming metal crossbow into view — and saw that his worst nightmare had advanced into the room.
There was no denying the thing: the slate-grey colour of its flesh, its gaping jaws and what they contained, its pointed ears and the high-collared cape which gave its skull and menacing features definition. It was a vampire — of the comic-book variety! But even realizing that this wasn't the real thing (and he of all people should know), still Harry's finger had tightened on the trigger.
It was all reaction. This body he'd trained to a peak of perfection was working just as he'd programmed it to work in a hundred simulations of this very situation. And despite the fact that he'd come immediately awake — and that he knew this thing in his room with him was a fraud — still his adrenalin was flowing and his heart pounding, and his weapon's fifteen-inch hardwood bolt already in flight. It was only in the last split second that he'd tried to avert disaster by elevating the crossbow's tiller up towards the ceiling. But that had been enough, barely.
Wellesley, seeing the crossbow in Harry's hand, had blown froth through his plastic teeth in a gasp of terror and tried to back off. The bolt missed his right ear by a hair's breadth, struck through the collar of his costume cape and snatched him back against the wall. It buried itself deep in plaster and old brick and pinned him there.
He spat out his teeth and yelled: 'Jesus Christ, you idiot, it's me!' But this was as much for the benefit of Darcy Clarke, back there somewhere in the dark house, as for Harry Keogh. For even as he was shouting, Wellesley's right hand reached inside the coat under his cape and grasped the grip of his issue 9 mm Browning. This was his main chance. Keogh had attacked him, just as he'd hoped he would. It was self-defence, that's all.
Harry, taking no chances, had nocked his bow, snatched the auxiliary bolt from its clips under the tiller of his weapon and placed it in the breech. In a sort of slow-motion born of the speed of his own actions, he saw Wellesley's arm straightening and coming up into the firing position; but he couldn't believe the man would shoot him. Why? For what reason? Or perhaps Wellesley feared he was going to use the crossbow again. That must be it, yes. He dropped his weapon into the armchair's well and threw up his arms.
But now Wellesley's aim was unwavering, his eyes glinting, his knuckle turning white in the trigger-guard of the automatic. And he actually grinned as he shouted: 'Keogh, you madman — no! —
Then… three things, happening almost simultaneously:
One: Darcy Clarke's voice, which Harry recognized immediately, shouting, 'Wellesley, get out of there. Get the fuck
Two: Harry throwing himself over backwards behind the armchair as finally Wellesley's intention became clear, and hearing the angry
Three: the crash of shattering glass and snapping of thin wooden mullions inwards as something wet and heavy and clumsy came plunging through the locked patio doors into the room, something which drew Wellesley's fire from Harry to itself!
This one was bloated, wet, intact, not long dead — but long enough to smell very badly. And behind it came a second corpse, dusty, withered, almost mummified, stepping through the frame of the shattered door. They were in their crumbling burial sheets and each of them carried a stone, advancing on Wellesley where he stood pinned to the wall, still yanking on the trigger of his empty gun.
And Harry could only crouch there watching, mouthing silent denials, as they drew close to the frenzied, maddened boss of E-Branch and began to raise their stones.
That was when the corridor light came on and Darcy Clarke stumbled into the room. His talent for survival — unfelt except by Darcy himself — was shrieking at him to get the hell out of here, almost physically driving him back. But somehow he fought it; and after all, the hostility of the dead wasn't directed at him but at his boss. 'Harry!' he yelled, when he saw what was happening in the room. 'For God's sake call them off!'
'I can't,' Harry yelled back. 'You know I can't!' But at least he could put himself between them. He did that now, jumped forward and somehow got between the dead things and Wellesley where he gibbered and frothed. And there they stood with their stones upraised, and the soggy one seeking to put Harry gently to one side.
He might have, too, but suddenly suicidal, Harry cried out: 'No! Go back where you belong! It's a mistake!' Or at least he tried to. But he only got as far as 'go back where — ' For he was forbidden to speak to the dead. But fortunately for Wellesley, the dead weren't forbidden to heed him.
As Harry clapped his hands to his head and cried out, jerking like a spastic puppet as he crumpled up, so the dead men let fall their stones and turned away, and went out again into the night.
Strangled until now, Wellesley found his voice again; but it was a deranged voice if ever Darcy Clarke heard one. 'Did you see? Did you see?' Wellesley gibbered. 'I didn't believe it, but now I've seen for myself. He called them up against me! He's a monster, by God, a
He'd freed the spent magazine from his gun and dropped it to the carpeted floor, and was in the process of bringing a fully loaded one out of his pocket when Clarke hit him with all the force he could muster. Gun and magazine went flying, and Wellesley hung there in his makeup, suspended from the crossbow bolt.
Then there were more running footsteps, and in the next moment the two-man back-up team was there wondering what the hell was going on; and Darcy was down on the floor with Harry, holding him in his arms as the agonized man clutched at his head and gasped out his unbearable pain, and slid down into the deep, dark well of merciful oblivion…