Chapter 22
Chapter 23
“Where shall we see a better daughter or a kinder sister or a truer friend?”—Jane Austen,
Leese but their show; their substance still lives sweet.”—Shakespeare, Sonnet 5
1
I’d do anything to be with you, right now, right this moment, so I could hold your hand, look at your face, listen to your voice. How can touching and seeing and hearing—all those sensory receptors and optic nerves and vibrating eardrums—be substituted by a letter? But we’ve managed to use words as go-betweens before, haven’t we? When I went off to boarding school and we had to replace games and laughter and low-voiced confidences for letters to each other. I can’t remember what I said in my first letter, just that I used a jigsaw, broken up, to avoid the prying eyes of my house mistress. (I guessed correctly that her jigsaw-making inner child had left years ago.) But I remember word for word your seven-year-old reply to my fragmented homesickness and that your writing was invisible until I shone a flashlight onto the paper. Ever since, kindness has smelled of lemons.
The journalists would like that little story, marking me out as a kind of lemon-juice detective even as a child and showing how close we have always been as sisters. They’re outside your flat now, actually, with their camera crews and sound technicians (faces sweaty, jackets grimy, cables trailing down the steps and getting tangled up in the railings). Yes, that was a little throwaway, but how else to tell you? I’m not sure what you’ll make of becoming a celebrity, of sorts, but suspect you’ll find it a little funny. Ha-ha funny and weird funny. I can only find it weird funny, but then I’ve never shared your sense of humor, have I?
Just thinking of your laughter gives me courage and I go to the window.
Outside, I recognize a reporter from a satellite news channel. I am used to seeing his face flattened into 2D on a plasma screen in the privacy of my New York apartment, but here he is large as life and in 3D flesh standing in Chepstow Road and looking straight back at me through your basement window. My finger itches for the off button on the remote; instead I pull the curtains.
But it’s worse now than when I could see them. Their lights glare through the curtains, their sounds pound against the windows and walls. Their presence feels like a weight that could bulldoze its way into your sitting room. No wonder the press are called the press—if this goes on much longer I could suffocate. Yes, okay, that was a little dramatic, you’d probably be out there offering them coffee. But as you know, I am easily annoyed and too precious about my personal space. I shall go into the kitchen and try to get on top of the situation.
It’s more peaceful in here, giving me the quiet to think. It’s funny what surprises me now; often it’s the smallest things. For instance, yesterday a paper had a story on how close we have always been as sisters and didn’t even mention the difference in our age. Maybe it doesn’t matter anymore now that we’re grown-up, but as children it seemed so glaring. “Five years is a big gap …” people would say who didn’t know, a slight rise at the end of the sentence to frame it as a question. And we’d both think of Leo and the gap he left, though maybe gaping void would be more accurate, but we didn’t ever say, did we?
The other side of the back door I can just hear a journalist on her mobile. She must be dictating to someone on the phone; my own name jumps out at me, “Arabella Beatrice Hemming.” Mum said no one has ever called me by my first name so I’ve always assumed that even as a baby they could tell I wasn’t an Arabella, a name with loops and flourishes in black-inked calligraphy, a name that contains within it girls called Bella or Bells or Belle—so many beautiful possibilities. No, from the start I was clearly a Beatrice, sensible and unembellished in Times New Roman, with no one hiding inside. Dad chose the name Arabella before I was born. The reality must have been a disappointment.
The journalist comes within earshot again, on a new call, I think, apologizing for working late. It takes me a moment before I realize that I, Arabella Beatrice Hemming, am the reason for it. My impulse is to go out and say sorry, but then you know me, always the first to hurry to the kitchen the moment Mum started her tom-tom anger signal by clattering pans. The journalist moves away. I can’t hear her words but I listen to her tone, appeasing, a little defensive, treading delicately. Her voice suddenly changes. She must be talking to her child. Her tone seeps through the door and windows, warming your flat.
Maybe I should be considerate and tell her to go home. Your case is sub judice so I’m not allowed to tell them anything till after the trial. But she, like the others, already knows this. They’re not trying to get facts about you but emotions. They want me to clench my hands together, giving them a close-up of white knuckles. They want to see a few tears escaping and gliding snaillike down my cheek, leaving black mascara trails. So I stay inside.