Janos had performed his own monstrous brand of necromancy.
Not all of the dead would wish for such a resurgence, Harry knew: the Thracian warrior-king Bodrogk and his wife Sofia, whose world had lain two thousand years in the past, had been happy to collapse in each other's arms and return to dust (a merciful release for them, who had prayed for it so often). But what of the much more recently dead?
Like Trevor Jordan, for instance?
The answer might seem easy: why not ask him? But in fact that was the hardest thing of all. 'I intend to return you to life. I have the apparatus but I'm not one hundred per cent sure of the system. It worked perfectly well for another, but he had the advantage of many hundreds of years of experimentation. In the event all goes well you will be as you were; except, well… you'll recall that you
Or, in Penny Sanderson's case: 'Penny, I think I can bring you back. But if I get the mixture wrong it could be that you'll not be as lovely as you were. I mean, your skin and features could be imperfect, or blemished, or pocked… hideously. For example, some of the things I called up in the Castle Ferenczy were quite monstrous; there were
No, he couldn't tell them what he had in mind, not yet. If he gave them the bare bones of the matter they'd require him to flesh it out, and if he elaborated they'd fret about every smallest detail. And from now until the actual — resurrection? — they'd mix anticipation with dread, alternating shivers of excitement with shudders of terror most extreme. They'd climb high mountains of hope, only to tumble back into black lakes of deepest despair and depression.
'I have a shot which may cure your cancer… but it just might give you AIDS.'
That was how it would feel to Harry, if the roles were reversed; but at the same time he knew that of course it wasn't like that: when you're dead you're beyond hope, and so any hope has to be better than none. Or does it? Or was that simply the vampire in him — tenacity aspiring to immortality — doing his thinking for him?
Or… perhaps he hesitated for another, far more elemental reason: something which warned him that with his small talents (small, yes, in the scale of a universe or parallel multiverses) he must not,
Harry had been the Necroscope, was becoming a vampire, and now would be a necromancer in his own right. How dare he seek out Penny's murderer to punish him on the one hand, and on the other pursue the practice of that same black art? What would be
Perhaps the gears were already engaged, the wheels even now turning. Perhaps the Necroscope had already gone too far, disturbing the delicate balance between Good and Evil to such an extent that it now required radical readjustment. Had he simply become too powerful, which is to say corrupt? How did the old saying go: 'Absolute power corrupts absolutely'? Ridiculous! Was God Himself corrupt? No, for the maxims of men are like their laws: they apply only to men.
Such arguments were endless in the metamorphosis of the Necroscope's mind and body, until sometimes he thought he was mad. But when his thoughts were clear he knew that he was not mad; it was just the
And then he would remember how he used to be, determine that he must always be that way, and know that he hesitated only out of consideration for his friends among the dead. It was simply that he didn't want Trevor and Penny to suffer agonies of protracted uncertainty, only to let them down when the waiting was over. To die once is enough, as had been made perfectly plain by Janos's many Thracian thralls in the bowels of the Castle Ferenczy.
As for God: if there
Harry had spent a good deal of his time arguing, not least with himself. If a subject took his fancy — almost any subject — he would play word-games with himself to the point of distraction and delirium: a sort of mental masturbation. But it wasn't just himself he was jerking off; in conversations with the dead he was equally argumentative, even when he suspected that they were right and he was wrong.
Indeed, he seemed to argue for the sake of it, out of sheer contrariness. He thought and argued about God; also about good and evil, about science, pseudoscience and sorcery, their similarities, discrepancies and ambiguities. Space, time and space-time fascinated him, and especially mathematics with its inalienable laws and pure logic. The very changelessness of maths was a constant joy and relief to the Necroscope's changeling mind in its changeling body.
Within a day or two of returning from the Greek islands he had used the instantaneous medium of the Mobius Continuum to go to Leipzig and see (speak to) August Ferdinand Mobius where he lay in his grave. Mobius had been and still was a great mathematician and astronomer; indeed he was the man whose genius had saved Harry's life on several occasions, again through the medium of his Mobius Continuum. But while Harry's primary purpose in visiting Mobius was to thank him for the return of his numeracy, instead he ended up arguing with him.
The great man had happened to mention that his next project would be to measure space, and as soon as the Necroscope heard this he threw himself headlong into an argument. This time the argument was 'Space, Time, Light and the Multiverses'.
'Not at all,' Harry had answered, 'because we know there are parallels. I've visited one, remember?' (And East German students with their notebooks had wondered at this peculiar man who stood by a dead scientist's tomb muttering to himself.)
'You'll measure it?'
'But since it's constantly expanding, how will you go about it?'
'Good!' Harry had answered. 'But… to what purpose?'
(A sigh.)
Harry had stayed grudgingly silent for a moment, until: 'I too have given the matter a little thought,' he said. 'Though purely on the theoretical level, because the physical measurement of a constantly changing quantity seems rather fruitless to me. Whereas to
(An astonished pause.)
'You want to know all about space, time, light and the multiverses?'
To which the Necroscope had answered: 'Your initial measurement will suffice; no other is necessary. Knowing the size of the universe — and not only this one, incidentally, but all the parallels, too — at any given moment of time, we will automatically know their exact age and rate of expansion, which will be uniform for all of