Today was elf dress rehearsal. The lockers and dressing rooms are located on the eighth floor, directly behind SantaLand. Elves have gotten to know one another over the past four days of training but once we took off our clothes and put on the uniforms everything changed.
The woman in charge of costuming assigned us our outfits and gave us a lecture on keeping things clean. She held up a calendar and said, 'Ladies, you know what this is. Use it. I have scraped enough blood out from the crotches of elf knickers to last me the rest of my life. And don't tell me, 'I don't wear underpants, I'm a dancer.' You're not a dancer. If you were a real dancer you wouldn't be here. You're an elf and you're going to wear panties like an elf.'
My costume is green. I wear green velvet knickers, a yellow turtleneck, a forest-green velvet smock, and a perky stocking cap decorated with spangles. This is my work uniform.
My elf name is Crumpet. We were allowed to choose our own names and given permission to change them according to our outlook on the snowy world.
Today was the official opening day of SantaLand and I worked as a Magic Window Elf, a Santa Elf, and an Usher Elf. The Magic Window is located in the adult 'Quick Peep' line. My job was to say, 'Step on the Magic Star and look through the window, and you can see Santa!' I was at the Magic Window for fifteen minutes before a man approached me and said, 'You look so fucking stupid.'
I have to admit that he had a point. But still, I wanted to say that at least I get paid to look stupid, that he gives it away for free. But I can't say things like that because I'm supposed to be merry.
So instead I said, 'Thank you!'
'Thank you!' as if I had misunderstood and thought he had said, 'You look terrific.'
'Thank you!'
He was a brawny wise guy wearing a vinyl jacket and carry-ing a bag from Radio Shack. I should have said, real loud, 'Sorry man, I don't date other guys.'
Two New Jersey families came together to see Santa. Two loud, ugly husbands with two wives and four children between them. The children gathered around Santa and had their picture taken. When Santa asked the ten-year-old boy what he wanted for Christmas, his father shouted, 'A WOMAN! GET HIM A WOMAN, SANTA!' These men were very loud and irritating, constantly laughing and jostling one another. The two women sat on Santa's lap and had their pictures taken and each asked Santa for a KitchenAide brand dishwasher and a decent winter coat. Then the husbands sat on Santa's lap and, when asked what he wanted for Christmas, one of the men yelled, 'I WANT A BROAD WITH BIG TITS.' The man's small-breasted wife crossed her arms over her chest, looked at the floor, and gritted her teeth. The man's son tried to laugh.
Again this morning I got stuck at the Magic Window, which is re-ally boring. I'm supposed to stand around and say, 'Step on the Magic Star and you can see Santa!' I said that for a while and then I started saying, 'Step on the Magic Star and you can see Cher!'
And people got excited. So I said, 'Step on the Magic Star and you can see Mike Tyson!'
Some people in the other line, the line to sit on Santa's lap, got excited and cut through the gates so that they could stand on my Magic Star. Then they got angry when they looked through the Magic Window and saw Santa rather than Cher or Mike Tyson. What did they honestly expect? Is Cher so hard up for money that she'd agree to stand behind a two-way mirror at Macy's?
The angry people must have said something to management because I was taken off the Magic Star and sent to Elf Island, which is really boring as all you do is stand around and act merry. At noon a huge group of retarded people came to visit Santa arid passed me on my little island. These people were profoundly retarded. They were rolling their eyes and wagging their tongues and staggering toward Santa. It was a large group of retarded people and after watching them for a few minutes I could not begin to guess where the retarded people ended and the regular New Yorkers began.
Everyone looks retarded once you set your mind to it.
This evening I was sent to be a Photo Elf, a job I enjoyed the first few times. The camera is hidden in the fireplace and I take the picture by pressing a button at the end of a cord. The pictures arrive by mail weeks later and there is no way an elf can be identified and held accountable but still, you want to make it a good picture.
During our training we were shown photographs that had gone wrong, blurred frenzies of an elf's waving arm, a picture blocked by a stuffed animal, the yawning Santa. After every photograph an elf must remove the numbered form that appears at the bottom of the picture. A lazy or stupid elf could ruin an entire roll of film, causing eager families to pay for and later receive photographs of complete, beaming strangers.
Taking someone's picture tells you an awful lot, awful being the operative word. Having the parents in the room tends to make it even worse. It is the SantaLand policy to take a picture of every child, which the parent can either order or refuse. People are allowed to bring their own cameras, video recorders, whatever. It is the multimedia groups that exhaust me. These are parents bent over with equipment, relentless in their quest for documentation.
I see them in the Maze with their video cameras instructing their children to act surprised. 'Monica, baby, look at the train set and then look back at me. No, look at me. Now wave. That's right, wave hard.'
The parents hold up the line and it is a Maze Elf's job to hurry them along.
'Excuse me, sir, I'm sorry but we're sort of busy today and I'd appreciate it if you could maybe wrap this up. There are quite a few people behind you.'
The parent then asks you to stand beside the child and wave. I do so. I stand beside a child and wave to the video camera, wondering where I will wind up. I picture myself on the television set in a paneled room in Wapahanset or Easternmost Meadows. I picture the family fighting over command of the remote control, hitting the fast-forward button. The child's wave becomes a rapid salute. I enter the picture and everyone in the room entertains the same thought: 'What's that asshole doing on our Christmas Memory tape?'
The moment these people are waiting for is the encounter with Santa. As a Photo Elf I watch them enter the room and take control.
'All right, Ellen, I want you and Marcus to stand in front of Santa and when I say, 'now,' I want you to get onto his lap. Look at me. Look at Daddy until I tell you to look at Santa.'
He will address his wife who is working the still camera and she will crouch low to the ground with her light meter and a Nikon with many attachments. It is heavy and the veins in her arms stand out.
Then there are the multimedia families in groups, who say, 'All right, now let's get a shot of Anthony, Damascus, Theresa, Doug, Amy, Paul,and Vanity can we squeeze them all together? Santa, how about you let Doug sit on your shoulders, can we do that?'
During these visits the children are rarely allowed to discuss their desires with Santa. They are too busy being art-directed by the parents.
'Vanity and Damascus, look over here, no, lookhere.'
'Santa, can you put your arm around Amy and shake hands with Paul at the same time?'
'That's good. That's nice.'
I have seen parents sit their child upon Santa's lap and immediately proceed to groom: combing hair, arranging a hemline, straightening a necktie. I saw a parent spray their child's hair, Santa treated as though he were a false prop made of cement, turning his head and wincing as the hair spray stung his eyes.
Young children, ages two to four, tend to be frightened of Santa. They have no interest in having their pictures taken because they don't know what a picture is. They're not vain, they're babies. They are babies and they act accordingly they cry. A Photo Elf understands that, once a child starts crying, it's over. They start crying in Santa's house and they don't stop until they are at least ten blocks away.
When the child starts crying, Santa will offer comfort for a moment or two before saying, 'Maybe we'll try again next year.'
The parents had planned to send the photos to relatives and place them in scrapbooks. They waited in line for over an hour and are not about to give up so easily. Tonight I saw a woman slap and shake her sobbing daughter, yelling, 'Goddamn it, Rachel, get on that man's lap and smile or I'll give you something to cry about.'
I often take photographs of crying children. Even more grotesque is taking a picture of a crying child with a false grimace. It's not a smile so much as the forced shape of a smile. Oddly, it pleases the parents.
'Good girl, Rachel. Now, let's get the hell out of here. Your mother has a headache that won't quit until you're twenty-one.'
