Jane felt the weight of the ancestors on her shoulders.
This was probably one of those situations where Mum would go to the church and pray for guidance – Jane thinking that if she did that, after all she’d said over the years, it would at least give God the best laugh he’d had since he hit the Egyptians with a plague of locusts.
The scullery phone rang.
‘Look, Irene,’ Jane said, ‘I’ve been thinking-’
‘Jane, I’m really sorry…’
‘Oh. Mum.’
‘I’m also sorry for not being Eirion. Listen, flower, you can probably guess what’s coming.’
‘You have to go back to Malvern. Don’t call me flower.’
‘Right. I’m sorry. I’m there now, and I have someone else to meet. Will you be OK?’
‘Sure. I’ve already fed Ethel. I’ll get something for me later.’
‘Is everything all right?’
‘Everything’s fine.’
‘I won’t be late. I promise I won’t be late this time.’
‘Honestly, take as long as you like,’ Jane said.
She hung up and felt tearful. Felt like a stupid, ineffectual kid who got caught up in fads and crazes and thought she was so smart and spiritually developed but, faced with a crunch situation, didn’t basically have the nerve to follow through.
27
Bugger-All
Tim Loste’s house. The heart of the enigma.
A flat, grey Victorian or Edwardian town house that just happened to have been built in the country. A tiny front garden held in by iron railings. An oak tree that shouldn’t be here.
Merrily stepped into the house called Caractacus with some trepidation and an uncomfortable sense of deja vu. Well, not quite, because she knew where this feeling was coming from, remembering when Bliss had invited her to the home of a suspected serial murderer obsessed with the Cromwell Street killings. All black sheets and pin-up pictures of dead celebrities.
‘Stay with me,’ Annie Howe said, ‘and don’t touch anything. We’ve been over it forensically, but- What? ’
‘Nothing,’ Merrily said.
In the dim, narrow, camphor-smelling hallway, she’d come face to face with a dead celebrity.
He was life-size, in bowler hat and hacking jacket. Standing there behind his black, yard-brush moustache and the high handlebars of Mr Phoebus, as if he was about to wheel the bicycle out of the shadows towards the front door.
‘Yes, rather startling at first, isn’t it?’ Howe said.
The black and white photograph, massively blown-up, had been fixed to a wooden frame and propped up against the end wall of the passage so that it filled almost the full width, and when you came in by the front door you were looking directly into the grainy eyes.
Of all the pictures of Elgar, why this one? Merrily had the feeling that the huge, stately Mr Phoebus, important to Elgar, was also very important to Tim Loste: a bike that meant business, could take Elgar anywhere, a symbol of the mobility of the spirit.
It still didn’t have a lamp.
‘What are you thinking?’ Annie Howe said.
‘Just wondering what I’m doing here.’
Howe said, ‘My understanding is that you’ve been here two or three times in the past few days.’
‘I’ve never been here before.’
‘In the village, then. Before and possibly even during the murder of Roman Wicklow. So I thought I’d like to hear about the purpose of your visits.’
‘Don’t you know?’
‘Well, frankly, the version of it that one of my officers was told seemed too ridiculous.’
‘Even for me, huh?’
Merrily had come directly to Loste’s cottage because this was where the police car was parked, along with a silver BMW, presumably Howe’s. There had been a uniformed constable at the gate and Howe, in a mid-grey cotton suit, had been in the front garden, examining the oak sapling. Her fine, light hair was clipped close to her skull, her make-up minimal. Jane had once said she looked like a Nazi dentist. Unfair. Sort of.
Howe opened a panelled door to the right, stepping back.
‘Living room. If you take a careful look around, perhaps you could tell me if there’s anything there that strikes as much of a chord for you as the Elgar blow-up evidently did.’
An atmosphere like a faded sepia photograph and more old photographs hanging from a wooden picture rail all around the mustard-coloured walls. Some of them were portraits of Elgar, some landscapes – Merrily recognized Stonehenge and Glastonbury Tor, but the rest were less easy: unknown hill scenery, might be Malverns, might not. Also churches, none of them obvious, no Hereford or Worcester cathedral, no Malvern Priory.
Over the tiled fireplace was a large framed photo of an obvious oak tree, a huge and ancient one, bulging black against the light. It was the only one in colour, but all the colour was in the sky. On the mantelpiece below it was a scattering of acorns and a bottle of whisky, half empty.
Howe looked at Merrily.
When beneath the sacred oak. Obvious where Howe was coming from. But what could Merrily add to it? Nothing. She was mystified.
‘Well, he… clearly has a fascination with oak trees, Annie. But I expect your well-honed deductive skills had told you that already.’
On the way in, she’d spotted a line of what she’d thought were potted plants until she’d noticed the leaves. Somehow, she felt this was Winnie Sparke’s doing, filling the place – filling Tim’s life – with oak trees. Why? Druidry, Caractacus? What was this about?
‘Maybe he can get some kind of weird buzz by smoking acorns or something,’ Merrily said and then regretted it. Howe was in there.
‘So what exactly have you heard about Mr Loste and illegal drugs?’
‘ Nothing… I was being…’ Merrily sighed. ‘Facetious. Something about you brings out the child in me.’
She looked around. There was a long writing desk with a musical score on it and an empty whisky bottle in the footwell. A bookcase, a CD cabinet. Two leather easy chairs but no television or radio.
‘I mean… what do you want me to say? He has a thing about oaks. How that ties in with the Royal Oak I have no idea. Is that one of the reasons you’ve nicked him?’
Howe said, ‘Do you know of a connection between oaks and Elgar?’
‘No, do you?’
Howe took down a book with pages marked by luminous Post-it stickers. It was a biography of Elgar, whose name, as far as Merrily could see, occurred on the spine of virtually every volume in the bookcase. Howe opened it out on the writing desk. A paragraph was marked by a pencil line.
In July 1918, about two months after the Elgars had moved to Brinkwells, they were visited by their friend Algernon Blackwood, writer of ghost stories. Elgar took Blackwood to see a copse of, according to Alice Elgar, ‘sinister’ trees which were said – although Blackwood may have invented this – to have once been Spanish monks punished for practising black magic. Elgar found them fascinating.
Merrily looked up. ‘Doesn’t say they were oak trees. Where’s Brinkwells?’
‘Sussex.’
‘ Sussex? ’
‘Elgar lived there for a while before returning to Worcestershire.’
‘So what does that tell us? Anything at all?’
